Granada Brideshead Among Telegraph’s Top 50 TV Programs

A panel of Daily Telegraph journalists has compiled a list of the top 50 British TV programs of all time. Not surprisingly, the 1981 Granada TV production of Brideshead Revisited for ITV makes the list: 

This sumptuous adaptation of Evelyn Waugh’s novel was obsessively faithful to its source material and it showed. Leisurely and literary, this examination of the aristocratic Marchmain family seen through the eyes of Charles Ryder…remains the benchmark for costume dramas. 

Other literary adaptations on the list include The Forsyte Saga; I, Claudius; Tinker, Tailor, Soldier, Spy; and Wolf Hall. Several selections appeared to be a bit too recent for inclusion–for example, The Great British Bake-Off, Catastrophe, and Fleabag don’t seem to outrank those excluded such as The Likely Lads and Whatever Happened to…, The Good Neighbors and The Jewel in the Crown.

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Evelyn Waugh, Travel Writer

Several recent articles remind us of Waugh’s pre-eminence as a travel writer in the 1930s, a time when foreign travel was still something exotic. The adventure travel magazine Avaunt has added Waugh’s Ninety-Two Days (1934) to its reading list:

This account of a journey on horseback into the jungles of then British Guiana is certainly a lesser-known work by the Brideshead Revisited author, but Ninety-Two Days by Evelyn Waugh is nonetheless a hilarious catalogue of complaints, with Waugh crafting a wonderfully eccentric sketch of an underprepared trip in uncharted territory.

British author Ben Mcintyre writing in the Times describes another book of travels to South America which Waugh had favorably reviewed after his own trip to the area. This was by Peter Fleming, older brother of Ian Fleming, the spy novelist. Fleming joined an expedition organized to locate the mysterious explorer Col Percy Fawcett. He reported the somewhat shambolic events of that venture in the Times and later wrote the book. According to Mcintyre:

… the resulting book, Brazilian Adventure, was a minor masterpiece, brilliantly subverting the established rules of travel writing. Fleming lampooned the absurdity of explorers’ chest-thumping tales of derring-do (including those of Fawcett) and gloried in the “atmosphere of caricature” that surrounded his own expedition…The book was an instant bestseller, becoming the most successful travel book published between the wars. “I am putting it in the highest class,” wrote Evelyn Waugh. The New Yorker called Brazilian Adventure “one of the most amusing and engaging travel records ever written”. Fleming single-handedly invented a new subgenre of travel writing, adventurous but self-mocking, hair-raising but tongue in cheek, a style later echoed by writers such as Eric Newby and Redmond O’Hanlon. Fleming was hailed and admired as a daredevil of a very British sort, not least by his younger brother.

Mcintyre’s article may have been occasioned by the opening of a film about the Fawcett expedition entitled The Lost City of Z (apparently based on a book of that title) which he mentions in the Times. Waugh’s review of Fleming’s book appeared in August 1933 while he would have probably been writing Ninety-Two Days which was released the next year. Waugh modestly doesn’t take the occasion to boost his own upcoming book but keeps to the subject of Fleming’s work in what is a relatively long Spectator review. Waugh’s review is collected in Essays, Articles and Reviews, p. 136.

Blogger Eamonn Fitzgerald has posted an article about Waugh’s travel writing entitled “Waugh on Travel and Terror”. He takes as his focus a 1959 article by Waugh in which he bemoans the decline of foreign travel in the postwar period as compared to its golden age between the wars: 

“I See Nothing But Boredom… Everywhere” was the ominous title of a piece by Evelyn Waugh that appeared in the Daily Mail on 28 December 1959. The future of travel was the great man’s theme. Like all newspaper prophesy, it was ignored as soon as it was read, and because Waugh was extremely contrary, his predictions were dismissed as the bitter reproaches of an ageing man (he died in 1966). A rereading, however, shows that he had imagined our future with incredible prescience and was rightly appalled by the vista. He said: “One went abroad to observe other ways of living, to eat unfamiliar foods and see strange buildings,” but in the future, he foretold, the world would be divided, on the one hand, into “zones of insecurity” dominated by terrorism and, on the other, vulgar tourist traps consisting of “chain hotels, hygienic, costly, and second rate,” to which people would be transported by the uniform jet. Well, we’ve got the terror now, we’ve all stayed in ghastly, modern hotels and air travel began its journey towards industrial conformity and security nightmare some while ago.

Waugh’s article predicting the future was not limited to foreign travel but included other topics as well. The article is also collected in EAR, p. 538 and A Little Order, p. 45.

Finally, Time Out magazine recommends to those visiting London, which must be rather tense after the recent terrorist attack near Parliament, that they might want to drop in on this event on the other side of the city in Spitalfields as a “fun thing to do”:

Libreria Bookclub: Scoop, Libreria, Sun, free. Take your ma to Libreria’s March bookclub for some intellectual chit-chat about ‘Scoop’, Evelyn Waugh’s classic satire on journalism, and discuss whether the novel is as relevant in today’s climate as it was when first written.

 

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Norwegian Translation (More)

The translator of the 1959 version of Brideshead Revisited into Norwegian has responded to our posting on the review of that book in Aftenposten. See earlier post. The response is copied below:

From: Johanne Fronth-Nygren <(click to email)>
Date: Mar 22, 2017 08:57
Subject: Comment to posting about new Norwegian edition of Brideshead 19th March
To: (click to email)
Cc:

Hello!

What fun that the vigilant Society got wind of this new edition!

Now this is also a good example of the limitations of google translate and the need for human translators to avoid misunderstandings:

The reviewer refers the point I make in the afterword of the ‘sacred’ aspect of the book often being overlooked in the general reception, and how the love story between Charles and Julia is eagerly read, whilst the fact that they part out of religious conviction has been and still often is seen as a “bad ending” to an otherwise enjoyable tale. This is due, I think, to Waugh’s (maybe too) subtle guidance of the reader through Charles’ spiritual development. In the afterword Brideshead’s treatment of conversion is contrasted with that of the roughly contemporaneous Gymnadenia and Den brennende busk by Norway’s catholic Nobel laureate Sigrid Undset, and also seen in connection with Søren Kierkegaard’s theory of life stages. With the aid of these references a non-believing reader can gain a better understanding of Waugh’s project when rereading – or “revisiting” (not “reunion”) –Brideshead.

P.S. The Norwegian title of the review is “Forfatteren som unnskyldte sitt eget verk”.

With best wishes,

Johanne Fronth-Nygren

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Doreen Jones (1941-2017): Casting Director of Granada Brideshead

Doreen Jones who was casting director of Granada TV’s 1981 adaptation of Brideshead Revisited has died at the age of 76. Her obituary in the Guardian is written by Derek Granger who was producer of the series. Although she is best known to our readers for her participation in Brideshead, she also has several other notable casting achievements to her credit. As explained by Granger:

Doreen had a sharp instinct for the subtle chemistry that can exist between actors and knew well how players could spark off each other. She demonstrated this flair in the casting of Granada’s adaptation of Evelyn Waugh’s Brideshead Revisited (1981), which I produced, when she matched a lineup of promising young actors including Jeremy Irons, Anthony Andrews, Diana Quick and Phoebe Nicholls against such starry veterans as Laurence Olivier, John Gielgud and Claire Bloom.

Over her career, she was involved in casting over 400 productions. Among the other highlights cited by Granger was her casting of Helen Mirren as DCI Jane Tennison in ITV’s   long-running series Prime Suspect beginning in 1991. She also cast Olivier in two other TV series after his Brideshead appearance:

Doreen’s acute eye was always in evidence. Recognising Olivier’s immense versatility she cast him not only as Lord Marchmain in Brideshead but also as the lecherous old artist in the TV film of John Fowles’s The Ebony Tower (1984) and again as the music-hall performer Harry Burrard in the adaptation of JB Priestley’s Lost Empires (1986).

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Waugh Cited in Arsenal Manager Crisis

The ongoing crisis in the status of Arsene Wenger as manager of the Arsenal FC has resulted in a quote from Waugh in the Guardian. This appears in a posting of Marina Hyde on the Guardian’s Sportblog  considering this long pending matter:

Perhaps all unfathomable matters in Britain warrant some sort of comparison to the Royal Family, the latter having been the most enduringly unfathomable part of national life for so long. Wenger is very much at royal-comparison stage now, with his departure endlessly spoken of as a moment of “abdication”. But do consider Evelyn Waugh’s amusing diary entry on the original abdication crisis, a period that has been hammed-up more in retrospect than it was at the time. “The Simpson crisis has been a great delight to everyone,” Waugh wrote. “At Maidie’s nursing home they report a pronounced turn for the better in all adult patients. There can seldom have been an event that has caused so much general delight and so little pain.” (Diaries, p. 415)

The quote is from a diary entry dated 4-8 December 1936 a few days before the abdication was finally signed on 10 December and Edward VIII’s farewell speech delivered the next day. Waugh was commenting on the crisis leading up to the abdication rather than the act itself, which makes the quote perfectly applicable to the Wenger situation.

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Washington Post Recommends Scoop

In a feature length op-ed article in the Washington Post (“Dystopian Fiction is Big Now”), Christopher Scalia makes Waugh’s Scoop recommended reading. He begins by describing the unexpected (and probably unintended) result of Donald Trump’s election as having made reading great again, citing the best seller status bestowed on such classic dystopian novels as Orwell’s 1984, Sinclair Lewis’ It Can’t Happen Here and Margaret Atwood’s The Handmaiden’s Tale.

Scalia, son of the late Supreme Court Justice Antonin Scalia, believes that Scoop has equal relevance for today’s readers. He cites fake news (Wenlock Jakes) and the herd instincts habits of the press corps (they all leave town on a false trail leaving the inexperienced Boot to scoop them when a story breaks).  These themes have been mentioned in several other recent articles arguing Scoop’s relevance to today’s news. Scalia also cites another facet of Scoop which others have overlooked:

…the novel’s depiction of an insular, gullible and sometime dishonest press will strike a chord with many readers in the Age of Trump — or in the Age of the Anti-Trump Media. For one thing, the novel’s London press is detached from life outside of the city. The view Boot’s editor has of rural life reads like a parody of the American press corps’ unfamiliarity with rural America: “His knowledge of rural life was meagre. … there was something unEnglish and not quite right about ‘the country’, with its solitude and self-sufficiency, its bloody recreations, its darkness and silence and sudden, inexplicable noises; the kind of place where you never knew from one minute to the next that you might not be tossed by a bull or pitch-forked by a yokel or rolled over and broken up by a pack of hounds.”

He compares Salter’s detachment from rural reality as well as the Fleet Street papers’ uniformity of content with that of the current US press corps who knew so little of the country beyond its urban coastlines that they failed to see Trump coming. The article concludes:

To be sure, were he still alive, Waugh would not be wearing a red MAGA cap with his tweed coat. Always skeptical of America and modernity, Waugh may have seen Trump as the greatest emblem of what’s wrong with both…Nevertheless, “Scoop” accurately captures why so many Americans distrust the press and its power. As Hitchens put it, “Scoop endures because it is a novel of pitiless realism; the mirror of satire held up to catch the Caliban of the press corps.” The reflection is familiar today.

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BBC Media Pack for Decline and Fall Available Online

The BBC’s Media Pack for its production of Decline and Fall is available online. This includes Q&A’s for the major characters and short introductions and photos for the others. There are also Q&A’s for the writer (James Wood) and the director (Guillem Morales). Here is Wood’s summary of the script:

We are doing three hour long episodes and the book moves through three different worlds… It’s been a huge and very entertaining challenge pulling off what is effectively three one hour films that all still feel like the same show. The first episode is set in a horrendous minor Welsh public school, populated with lunatics and monsters. The second episode is set in Margot’s high society world and Kristian the production designer has built an amazing modernist home that Margot lives in. That world is all parties and decadence and has something of a Noel Coward feel. And the third episode largely takes place in a prison. Paul Pennyfeather is the thread that pulls us through those worlds but it’s been a real challenge, an exciting challenge for everyone, pulling off those three worlds and making it feel like a whole.

When you open the link, the menu for the more detailed information is located to the right of the photograph. Most of the information appearing in recent press reports plus additional details are available in this media pack.

On another website, the information for the release of the DVD of the production is provided: 

❉ ‘Decline and Fall’ (Certificate: 15) is released on 17 April 2017. Acorn Media UK Cat No: AV3352, RRP: £ 19.99. Running Time: 3 x 60 mins approx. plus bonus features.

❉ Special features include: Three behind the scenes featurettes: Adaptation; Satire; On Set and picture gallery

This is available for pre-release order from Amazon.co.uk. It is in Region 2 DVD format and will not play on DVD players purchased outside of Europe without reprogramming. Most DVD players on computers will allow you to change regions a limited number of times.

UPDATE (25 March 2017): Amazon.co.uk now indicates that the DVD of Decline and Fall can be delivered to the USA. The post has been amended accordingly. 

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Tabloid Feeding Frenzy on Waugh Adaptation

After the announcement of its debut later this month, the London tabloids are making a media meal of the BBC’s production of Decline and Fall and its stars–mostly the latter. There are stories in the Sun, Mirror, Express and Star, with an additional story in the Mail, which had provided an earlier feature article on the project. These latest stories deal mostly with actress Eva Longoria who plays the role of Margot Beste-Chetwynde. Most typical is perhaps the story in the Sun accompanied with lavish illustrations of Longoria. Her part is described as that of a “Welsh housewife”, harking back to her previous performance in the successful US TV series Desparate Housewives. The Welsh reference is a bit more obscure in the case of Margot.

The most interesting story appears in iNews which has reported the interviews of lead actors Jack Whitehall and David Suchet in greater detail than the other papers. Here are a few excerpts:

“It really is raucously funny in the first episode [explains Whitehall] – knockabout and farcical. But in later episodes, it goes to a much darker place, and I enjoy watching that kind of stuff.” … The comedy in Decline and Fall works because the cast do not play it for laughs. “We played it straight, within our own world of eccentricity,” says Suchet. “I think that’s where this comedy sits because it’s truthful and yet it’s not one hundred percent real in style.” … This may be a social satire written in the 1920s, but it is just as relevant in the present day “Throughout the three episodes, there are tiny little hints and subtle references that have echoes in the present day,” says Whitehall. “That helps the satire really resonate”… 

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Bodleian Acquires Ducker Archives

Oxford’s Bodleian Library has announced the acquisition of the ledger books of the bespoke shoemakers Ducker and Son located for many years on The Turl. See earlier post. The acquisition was made at auction with the the financial support of the Friends of the Bodleian. The importance of the collection to Waugh studies is explained on the Bodleian’s website:

The ledgers were seen as a valuable addition to the Libraries collections given their connection with the history of the University and many prominent literary figures whose papers are already held at the Bodleian. The Library … is currently supporting OUP in its production of the first ever complete works of Evelyn Waugh, by providing access to important editions of his books. ‘We are delighted that we have been able to save this fascinating piece of Oxford history and to keep the Duckers ledgers in the city where they have been for more than a century,’ said Dr Chris Fletcher, Keeper of Special Collections at the Bodleian Libraries…Two pages of entries for Evelyn Waugh suggest that he was a loyal customer, buying approximately 20 pairs of shoes or boots between 1930 and 1946.

One page of the Waugh ledger is reproduced on the Bodleian’s website. An earlier, perhaps more interesting page, accompanies a story in the Financial Times reporting the Bodleian’s acquisition. This shows Waugh’s purchases in the years between 1930 and 1933 (although there seems to be a balance in excess of £7 transferred from an earlier account). At the top of the entry, his address progresses from North End Road NW11 to Piers Court, Stinchcombe, Glos. At one point he gave his address, somewhat presumptuously, as “Madresfield Court, Gt. Malvern.” The Bodleian is mounting an exhibit of the ledgers this weekend 24-26 March at the Weston Library: In their shoes: the historic ledgers of Oxford shoemakers Ducker & Son.

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BBC Decline and Fall Homepage Reveals New Treat

The BBC has posted its homepage for its adaptation of Waugh’s Decline and Fall that will begin later this month. This will provide a link to the program for those watching it over the internet on BBC iPlayer. The posting contains a full list of the cast in order of appearance. This includes the announcement of an additional treat for fans of 1980s TV adaptations in the golden age of that genre. The opening scene will apparently have the Junior Dean (Sniggs) and Domestic Bursar (Postlethwaite, misspelled on the BBC site) of Scone College discussing the likely outcome of the Bollinger Club’s activities. These parts will be played by Tim Piggott-Smith and Nicholas Grace, respectively. Piggott-Smith made his name as the creepy Police Superintendent Ronald Merrick in Paul Scott’s  The Jewel in the Crown and Grace was the definitive Anthony Blanche in Brideshead Revisited. Both series were produced by Granada TV for the ITV network.

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