Two Events to Mark 50th Anniversary of Waugh’s Death

Two events have been announced related to the 50th Anniversary of Evelyn Waugh’s death next Easter. The Brotherton Gallery at the University of Leeds will host an exhibit of the manuscript of Vile Bodies and other items relating to Waugh from the collection of the Brotherton Library. The opening ceremony will take place on 23 March 2016 at the Gallery. A symposium will be convened for the opening in the afternoon of March 23 featuring talks from members of the Complete Works of Waugh project, and audience members will be able to view the exhibits close up.

On 8 April 2016, the British Studies Seminar of the University of Texas at Austin, will host a panel discussion on the University’s extensive Waugh archive and its role in the ongoing Complete Works of Waugh project, as well as looking at Waugh’s own experiences in the United States. The speakers have been tentatively announced: Alexander Waugh, Waugh’s grandson and author of the autobiography of the Waugh family Fathers and Sons (2004); Prof. Martin Stannard, author of the standard, two-volume biography of Evelyn Waugh published in 1986 and 1992; and Dr. Barbara Cooke, Research Associate, Complete Works of Waugh Project, University of Leicester. The panel discussion will take place at 3pm at the Harry Ransom Center on the University campus.

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Robert Craft Dies at 92

The New York Times has announced the death of Robert Craft at the age of 92. Craft was,  “adviser and steward” to composer Igor Stravinsky and arranged a meeting between Stravinsky and Waugh in 1949. The wives of both men as well as Craft himself were in attendance. This took place in New York City at the beginning of Waugh’s lecture tour of North America. The meeting, which was an eventful one, was later described by Craft in an article in Harper’s Bazaar (December 1968) that was summarized by Martin Stannard in Evelyn Waugh: The Later Years 1939-1966, pp. 286-87. Craft later included his description of the encounter in a memoir in Down a Path of Wonder (2006), including some details about his subsequent correspondence with Waugh. See review from EWNS, 39.2, pp. 25-27. Craft also attended Waugh’s lecture at the New York Town Hall venue, the first of the 1949 tour, and described it in his memoir. The obituary in the Sunday Telegraph quotes Craft’s description of Waugh (“ruddy, pudgy, smooth-skinned and surprisingly short”) as one of several colorful anecdotes of the celebrities he had met.

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Waugh and the Jesuits

The Jesuit magazine America runs an article in its latest issue about a recent conference on the Roman Catholic Literary Imagination. One of the participants, Mark Bosco, S.J., used the occasion to look back over the 20th century to identify writers who had interacted with Jesuits. One of these was Evelyn Waugh:

In Great Britain, the Jesuits Martin D’Arcy and Philip Caraman informed Evelyn Waugh’s Catholic imagination. Father D’Arcy… shows up everywhere in Waugh’s correspondence and biography—noted at his dinner parties, family gatherings, liturgies and on various retreats. It was Father D’Arcy who gave Waugh access to the Jesuit archives to write his history of Edmund Campion, the Elizabethan Jesuit martyred for the faith. Waugh’s imaginative history, Campion, is still a good read today. (In 1947 Waugh gave a share of his royalties from Campion to the English Province; and in 1948 and 1950 he gave all the paperback royalties from The Loved One and Vile Bodies to the Jesuit missions.)

If Father D’Arcy was mentor to Waugh’s deepening understanding of the faith, then Philip Caraman, S.J., one-time editor of the Jesuit journal The Month, was even more a friend and spiritual companion. Father Caraman, a young protégé of Father D’Arcy, had a remarkable bond with many British writers, Catholic or not. It was Father Caraman who celebrated for Waugh the Easter Mass of 1966, with permission to use the so-called Tridentine rite—Waugh was despondent about the new liturgy—and on the very afternoon after this Easter Mass, Waugh died of a heart attack.

Fr. Bosco goes on to describe Fr. Caraman’s close connections with two other English writers who also converted to Roman Catholicism, Graham Greene and Muriel Spark. In the U.S., writers identified in the article with Jesuit connections include Flannery O’Conner and Walker Percy. Fr. Bosco might also have mentioned that Waugh dedicated Edmund Campion to Fr. D’Arcy.

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Waugh Story Included in Penguin Collection

Waugh’s short story “Cruise” has been selected for inclusion in volume 2 of the Penguin Book of the British Short Story: From P.G. Wodehouse to Zadie Smith. The story first appeared in Harper’s Bazaar (London, February 1933) and was first collected in Mr. Loveday’s Little Outing and Other Sad Stories (London, 1936). The Penguin Book is edited and introduced by novelist Philip Hensher, best known for his novels Kitchen Venom (1996) and The Northern Clemency (2008). Stories in the collection by other writers of Waugh’s generation include “Unpleasantness at Bludleigh Court” by P.G. Wodehouse, “The Hint of an Explanation” by Graham Greene, “The Dancing Mistress” by Elizabeth Bowen and “The Lull” by Henry Green.

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Waugh Story on BBC Radio

BBC Radio 4 Extra will broadcast an adaptation of Waugh’s short story “Mr. Loveday’s Little Outing.” This will be a 45-minute performance transmitted tomorrow (Wednesday, 11 November) at 11:15 and 21:15 British time. It will be available on the internet shortly after the performance (presumably meaning the first performance) and can be listened to via BBC iPlayer on computers, tablets or smart phones. The story was first published in 1935 in Nash’s Pall Mall Magazine under the title “Mr. Crutwell’s Little Outing” but was retitled “Mr. Loveday’s Little Outing” in subsequent publications on advice of counsel. Dean C.R.M.F. Cruttwell was Waugh’s tutor at Hertford College, Oxford, and the two did not get along very well. The story is currently available in Complete Short Stories

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Waugh Listed on New Rare Book Index

The Financial Times has published a report of an index which tracks the prices of rare first editions. Among the 35 titles included is Waugh’s Decline and Fall which is listed at £9,364. Waugh’s friends Graham Greene, Ian Fleming and George Orwell are among the six writers who have two books listed. The highest listing is that for F. Scott Fitzgerald’s The Great Gatsby at £246,636. The index was created by Stanley Gibbons, a stamp and coin dealer based in London, which explains:

This is not an index people can trade or own, explained Stanley Gibbons’ group investment director Keith Heddle. Instead, he said, it could help collectors “compile a portfolio” based on the books and authors they believed had seen the best growth. It would also aid people who are valuing their estates and planning their legacies, he explained…The best-performing book in the index is Animal Farm, which in the past 10 years has grown in price from £200 up to £5,100. This price applies for a limited edition from the first ever print run, in excellent condition and with its original dust jacket intact.

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Stage Adaptation of Brideshead to Premiere Next Spring

The York Theatre Royal has announced the premiere of an adaptation of Brideshead Revisited next April following a 4.1 million pound redevelopment of its facilities. The script is by Wakefield playwright Bryony Lavery and the production will be directed by Damian Cruden, the Theatre Royal’s artistic director. As reported in the York Press:

“To have Brideshead in our opening season is a perfect fit,” said Damian Cruden. “It’s a story with enduring appeal and has such strong associations with Yorkshire after both the TV series and the later film used Castle Howard as the location for the Marchmains’ home.

“Our building is undergoing a huge remodelling and the facilities in the new theatre space will provide us with creative opportunities to stage Brideshead in a way we wouldn’t have been able to in our old auditorium.

“Audiences will feel closer to the action with the new seating configuration and this will be the first opportunity we have to really show off the space with one of our own productions.”

The Brideshead adaptation will be a co-production by the English Touring Company and the York Theatre Royal. It will tour England after the premiere. The other opening performance will be the adaptation of an E.M.Forster’s 1909 science fiction short story, “The Machine Stops.” An exact date for the premieres will be announced next month.

NOTE: See background story here about the script for next year’s production.

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Waugh Family Portrait Posted

A photographic portrait of the Waugh family has been posted on the internet. This is a color photograph by Mark Gerson taken in front of the house at Combe Florey. The posting is on a site apparently sponsored by the National Portrait Gallery. It includes Waugh and his wife and children as well as two Italian servants. From left to right the subjects include Auberon, Evelyn, Septimus, Teresa, James, servant 1, Harriet, Laura and servant 2. The photo was taken in April 1959 and, according to Martin Stannard, was the last time the family was photographed  together. The circumstances of the photograph and the visit to Combe Florey by Gerson and his wife are described in detail by Martin Stannard in Evelyn Waugh:The Later Years, New York, 1992, pp. 417-19. For some reason not explained, the photo is not included in the U.S. edition of Stannard’s text, perhaps because it was in color. Stannard writes that the photographs taken by Gerson on that occasion later appeared in Good Housekeeping and Tatler.

NOTE: An additional family color photo from the 1959 Mark Gerson shoot (which Gerson dates as having been taken in March) as well as an earlier black and white photo from 1951, both from the NPG collection, appear here.

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Waughs on Champagne

An online magazine (Alderman Lushington) devoted to drinks and drinking has published an article entitled “Drinking like James Bond: Casino Royale. Champagne and swagger.” In it, they quote Auberon Waugh who in turn quotes his father on the proper time for drinking champagne:

The last thing he [Evelyn Waugh] wrote about wine appeared in the New York Vogue in the year before he died. It dealt with Champagne, and described the circumstances in which it should be drunk: ‘For two intimates, lovers or comrades, to spend a quiet evening with a magnum, drinking no aperitif before, nothing but a glass of Cognac after—that is the ideal … The worst time is that dictated by convention, in a crowd, in the early afternoon, at a wedding reception.’ That comment strikes me as profoundly true. Immense harm is done to Champagne by the English habit of drinking it, usually warm and in a sort of trifle dish, at weddings in the early afternoon. That is why so many people in England claim to dislike Champagne.

The quote from Auberon is not sourced but may come from The Entertaining Book (1986) which he wrote with his wife Teresa. The quote from Evelyn comes from the 1965 Vogue article “Fizz, Bubbly, Pop” reprinted in Essays, Articles and Reviews, p. 635. Evelyn goes on to advise that drinking champagne “at midnight with a light supper, then too…is excellent.” In addition, he warns that champagne, like cheese

smells…and like cheese should be taken on a full stomach. To enter a house at seven, when it is full of people who have eaten nothing for some hours, who have drunk champagne and are obliged by noise and press to shout into one another’s faces, makes one long for the wholesome, gross reek of rum grog.

Evelyn explains at the beginning the Vogue article that he learned these lessons relatively late in life when he made a visit to Rheims after the war and was offered a tutorial on the history of champagne and its production process.

 

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Visit to Combe Florey

A West Country blogger (Hasenschneck, which, I think, means rabbit-snail in German) has posted several photos with narrative of a recent visit to Waugh’s house and grave at the village of Combe Florey. The entry is entitled “By Special Request” and is dated 24 October 2015. The following note explains the significance of the title:

By Special Request is the title of the final episode in A Flat in London, the serialised version of Evelyn Waugh’s novel A Handful of Dust, which appeared in American Harper’s Bazaar in October 1934.

Must be a Waugh fan.

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