Name Confusion (More)

The BBC has called in Professor of English Literature Valentine Cunningham at Corpus Christi College, Oxford, to discuss the issue of name confusion stirred up by the Time magazine flap. They chose Prof. Cunningham, author of British Writers of the Thirties, thinking he himself may suffered a bit from the same problem. He pointed out that such confusion was more widespread than might be supposed, citing the case of the film actor John Wayne, whose original name was Marion. The problem is more acute in England, according to Cunningham, where names such as his own, as well as Hilary, Gabriel, and Aubrey can go either way. The latter two had, in fact, affected two of Waugh’s in-laws, his second wife’s sister and brother. A recording of the interview is posted here.

New York Magazine’s online journal “The Cut” has also weighed in with its own list of the names of the top 10 male writers (or not, as the case may be):

10. J.K. Rowling

9. George Sand

8. Carson McCullers

7. Lionel Shriver

6. James Tiptree

5. P.L. Travers

4. George Eliot

3. H.D.

2. Isak Dinesen

1. Harper Lee

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Charles Ryder’s Coat-Tails

In last week end’s print edition of the Financial Times insert How to Spend It, a short story by Chloe Fox appears.  This is entitled “A Struggling Actor” and that’s what it’s about.  Luke is the title figure, and he has been losing out to a rival named Orlando (“Oz”) ever Luke graduated from RADA.  As he reviews the sad downward trajectory of his career, he recalls several incidents where he has lost out to Oz:

Ever since “Oz” had appeared on the heath shirtless, covered in flouro paint, Luke had been chasing his coat-tails. The same tails he’d worn at Eton (naturally) and to play Charles Ryder in Brideshead Revisited and Charles Stringham in Dance to the Music of Time

The character of Stringham in Anthony Powell’s novel does attend Eton (referred to in the novel only as “the school”) but Charles Ryder’s schooling was at a more humble establishment. In the fragment “Charles Ryder’s School Days”, written in 1945 and published posthumously, Waugh wrote of a school called Spierpoint located on the downs with a view of the sea. It is a 19th century foundation and has a large but unfiinished Gothic Revival chapel. All these features allude to Lancing, Waugh’s own school, and not Eton. Whether the boys at Spierpoint (or Lancing) wore tail coats seems doubtful.

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Time’s Error

The Weekly Standard‘s “Scrapbook” column had one of the more interesting comments on the Time magazine affair. (See yesterday’s post.) They speculate on what may have been the cause and, after rejecting several hypotheses, conclude with this:

Then again, it could be said that an old joke has returned to haunt the late novelist. During World War II, Waugh served on a British military mission to Yugoslavia, where he formed an everlasting disdain for Marshal Tito, the Communist partisan leader and postwar Yugoslav dictator. In subsequent years, whenever Tito would visit Great Britain, Waugh would insist, loudly and publicly, that Tito was, in fact, a woman in drag—referring to him, on second reference, as “she.” Perhaps the Time deputy assistant managing editor for listicles conflated this story? Not likely.

No, The Scrapbook must reluctantly conclude that the obvious explanation is probably the right one: The list was undoubtedly compiled by some contemporary bright young thing who, despite his/her/its Ivy League education, wouldn’t know Evelyn Waugh from the French and Indian Waugh. At which point, indeed, The Scrapbook would be relieved to learn that the editor in question knows that the novelist’s name is pronounced “waw,” not “waff.”

So, the journalists at the Weekly Standard get the last laugh (that’s pronounced “laff,” not “law”).

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Waugh Removed from Time Magazine Top Women Author List

Earlier today Evelyn Waugh was trending on Twitter as readers noticed that he was included on Time magazine’s list of the top 100 women authors compiled from an analysis of college syllabuses. The New York Observer story illustrates Waugh’s original listing at number 97 and shows inclusion of 4 of his books: Brideshead Revisited, A Handful of Dust, Scoop, and The Loved One. A quick review of the complete list from the Open Syllabus Project including all authors (male and female as well as institutional) down to the ranking of 2000 failed to turn up anything by Waugh. If anyone finds an entry, please post a comment below. Thanks to David Lull for notifying us of Time’s gaffe. This is not the first time this error has occurred. Some early reviewers of Waugh’s books recognized her talent. See TLS blog post.

 

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Evelyn Waugh and the Resolute Old Lady

In an article in Crisis magazine, Professor Regis Martin from a Roman Catholic college in Ohio is reminded of Waugh as he conducts a group of his students around Europe. This occurs as they are about to visit a church in the outskirts of Vienna before enjoying the pleasures of the city. The church is called Heiligenkreuz and is noted for housing a relic of the True Cross. Prof. Martin recalls how that object remained buried for nearly a millennium: 

Until, that is, an old and resolute woman by the name of Helena decided to travel to the Holy Places, and there unearth the instrument on which the Lord of life had been slowly tortured to death…And as Evelyn Waugh tells us (who, incidentally, wrote a profound and beautiful novel about her), for all the trouble she took to find the True Cross, to determine the authenticity of it, she really deserves to be a Doctor of the Church:

“[F]or she was not merely adding one more stupendous trophy to the hoard of relics which were everywhere being unearthed and enshrined. She was asserting in sensational form a dogma that was in danger of neglect. Power was shifting. In the academies of the Eastern and South-Eastern Mediterranean sharp, sly minds were everywhere looking for phrases and analogies to reconcile the new, blunt creed for which men had died, with the ancient speculations which had beguiled their minds, and with the occult rites which had for generations spiced their logic”

The article goes on to note how Waugh explained that this discovery helped overcome the “stumbling block” of disbelief “in Carthage, Alexandria, Ephesus, and Athens” notwithstanding that “all the talents of the time went to work, to reduce, hide, and eliminate” its importance. Among those converted was the Roman Emperor Constantine, Helena’s son. The quotes are from Waugh’s book The Holy Places (1953) and appeared first in an article published in the Month (January 1952) based on a talk broadcast on the BBC Third Programme. It is reprinted in Essays, Articles and Reviews, p. 405. 

 

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Esquire Lists Vile Bodies Among Top 20 Funniest Books

Esquire magazine conducted a poll among comedians and writers to name their funniest books and came up with a list of the top 20. Evelyn Waugh’s Vile Bodies (1930) is included:

It is a gift to the satirist to live in turbulent times but there still remains the task of encapsulating them. In Vile Bodies, an ostensibly superficial comic novel (Waugh wrote to Harold Acton, “It is a welter of sex and snobbery written simply in the hope of selling some copies”) Evelyn Waugh brilliantly, hilariously, unflinchingly but always humanely pinions a society that is in the thrall of gossip and decadence, traumatized by war and financial catastrophe yet unable to stop itself rushing headlong into further and deeper cataclysm. This is a book as much for our age as for Waugh’s.

Other books from writers of Waugh’s lifetime include Lucky Jim (Kingsley Amis), Cold Comfort Farm (Stella Gibbons) and Catch 22 (Joseph Heller). Waugh didn’t much care for the work of Amis or Heller, but another book on the list was one of his favorites: Diary of a Nobody (George and Weedon Grossmith). The quote is from a letter to Harold Acton written in July 1929 while Waugh was still writing the novel and just before he learned that his first wife had left him (Letters, p. 37).

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Evelyn Waugh, Wine Writer

A wine blog called wineanorak has posted a profile of the wine writings of novelist Jay McInerney, best known as the author of Bright Lights, Big City (1984). Among those who McInerney identifies as having influenced his wine writing are Norman Mailer, Ernest Hemingway, and Evelyn Waugh:

…He cites the remarkable section in Brideshead Revisited where Sebastian and Charles raid the cellar at Brideshead and enter into drunken discussions of the wines they’re drinking. ‘Waugh did a great parody of English wine writing.’ But McInerney thinks that perhaps Waugh’s greatest service to the world of wine was to sire Auberon Waugh, who wrote a wine column for Tatler, and whose writing was collected in Waugh on Wine. ‘He was a practitioner of the vituperative arts. Filthy and disgusting were his favourite descriptors.’ McInerney adds that, ‘one of the great flaws of contemporary wine writing is ignoring the idea that wine is an intoxicant …Thomas Jefferson was another influence in my wine writing,’ says McInerney. ‘He was the founding wine geek.’ Jefferson once said that no nation is drunken where wine is cheap, and he regarded it as the antidote to the bane of whisky.

The Brideshead scene to which McInerney refers is mentioned in an earlier post. His wine writings have been collected in several volumes, such as Bacchus and Me: Adventures in the Wine Cellar (2002).

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Evelyn Waugh’s Ireland Whinges

The Irish Times has collected what its correpondent Frank McNally considers a history of Ireland as told in the top 100 whinges. Waugh may come top whinger with a total of 9 to his credit:

37. “Among the countless blessings I thank God for, my failure to find a house in Ireland comes first”. (Evelyn Waugh, 1952)
38. “Unless one is mad or fox-hunting there is nothing to draw one”. (ditto)
39. “The houses […] are very shoddy in building and they none of them have servants’ bedrooms”. (ditto)
40. “The peasants are malevolent”. (Waugh, contd)
41. “All their smiles are false as hell”.
42. “Their priests are very suitable for them”.
43. “No coal at all”. (Still Waugh)
44. “Awful incompetence everywhere”.
45. “No native capable of doing the simplest job properly”. (That’s enough Waugh – Ed)

These whinges all come from a letter to Nancy Mitford, dated 1 May 1952. See also letter dated 10 May 1952 (Letters, pp. 373-74). If the editor hadn’t intervened, the list could have continued with:

No schools for children.

Mole-like malice.

Detraction is their passion.

At George Moore commemoration, each literary figure demolishing bit by bit every corner of his reputation.

Waugh for several years previously had been looking for a home in Ireland. See previous post. In the end he stuck it out at Piers Court near Dursley in Gloucestershire until 1956 when he moved to Combe Florey near Taunton, Somerset. 

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Decline of the Anglo-Novella

Blogger and retired PR executive Gary Holmes has posted an essay comparing the British TV series Brideshead Revisited and Downton Abbey. Brideshead comes out much the better of the two on several counts, leading Holmes to conclude that what he calls  TV’s Anglo-Novella genre has gone into decline:

The biggest difference between the two shows is that the producers of “Brideshead” had enormous respect for their viewers and didn’t think they needed to be spoon-fed every plot development or theme. “Brideshead” is slow-paced by today’s standards, with a lot of “showing,” not “telling.” It expects viewers to draw many of their own conclusions.

By contrast, “Downton” creator Julian Fellowes neither trusts his viewers’ ability to keep the story straight, nor does he have any confidence in their concentration span. Every plot development is telegraphed episodes in advance, and there’s a general “rule of three,” in which every new fact has to be mentioned three times so no one misses the point.

Holmes goes on to compare the treatment of the past in each production and finds Brideshead the more realistic in its approach to the master/servant relationship, the settings and the attitude of the characters toward the historic period.

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Vile Bodies Inspired by Misery

In today’s Boston Globe, columnist Alex Beam has an article bemoaning what he sees as the seemingly inexorable spread of gratuitous happiness. He cites Evelyn Waugh as an example of what it’s opposite can inspire:

What’s so great about happiness? I can’t think of anyone I admire who was happy. I’m reading “Vile Bodies,” the wonderful Evelyn Waugh novel that introduces the character of Mr. Chatterbox, the gossip columnist who makes things up. (Can you imagine?)
While writing this gossamer, light-hearted book, Waugh was as unhappy as a man could be. In the middle of composing “Bodies,” his wife Evelyn, or “she-Evelyn” as he called her, left him for another man. “I did not know it was possible to be so miserable and live,” Waugh wrote to his friend Harold Acton.  And yet he wrote a wonderful book. As always — paging Herr Kafka! — happiness is the enemy of great art. Misery worked for Evelyn Waugh. The Modern Library says he wrote three of the hundred best novels of the 20th century. Maybe it can work for you.

In his letter to Harold Acton, Waugh added “but I am told that this is a common experience” (Letters, p. 39).

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