Colossus of Snobbery

Critic and novelist D J Taylor has written a book inspired by William Thackeray entitled The New Book of Snobs, to be published later this month. An excerpt appears in the Daily Mail. This deals mostly with Taylor’s account of his own family’s snobbery. But it opens with this reference to Evelyn Waugh:

As a teenager growing up in the unfashionable North London suburb of Golders Green, the celebrated writer Evelyn Waugh refused ever to post letters from the NW11 postcode in which his family lived. Instead he would walk a few hundred yards down the road to nearby Hampstead and put them in a postbox there. That way his friends might be deceived into thinking that he resided in the far more prestigious environs of London NW3. As this suggests, the author of Brideshead Revisited, the much-loved novel in which social climber Charles Ryder finds himself beguiled by the aristocratic Flyte family, was himself a colossal snob. And in this he was far from alone.

The Hampstead post code story has become a part of the Apocrypha Waviana, but just where it originates never seems to be cited. In some versions, Waugh trudges up the hill for a nearly a quarter mile to achieve delivery with the more fashionable postmark  from the box outside the Bull & Bush pub (Hastings, Evelyn Waugh, p. 104, and Google Maps), rather than a few hundred yards down the street, as Taylor describes it.  The NW11 post code for Golders Green and NW3 for Hampstead were adopted in 1919. Prior to that, the Waugh house at 145 North End Road was in the “Hampstead NW” or “London NW” post code, which seemed to have been used interchangeably.  Most of Waugh’s letters written from that address are headed “145 North End Road, NW11” (Letters, pp. 1-50). He does send a letter to his Lancing friend Tom Driberg that is headed “At 145 North End Road, Hampstead,” but it doesn’t bear the coveted NW3 post code. Moreover, it was written in September 1930 when Waugh was, as Driberg would have known, only in temporary residence with his parents after the break-up of his marriage, and Driberg would also have known the details of his home’s location, given their long-standing friendship since public school days.  Somewhere, there may be a letter from Waugh postmarked or addressed from London or Hampstead NW3, but, if so, it has not surfaced in his published correspondence. 

There are, however, other indicia of Waugh’s snobbery in the Driberg letter. He closes with the sentence: “I missed you at Renishaw by only a few days.” This is a reference to his visit to the Sitwell’s family estate, and Waugh seems to have wanted Driberg both to know that he had been invited and, possibly, that he knew the Sitwells well enough to have been told by them about Driberg’s own invitation (unless he already knew that from Driberg himself).  It would be difficult to make the case that Waugh was not a snob, perhaps even a colossal one. But the walk up the hill to the NW3 postbox may be a reverse snobbish myth.

 

 

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Oxford Hostelries Commemorate Waugh

According to a recent posting on travel blog  Trip Advisor, there is a hotel bedroom named for Evelyn Waugh at the Head of the River. This is a pub and  hotel located on St Aldate’s at Folly Bridge in Oxford. It’s not far from the place where the Hypocrites Club used to meet, so Waugh may well have been a customer. They serve Fuller’s beers, and it is a pleasant place to eat outdoors on a nice day. The last time your correspondent ate there in June, he didn’t notice any entries on the menu mentioning Waugh. What notable Oxonians the hotel’s other rooms may commemorate is not stated in their online booking information.

Another blogger staying near Oxford found an allusion to Waugh in his hotel located at Eynsham Hall:

“Et in Arcadia Ego” is written in neon above the fireplace in the main lobby. It comes from a painting by Nicolas Poussin and was used by Evelyn Waugh as the title of the first part of Brideshead Revisited. It literally means, “In Arcadia I Am,” with Arcadia being a pastoral paradise.

He might also have mentioned that the quote was usually accompanied by the depiction of a skull, meaning that even in paradise death was present. The practice was widespread and not limited to a single painting by Poussin. The skull was dropped from later paintings and the phrase was taken to mean the painter had himself been in the paradise he depicted. That may have been the case with the Poussin painting mentioned by the blogger. A skull in Charles Ryder’s room had the quote engraved on its forehead. According to Prof Paul A Doyle, by engraving the phrase on the skull itself, Waugh demonstrated that he was aware of this dual significance.  A Waugh Companion, p. 50.

Finally, a books blog carries an article about novelist Anthony Burgess’s 1983 book Ninety-Nine Novels. This was his personal list of what he considered the best novels in English between 1939 and 1983. The list includes both Brideshead Revisited and Sword of Honour. The blog post contains a full list of the selections listed alphabetically by author. In the book, they are listed chronologically and are accompanied by a one-page explanation by Burgess for each selection.

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Anthony Blanche and Patrick Leigh Fermor

The current Literary Review carries a review by Harry Mount of the collected letters of Patrick Leigh Fermor. These were just published in the UK under the title Dashing for the Post. Among Leigh Fermor’s correspondents were several of Waugh’s close friends, including Diana Cooper and Ann Fleming, both mentioned prominently in this and other reviews. Although the contents of the book are not available online, there may also be letters to Nancy Mitford and possibly even Waugh himself, as well as other mutual friends. Waugh knew Leigh Fermor through Diana Cooper and Nancy Mitford and mentions him in his own letters to both of them.

Mount concludes his review with this allusion to Waugh:

…the letters [are] aimed more precisely at amusing rather than dazzling their recipients, albeit with the odd bit of purple prose – ‘Their horses are caparisoned to the fetlocks.’ Leigh Fermor was charm personified. It isn’t evanescent British charm, as described by Anthony Blanche in Brideshead Revisited: ‘Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art.’ Leigh Fermor’s charm was of a healthier, more worthwhile variety, because underneath lay intellect and, ultimately, love and art.

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Actress Cites Waugh in Career Move

TV and film actress Sarah Jessica Parker has announced a new career in publishing, apparently part-time. She made her name in the HBO series Sex and the City. According to the story in T: The New York Times Style Magazine:

…Parker would rather see her initials on the spine [of a book] than her name on the cover, and next year she will. Hogarth, the publishing house founded in 1917 by Virginia and Leonard Woolf, is mounting SJP for Hogarth, where, as editorial director, Parker will help to find, edit and publish three or four new novels a year…Parker said yes in a second [to the job offer]. “I have always loved to read for the same reason I love to act,” she says, “which is that other people’s stories are more interesting to me than my own.”

When asked about her literary tastes by the Times reporter, Parker gave an interesting answer:

From the Modernist period, her favorite novelist isn’t Virginia Woolf, who wanted to have no country, but rather Evelyn Waugh, whose characters are most in need of home. Home is what draws Parker, too, to the origins of Hogarth. “Because Virginia and Leonard Woolf were printing books out of their home, and because they were publishing work by their friends, they were telling exactly the stories they wanted to tell,” she says. “I love most the idea of community here, and that the history of the imprint is personal. There was nothing mercenary about it. The Woolfs were storytellers.”

 

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Orwell Society Visits Waugh Site

A member of the Orwell Society has posted a report of a visit made by a group of its members to North London sites associated with George Orwell. The visit started in Hampstead with a stop at the site of the bookstore (marked by an Orwell plaque) that provided a model for the one where the hero of Keep the Aspidistra Flying worked, then moved on to Parliament Hill where Orwell had lodgings. The bookstore site is within walking distance of Waugh’s boyhood home at 145 North End Road on the other side of Hampstead Village.

The tour moved on by undisclosed means of transport to another North London neighborhood with a more immediate Waugh association:

Next stop… was 27b Canonbury Square, Islington. This flat brought back some distant memories from Orwell’s adopted son Richard Blair who accompanied us on the tour. Though a very small boy, Richard remembers the flat as being very dark and dingy, although his Father was completely indifferent to the state of his surroundings, as long as he could write. Canonbury witnessed a turn in Orwell’s financial fortunes, which had been a constant worry, until after the publication of Animal Farm. On a darker note, it was during his time here that his wife Eileen died, although Orwell was travelling as a war correspondent on the continent at the time. Canonbury also saw the birth of his novel Nineteen Eighty-Four, although his most famous work was completed on the island of Jura in Scotland. Michael also took us around to 17 Canonbury Square, where Evelyn Waugh once lived and worked…The tour ended with lunch at the Canonbury Tavern, which recognizes its famous literary patrons Orwell and Waugh with some lovely framed book covers decorating the walls.

The Orwell building in Canonbury Square is also marked by a plaque; the Waugh building (often cited as 17a Canonbury Square) is not. That is probably as Waugh would want it, because it was while living here that his first marriage broke up. The two authors did not live there at the same time. Orwell was there in the mid 1940s and Waugh, at the end of the 1920s. They became friends after the war when Orwell returned from Jura and was recuperating from an illness in a sanitarium near where Waugh lived in Gloucestershire. Each reviewed the other’s books: Orwell, Scott-King’s Modern Europe in the New York Times (Evelyn Waugh: The Critical Heritage, p. 294) and Waugh, Collected Essays in the Tablet (Essays, Articles and Reviews, p. 304). Orwell was planning to write a longer essay on Waugh’s work at the time he died but got no further than some notes that were later published.

 

 

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Et in Cantabrigia Ego

A Cambridge University student-sponsored news blog (The Tab) has published interviews with several incoming students. One seems to have gotten her ancient universities a bit mixed:

Holly, History, Pembroke. “I applied to Cambridge under the illusion that I would have the chance to float around like Sebastian Flyte. However, it turns out that Brideshead Revisited is actually set in Oxford, and Sebastian ends up as an alcoholic in a Tunisian monastery. So thanks, Evelyn Waugh, for ruining my life. I have adjusted my mindset accordingly and now am, instead, very much looking forward to regular brunch and the prospect of wearing trainers clubbing. My poor toes rejoice.

Is it not done to “wear trainers clubbing” at the other Ancient University?

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Curbed @ Forest Lawn

The real estate blog network, Curbed, has issued its latest Pocket Guide to Los Angeles. This may be of interest to those of you planning to attend the Evelyn Waugh Conference next spring at the Huntington Library near Pasadena. The Curbed Los Angeles Pocket Guide contains 25 entries, listed roughly from east to west. Here’s entry 9:

Forest Lawn Glendale
If you’re going to get to know Los Angeles, you have to understand its weird relationship with death, for which Forest Lawn Glendale is ground zero. The “memorial park” was founded in the 1910s by “The Builder,” Hubert Eaton, who believed that there could be joy in death and that tombstones were gloomy. Following these tenets, he developed these 300 acres of rolling grounds with copies of famous chapels and artworks, including all of Michelangelo’s statues and a stained glass version of “The Last Supper.” Today Forest Lawn Glendale (the memorial park is now a chain) is the final resting place of Walt Disney, Michael Jackson, and infamous preacher Aimee Semple McPherson. It also helped inspired Evelyn Waugh’s essential LA book The Loved One and its movie adaptation.

Given the cemetery’s new nomenclature, should we considering renaming Waugh’s fictional version Whispering Glades Burbank?

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Lt Hooper Enters US Politics

In today’s Wall Street Journal, Tim Kaine, Democratic candidate for Vice President is likened to Waugh’s character Lt Hooper from his novel Brideshead Revisited:

Though a bit character, [Hooper] plays an indispensible role. In his unquestioning embrace of the dominant pieties of his day, Hooper is a stand-in for the vapidity of the society Waugh saw emerging from the rubble of World War II.

The article is entitled “Meet Planned Parenthood’s Tim Kaine: The long campaign to make America safe for pro-choice Catholic Democrats.” It is written by William McGurn, a former speechwriter for George W Bush. Those two facts may be sufficient hints as to the article’s  content, which is behind a Murdochian paywall. You will need a subscription to read the full text.

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Bloggers List Waugh

Waugh and his works have appeared in several recent blogs. In listverse he was named in a list of “10 Pop Culture Moments We Owe To Animals.” That seems unlikely but here it is:

Evelyn Waugh’s Suicide Attempt Was Ruined By A Jellyfish: Evelyn Waugh has proven himself to be one of the greatest authors of the 20th century, but his early career was met with mixed reviews. His manuscripts were panned, and his dream job had fallen through. Unable to cope with this one-two punch, he decided to commit suicide…Always the dramatist, Evelyn Waugh wrote his suicide note and headed into the sea. His plan was to swim until he drowned. He had already swum rather far when a jellyfish stung him on the shoulder. Startled and shocked, Waugh ran back to shore. He put his clothes back on and decided to live.

Prof Anthony Esolen from Providence College has, according to reports on Roman Catholic blogs, included Brideshead Revisited among the top 10 English-language Catholic novels of the 20th Century. Numbers one and two were Sigrid Undset’s Kristin Lavransdatter and Tolkien’s The Lord of the Rings. Also included is Graham Greene’s The Power and the Glory.

Finally, another blogger has compared Cordelia Flyte, a character in Brideshead Revisited,  to St Therese of Lisieux, who is commemorated by the Roman Catholic Church on 2 October.

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BBC Rebroadcasts Brideshead Radio Adaptation

BBC Radio 4 Extra will rebroadcast the 4-episode series of Brideshead Revisited starting tomorrow (Tuesday, 4 October) at 10am. Each episode is 1 hour, and they will be broadcast on successive days at the same time each day until the concluding episode on Friday. All programs will be available worldwide over the internet on BBC iPlayer shortly after each broadcast.  The BBC Radio 4 announcement is not very forthcoming about the background of this production. It was first broadcast in 2003, the centenary of Waugh’s birth. The adaptation was written by Jeremy Front, who has since gone on to adapt other Waugh novels for radio, including Sword of Honour and Decline and Fall. The cast includes Ben Miles as Charles Ryder, Jamie Bamber as Sebastian, Edward Petherbridge as Lord Marchmain, Eleanor Bron as Lady Marchmain, Anne-Marie Duff as Julia and Toby Jones as Bridey. It has been rebroadcast several times; the most recent was apparently in May 2015 in connection with the 70th anniversary of the novel’s publication.

UPDATE (3 October 2016) : The BBC have now posted some background information on the production and more members of the cast have been added to the above posting.

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