In 1959 Malcolm Muggeridge reviewed Frederick J. Stopp’s biography of Evelyn Waugh for the New Republic and described his own slight acquaintance with its subject:
The last time I saw him was at a wedding. I am no expert on wedding attire, but his seemed unusual. A tall black top hat, I thought funereal in character, provided an additional bizarre touch. He made considerable play with an old-fashioned Victorian ear trumpet, though whether for use or ostentation I cannot say. Occasionally he seemed to head in my direction, almost to orbit round me, but no trace of recognition appeared on his large, rubicund countenance. I felt no particular desire to be recognized by him, but these strange gyrations struck me as odd. In any case, on the few occasions that I have been on speaking terms with Mr. Waugh, I have formed the impression that he does not like me.