Names (Yet More)

In today’s Daily Express there is another story inspired by Time magazine’s recent misclassification of Evelyn Waugh. The story begins with a short review of Wavian names:

The late author of Brideshead Revisited might have been tickled by the error. He always loathed the name Evelyn. “In America it is used only for girls and from time to time even in England it has caused confusion as to my sex,” he lamented in his autobiography. Mind you, he called his own son Auberon – also a rather twisted writer – who bizarrely waged war on the name Glenda, declaring that the very thought of Glenda Jackson turned men homosexual.

In his autobiography from which the quote is taken, Waugh also explained that his first name, Arthur, which he never used, was from his father, and his second name, Evelyn, was a “whim” of his mother. The source of his third name, St. John, no doubt pronounced “Sinjin”,

was absurd. I had a High Church godfather who insisted that I must be given the name of a saint. They might have left it plain John, but instead added the prefix of sanctity, thus seeming to claim a spurious family connection (A Little Learning, p 27).

Auberon would appear to have been named for his maternal uncle, Auberon Herbert, although the matter is not without controversy. As Auberon explained in his autobiography:

It was curious that my father ever agreed to my being called Auberon since he had never enjoyed very cordial relations with my Uncle Auberon who, as head of my mother’s immediate family, might have been flattered by the choice. From quite an early stage, my father announced that I had been called not after my mother’s brother but after her first cousin once removed, the Auberon (“Bron”) Herbert who, as Lord Lucas, died a hero’s death over the German lines on 3 November 1916 (Will This Do?, p. 32). 

The story in the Express online edition is headed by a photo of Evelyn and his wife, Laura. This is from November 1950 and was taken at the Plymouth docks on their arrival back from their last trip to America aboard the Ile de France. Martin Stannard, Evelyn Waugh: The Later Years, following p. 108, identifying a different photo from the same session.

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Hooper, Rex Mottram and Modern Education

 Author and journalist Joseph Pearce has published an essay about the shortcomings of modern education on The Imaginative Conservative weblog. This is a follow up to an earlier posting on G.K. Chesterton’s views relating to the same subject in which the importance of the moral dimension of education is stressed. In this latest post, Pearce considers, inter alia, Waugh’s comments on this topic as expressed in the persons of two of his characters:

Evelyn Waugh, in his magnum opus, Brideshead Revisited, a novel which was itself inspired by a line in one of Chesterton’s Father Brown stories, lampoons the “hollow men” produced by the modern academy in his portrayal of Hooper and Rex Mottram. Hooper had “no special illusions distinguishable from the general, enveloping fog from which he observed the universe:”

“Hooper had wept often, but never for Henry’s speech on St. Crispin’s day, nor for the epitaph at Thermopylae. The history they taught him had had few battles in it but, instead, a profusion of detail about humane legislation and recent industrial change. Gallipoli, Balaclava, Quebec, Lepanto, Bannockburn, Roncesvales, and Marathon—these, and the Battle in the West where Arthur fell, and a hundred such names whose trumpet-notes, even now in my sere and lawless state, called to me irresistibly across the intervening years with all the clarity and strength of boyhood, sounded in vain to Hooper…”

Like Hooper, the character of Rex Mottram serves to personify the “hollow man,” the crass product of the modern, disintegrated academy. In the words of Julia, his wife, he is not only ignorant but also, and even worse, he is utterly ignorant of his ignorance:

“You know Father Mowbray hit on the truth about Rex at once, that it took me a year of marriage to see. He simply wasn’t all there. He wasn’t a complete human being at all. He was a tiny bit of one, unnaturally developed… I thought he was a sort of primitive savage, but he was something absolutely modern and up-to-date that only this ghastly age could produce. A tiny bit of a man pretending he was whole…”

Pearce cites the quotes from Waugh’s novel to the Everyman’s Library edition (New York, 1993) pp. 8-9, 181-82. He might also have cited Scott-King’s views on this subject. See previous post. The line from Chesterton’s Father Brown story is used for the title of Book Three of the novel’s revised edition (“A Twitch Upon the Thread”).  Pearce concludes his article: “If the twenty-first century is to produce more great men and more great books, it will have to restore a true education; and a true education is an education as if truth mattered.”

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Brideshead First Exceeds Estimate

The first edition of Brideshead Revisited inscribed by Waugh to Deborah Devonshire (nee Mitford) and her husband Andrew sold today at auction for £52,500 ($78,400). According to one report, this was more than double the estimate. The identity of the buyer has not been announced. This was one of 50 copies distributed by Waugh to his friends in December 1944. It preceded publication and was substantially edited by Waugh before the final version appeared a few months later.

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Renishaw Reviewed

The current issue of the New Criterion carries a review of Renishaw Hall: The Story of the Sitwells by Desmond Seward. The review by Brooke Allen notes the importance of the Sitwells and their house to Evelyn Waugh:

According to Evelyn Waugh, [the Sitwells] “radiated an aura of high spirits, elegance, impudence, unpredictability, above all of sheer enjoyment. They declared war on dullness.”… Seward, a close friend of Sir Reresby and his wife Penelope, is hardly the first to fall besottedly in love with Renishaw and its famous gardens. The artist Rex Whistler considered it “the most exciting house in England.” Evelyn Waugh, who visited the Hall often as Osbert’s guest, grew to care for it even more than he did for Madresfield Court, the model for his fictional Brideshead.

The bracketed reference is to the siblings Edith, Osbert and Sacheverell Sitwell who occupied the house during Waugh’s lifetime. The quote is from a profile Waugh wrote on Osbert for the New York Times Magazine (30 November 1952). It is reprinted in Essays, Articles and Reviews, p. 423. 

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Brideshead Cover Art on Display

A Roman Catholic quarterly literary magazine (Dappled Things) has kindly posted the cover art from copies of Brideshead Revisited dating back to the first editions. It does not claim to be complete and does not include any foreign language editions. But it does seem to include most (possibly all) Penguin paperbacks. Missing are most notably the Australian first edition and the several U.S. editions published by Dell (although none of those rival Penguin in artistic quality or variety). The article (compiled by Jonathan McDonald) concludes by noting that:

… the cover designers kept coming back around to the spirit of the original edition’s ornate design. This is a good instinct, and it shows that there remains a perennial understanding of the book’s nature.

It is certainly worth a look. To view it click here.

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Waugh Foresaw Time Error

An article in the City Journal, a leading urban policy magazine, describes the recent inability of Time magazine’s editors to spot the recent misallocation of Evelyn Waugh’s writings to a survey of women authors, as an example of the failure of America’s educational system. Stefan Kanfer writes:

When the dustup hit the Net, one of Twitter’s most popular commentators, Matthew Yglesias, owned up to his ignorance like a man—an unlettered man. “Confession time,” he wrote. “Until today I thought Evelyn Waugh was a woman, because his name is ‘Evelyn’ and that is typically a woman’s name.” Whereupon, a derisive Twitterer asked, “Have you ever read anything?” Answering in kind, Yglesias shot back, “Yes, several books but none by Evelyn Waugh.” Very amusing, but Yglesias isn’t your average blogger. He’s a graduate of Dalton—a tony Manhattan progressive school—and attended Harvard where he graduated magna cum laude in 2003… 

Waugh saw all this coming more than 50 years ago. In Scott-King’s Modern Europe, a fatuous headmaster declares, “Parents are not interested in producing the ‘complete man’ anymore. They want to qualify their boys for jobs in the public world. You can hardly blame them, can you?” Scott-King, Waugh’s mouthpiece, responds: “I can and do. I think it would be very wicked indeed to do anything to fit a boy for the modern world.”

Waugh’s novella Scott-King’s Modern Europe is also available in Waugh’s Complete Short Stories. Thanks to Dave Lull for forwarding this article.  

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Details Announced of Waugh Anniversary Event in Leeds

The Complete Works of Evelyn Waugh project has announced the details of an event at the University of Leeds on 23 March to mark the 50th anniversary of Waugh’s death later this year.  Here’s the schedule and venue:

Event Schedule
Host: Professor Michael Brennan, Leeds
13.00-13.30: Selected collection items available for viewing in the Sheppard Room
13.30-14.00: An introduction to the Waugh Collection with Sarah Prescott
14.00-14.45: Waugh’s juvenilia with Alexander Waugh
14.45-15.00: Tea break
15.00-15.30: A Little Learning, Waugh’s autobiography, with Barbara Cooke
15.30-16.00: The Vile Bodies manuscript with Martin Stannard
Questions and summing up
WHEN
Wednesday, 23 March 2016 from 13:00 to 16:00 (GMT) – Add to Calendar
WHERE
Treasures of the Brotherton Gallery – Parkinson Building. Woodhouse Lane. University of Leeds LS2 9JT GB

Members of the public are invited. For more information click here.

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Waugh’s Chapels

A traditionalist Roman Catholic blogger has posted a short entry on the connections between the fictional chapel described at Brideshead Castle in Waugh’s novel and the actual chapel at Madresfield Court. The connection between these chapels is well known and discussed in several places. There is also a quote from Brideshead Revisited in which Charles Ryder describes the chapel:

The whole interior had been gutted, elaborately refurnished and redecorated in the arts-and-crafts style of the last decade of the nineteenth century. Angels in printed cotton smocks, rambler-roses, flower-spangled meadows, frisking lambs, texts in Celtic script, saints in armour, covered the walls in an intricate patter of clear, bright colours. There was a triptych of pale oak, carved so as to give it the peculiar property of seeming to have been moulded in Plasticine. The sanctuary lamp and all the metal furniture were of bronze, hand-beaten to the patina of a pock-marked skin; the altar steps had a carpet of grass-green, strewn with white and gold daisies [Penguin, pp. 39-40].

The accompanying text, however, is a wee bit misleading:

With a little searching, I found that the chapel in the novel was based on an actual chapel – the chapel at Madresfield Court in Worcestershire. Waugh was a frequent visitor to this home in his youth, and he had said that he based the Flyte family in Brideshead Revisited on the Lygons who lived in this estate. (Emphasis supplied.)

Waugh was cautious not to say in so many words (at least in writing) that he had based the Flytes on the Lygons, although few of his friends and later scholars have missed the connection. He wished to preserve his friendships with Mary and Dorothy Lygon and was careful to distinguish the Flytes and the physical description of Brideshead Castle from Madresfield Court and the Lygons, except in the case of the chapel itself which was a ringer. The Lygons were Protestants and Madresfield was rebuilt in a Gothic Revival style unlike the Flytes who were Roman Catholic and their house, Baroque. The marital problems of the Lygons arose from homosexuality and those of the Flytes from religion and adultery. See, e.g., Dorothy Lygon, “Madresfield and Brideshead” in Evelyn Waugh and his World (ed. David Pryce-Jones). The blog post however has attached two photos which are worth a look. They illustrate perfectly how Waugh’s description of the chapel matches his model. 

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Joyce Maynard Lists Waugh Book Among Favorites

In The Week magazine, journalist and novelist Joyce Maynard lists Brideshead Revisited among her six favorite books. Maynard is probably best known for her 1992 novel To Die For, which was made into a film, and her 1998 memoir At Home in the World in which she revealed her affair with novelist J.D. Salinger. Here’s how she describes her selection of Brideshead:

Brideshead Revisited by Evelyn Waugh (Back Bay, $16). Like Gatsby, this novel explores imbalance of class in a friendship. What starts out as an innocent youthful alliance — between a son of the middle class and a charmed but melancholy aristocratic Oxford classmate — turns into the stuff of tragedy.

Besides The Great Gatsby, other books selected include John Knowles’ A Separate Peace and Zoe Heller’s Notes on a Scandal.

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Wodehouse Redivivus

A book blog has posted an article describing Evelyn Waugh’s role in the re-establishment of the reputation of P.G. Wodehouse. Waugh’s actions are compared with previous efforts of George Bernard Shaw on behalf of Henrik Ibsen and Walker Percy who promoted the posthumous publication of A Confederacy of Dunces by John Kennedy Toole:

Waugh had always been outspoken about [Wodehouse’s talent]. His praise ultimately reached its zenith in 1961 with the BBC radio address-turned essay, ‘An Act of Homage and Reparation.’ It is crucial to remember that the essay, which called for a more widespread readership for Wodehouse, was not just defending the comic maestro from creeping indifference, but from slander. The BBC had, apparently, accused Wodehouse of collaborating with the Nazis some twenty years prior to Waugh’s appeal.

The first road block to Wodehouse’s reacceptance into popular readership was thus to dispel any lingering hints of Wodehouse’s guilt. MI5 had by then cleared him of such charges, though he nevertheless stayed away from England for the remainder of his life. Having taken a moment to exonerate his literary idol, Waugh launched into his cultural appraisal of Wodehouse’s work. He remarked, “Three full generations have delighted in Mr. Wodehouse. As a young man he lightened the cares of office of Mr. Asquith. I see my children convulsed with laughter over the same books. He satisfies the most sophisticated taste and the simplest.”

Waugh’s essay on Wodehouse was broadcast on the BBC Home Service on 15 July 1961 and is reprinted in his Essays, Articles and Reviews, p. 561. Although the blog goes on to suggest that Wodehouse continues to be relatively neglected, they may not realize that a project to bring all of his books back into print was recently completed. See previous post.

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