West Country Film Festival to Mark Waugh Anniversary

The Bridport News has announced that the 50th anniversary of Evelyn Waugh’s death will be marked at the upcoming From Page to Screen Film Festival. This will be in Bridport, Dorset from 30 March-3 April. Details will be provided next month.

Meanwhile, two members of the cast and crew that made the 1981 Granada TV production of Waugh’s Brideshead Revisited will also participate in the festival. Charles Sturridge, one of the film’s directors, will be curator of the festival. Claire Bloom, who played Lady Marchmain in Brideshead, will talk about the film adaptation of John Le Carre’s novel The Spy Who Came in from the Cold, in which she also appeared.

Thanks to Robert M. Davis for calling this article to our attention.

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Brideshead in “Yorkshirewood”

The Yorkshire Post in a recent article recounts the large number of films and TV series that have been set or filmed in Yorkshire, giving much of the credit for this to an agency called Screen Yorkshire. The most recent examples are the filming of a theatrical version of Dad’s Army and the second series of a TV serial called Happy Valley. They then list their choice of the top 25 TV shows filmed in Yorkshire. The 1981 TV series of Brideshead Revisited ranks as number 2:

2 – Brideshead Revisited

Granada’s 1981 adaptation of Evelyn Waugh’s 1945 novel remains a tour de force of British television, largely as a result of a great script, fine performances by its leading actors Jeremy Irons and Anthony Andrews, and the sumptuous setting of Castle Howard near York.

Probably because they are only ranking TV programs, they don’t mention the 2008 Ecosse/Miramax theatrical film version of Brideshead which was also filmed at Castle Howard. Among the other programs listed are the long running series Emmerdale (at #1) and Last of the Summer Wine as well as All Creatures Great and Small, At Home with the Braithwaites and Last Tango in Halifax.

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Waugh Cited in European Immigration Crisis

The Asia Times, an online newspaper, has quoted Evelyn Waugh in the context of an article on the current immigration crisis in Europe. The editor, Herbert London, begins by questioning whether the policies of Angela Merkel may have stretched the concept of toleration beyond reasonable limits in the face of the antifeminist criminality by North African immigrants recently reported from Cologne. He concludes with a quote from Waugh:

Part of the western tradition from Voltaire to William James is a belief that ideas are not dogmatic. There may be a right and wrong, but the search for truth is never ending. Ms. Merkel has allowed herself to be captured by the Zeitgeist. Her good intentions are yet another pathway to hell. As Evelyn Waugh wrote “…barbarism is never finally defeated… Unremitting effort is needed to keep men living together at peace; there is only a margin of energy left over for experiments, however beneficent. Once the prisons of the mind have been opened, the orgy is on…”. Ms. Merkel has opened the prisons of the mind and Germany is experiencing the results.

The quote is from Waugh’s postscript to Robbery Under Law: The Mexican Object Lesson (1939; p. 279). His message was directed at the toleration by Western governments of the corrupt leftist regime in Mexico which was, inter alia, attacking the Roman Catholic church and expropriating foreign property. The passage also appears in Waugh’s Essays, Articles and Reviews (pp. 161-62) where it is joined to an introductory passage and retitled: “Appendix: Conservative Manifesto.”

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Echoes of Waugh in New Morse Prequel Series

ITV in the U.K. is running the third series of its Morse prequel which is concluding this week. This is entitled Endeavour and is based on Morse’s early career in the Oxford police force in the 1960s. There seems to be a subtle Waugh thread running through this series. The first episode, entitled “Ride,” was so stuffed with allusions to The Great Gatsby that there wasn’t much room for Waugh.

The second episode, however, was entitled “Arcadia.” It opened with a scene of a group of undergraduate hearties running down an African student on what looks like Oxford’s Broad street and then throwing him into the river. That subplot is more or less a red herring so far as the rest of the, as usual, convoluted storyline is concerned.  So, perhaps a nod toward Decline & Fall as well as Brideshead Revisited.

The third episode is entitled “Prey.” From the title and plot summary this didn’t sound very promising. But then it turns out there is a family named the Mortmaignes that lives in a country house outside Oxford called Crevecoeur. The mother is dead and the father has exiled himself to Kenya. There are a brother and two sisters (one named Julia) still living in the house, and, yes, it has a chapel and they seem to be Roman Catholic. According to at least one blogger, there is also a “revisited” element here. In a complicated time shift, Crevecoeur figures in an episode of Lewis (the Morse sequel) in which Inspector Hathaway returns to the house as part of an investigation. This occurs in season 4 in an episode entitled “The Dead of Winter.” It turns out that Hathaway’s father worked there as a gardener, and he himself lived there as a child. In case you miss the connection, the name of the young gardener working at Crevecoeur in the Prequel episode is Philip Hathaway. The plot of episode 3 has more deaths than are necessary, storylines that are resolved without sufficient explanation and nothing to do with the plot of Brideshead, but it’s difficult to ignore the family connections.

The final episode, entitled “Coda,” ran earlier this week. Watch this space for further allusions. All four episodes may be watched on itvPlayer with a U.K. internet connection (or proxy connection outside the U.K.) As Masterpiece Theatre is a co-producer, the series should be available on PBS in the near future as well by streaming from Amazon.

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Guy Crouchback Inspiration for U.S. Conservatives

The current issue of The American Conservative magazine carries an article about the leaders of the post war conservative revival in the U.S. This is on the occasion of the publication of a book about one of them–Russell Kirk:American Conservative by Bradley Birzer. The author of the article in the magazine, its editor Daniel McCarthy, sees Kirk as well as two other leading U.S. conservatives, Peter Viereck and Richard Weaver, as having shared Guy Crouchback’s path to their political and moral stance:

[Their] outlook was like that of Guy Crouchback, protagonist of Evelyn Waugh’s “Sword of Honor” trilogy of World War II novels, at the beginning of the conflict. With Nazis and Soviets on one side and the Christian West on the other, everything was clear to Crouchback: “The enemy at last was plain in view, huge and hateful, all disguise cast off. It was the Modern Age in arms.” But at the end of the war Stalin controlled half of Europe with the West’s acquiescence. For Crouchback, as for his author, this amounted to unconditional surrender of the very principles of civilization for which the West had fought.

The quote occurs at the beginning of volume 1 (Men at Arms) of the Sword of Honour trilogy (Penguin, p. 4). This comes after the announcement of the non-agression pact between Hitler and Stalin, eliminating whatever lingering doubts Guy has previously had about war’s justness as well as its inevitability. Before that, he feared England would go to war “for the wrong reason or for no reason at all, with the wrong allies. But now, splendidly, everything had become clear.” At the war’s end, however, Guy suffers disillusion when he ends up  serving in Yugoslavia where his country is supporting Tito’s Partisans, who are opponents of religion (including the Roman Catholic church) and allies of Stalin’s Communists (Penguin, pp. 653-54).

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Evelyn Waugh and Irish Castles

An Irish blogger (“Lord Belmont of Northern Ireland”), specializing in the Anglo-Irish aristocracy and related matters, recently posted an article about Gormanston Castle. This is located in County Meath about 16 miles north of Dublin. After reciting the Barons and Viscounts Gormanston dating back to the 14th Century, Evelyn Waugh’s brief encounter with the estate is mentioned:

The author Evelyn Waugh was interested in purchasing the estate in 1946 and even bid for it. He described it as “A fine, solid, grim, square, half-finished block with tower and turrets”. On learning that Butlins were opening a holiday camp in the vicinity, he promptly changed his mind.

Waugh was actively looking for a house in Ireland after the war. He visited Gormanston in December 1946. The quoted description on the blog comes from Waugh’s Diaries (pp. 664-65) and continues:

The ground floor rooms were large and had fine traces of Regency decoration. Pictures by Lady Butler were everywhere. There were countless bedrooms, many uninhabitable, squalid plumbing, vast attics. On the whole I liked the house; the grounds were dreary with no features except some fine box alleys. The chapel unlicensed and Mrs. O’Connor evasive about getting it put to use again.

The house was evaluated at £13,ooo plus 5,000 more for repairs. Waugh authorized his agent to put in a bid but then explains: “On boarding the ship [for England] I bought a local evening paper and read that Butlin had acquired a stretch of property at Gormanston and was setting up a holiday camp there. This announcement made us change all our intentions. It came just in time for us, disastrously for Mrs. O’Connor.”

Waugh was perhaps premature in predicting the outcome for Mrs. O’Connor. There was at least one other bidder. According to the blog, the house was acquired by the Franciscans in 1947 (just after Waugh’s visit) and has been operated as a school to this day. The blog also describes another of Waugh’s encounters with the Anglo-Irish aristocracy here (scroll down to “SIR JOHN EDWARD NOURSE HEYGATE, 4th Baronet (1903-76), of Bellarena”).

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Waugh Passage Included in Book on Post-War Germany

A new book edited by Lara Feigel collects writings from various sources describing Germany in the aftermath of WWII. This is Bitter Taste of Victory to be published in the U.K. on 28 January by Bloomsbury. Feigel is the author of the recent study of writers in wartime London entitled The Love-charm of Bombs. The writing by Waugh included in the new book is most likely his description of his trip to Nuremberg in April 1946 to witness the war crime trials. This appears in his Diaries (pp. 645-46) as well as in different form in a letter to Randolph Churchill (Letters, p. 226). Although Waugh originally intended to write a travel book about this trip, his first to the Continent since the end of the war, nothing else came of it. The most characteristically Wavian passage is that describing Joachim von Ribbentrop, former Nazi Foreign Minister, which appears in both sources:

Ribbentrop was like a seedy schoolmaster being ragged. He  knows he doesn’t know the lesson & knows the boys know. He has just worked out the sum wrong on the blackboard and is being heckled. He has lost his job but has pathetic hope that if he can hold out to the end of term he may get a “character” to another worse school. He lies quite instinctively & without  motive on quite unimportant points.

After spending two days in Nuremberg witnessing the trials, Waugh proceeded to his primary destination in Paris where he visited Diana Cooper at the British Embassy.  Martin Stannard, Evelyn Waugh:The Later Years, pp. 163-64.

Other writers whose works appear in the collection include George Orwell (who was reporting for the Observer from Europe when his wife died in the U.K. in early 1945), Rebecca West, W.H.Auden and Stephen Spender.

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Happier Hunting Ground (U.K. Branch)

The Daily Telegraph has run an article on the history and current status of pet cemeteries and crematoria in the U.K. A cite to Waugh’s 1948 novella The Loved One, which prominently described one such institution in Southern California, was perhaps inevitable. But the conclusions drawn are somewhat surprising:

One assumes pet cemeteries to be an adopted tradition inherited from America – the preserve of the Hollywood types depicted in Evelyn Waugh’s The Loved One, who pay through the nose to bury their animals in the luxurious Happier Hunting Ground. But we Britons have been similarly extroverted in grief for hundreds of years.

The Victorian era was when official pet cemeteries started to spring up here. In 1881, the Hyde Park pet cemetery was started. Six years later, in a quiet corner of the Sandringham estate, Queen Victoria created a cemetery to accommodate her collie, Noble. In 1959, Elizabeth II buried her first corgi, Susan, there. Nowadays its brick boundary walls are lined with numerous plaques commemorating other deceased royal pets.

Waugh certainly seems to have assumed that pet cemeteries were a U.S. phenomenon; otherwise his satirization in The Loved One might not have been so sharp on that subject.

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Vile Bodies and Aladdin Sane

A newsblog has posted a review of David Bowie’s 1973 Aladdin Sane album in which the connections with Waugh’s novel Vile Bodies are further elaborated:

Named after the pun ‘A Lad Insane’, David Bowie has stated that this album was “Ziggy Stardust goes to America”. Written primarily based on the observations of Bowie from the American tour for the aforementioned Ziggy album, Aladdin Sane is based on an extension of the character…Originally inspired by Evelyn Waugh’s Vile Bodies, Aladdin Sane is set textures in decadence and silly. About this song, David Bowie said, “Aladdin Sane is about young people, just before the two wars, wanting to go and screw girls and kill foreigners.”

See earlier post. The lyrics from the title song of the album contain several references that can be traced to the novel:

Watching him dash away
Swinging an old bouquet
Dead roses
Saki and strings divine
You’ll make it
Passionate bright young things
Takes him away to war
Don’t fake it
Sadden glissando strings
You’ll make it
Who will love Aladdin Sane?
Battle cries and champagne just in time for sunrise
Who will love Aladdin Sane?
Motor sensational
Paris or maybe hell
I’m waiting

Bowie’s recording of the song is posted on YouTube.

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Additional Venues Announced for Brideshead Stage Production

The English Touring Company has announced additional venues for its stage production of Brideshead Revisited. These include Bath, Cambridge, Malvern, Brighton, and Richmond-on-Thames. The production will begin in York and will also stop in Oxford and Southampton. See details here.

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