Jeremy Irons at BAFTA Session

A report on actor Jeremy Iron’s recent appearance at BAFTA’s “Life in Pictures” series is posted on IndieWire. See also earlier post. In reviewing his career, Irons suggests that his selection as Charles Ryder in Granada’s 1981 TV adaptation of Brideshead Revisited, coinciding with his role in the film version of The French Lieutenant’s Woman, was an important early career break:

“They wanted me to play Sebastian Flyte, but he was very similar to a role I’d just played, a man who loved his mother too much, drank too much and fell off a bridge in Episode 8. And I thought, ‘No I want to keep going to the end.’ So I wanted to play Charles Ryder. Ryder is a sort of very internalized Englishman, not able to show a lot. I thought I knew that man. It needed an actor who was not going to perform, but an actor who was. He had to be like a host at a good party, just getting people together and enjoying them, but not playing too much on the front foot.”

“I made [The French Lieutenant’s Woman] in the middle of ‘Brideshead,’ which of course made the other actors livid, because they had to wait for me for four months while I was doing my thing. But I was 30. I knew that if I passed that up, by being a gentleman, it would have a huge effect on my career. That kind of chance doesn’t come along very often…I wanted to get enough fame that people would come and sit on their bottoms in the West End to see me do a play. But I never thought I would become a film actor, because in those days all the successful film actors were from the North. You know, Albert Finney, Tom Courtenay. And I was sort of effete for all that. Thankfully ‘Brideshead’ swung the pendulum a bit and suddenly people wanted someone who could wear a suit.”

An audio recording of the complete program in which Irons discusses his career with Danny Leigh is reproduced on BAFTA’s website.

An internet entertainment site called The List has meanwhile named the 1981 Brideshead adaptation as the top TV period drama series:

Jeremy Irons reminisces about the time he spent at stately home Brideshead with the Flyte family. A grand tale of dysfunctional family life set between 1922 and 1944 based on Evelyn Waugh’s novel. The magnificent cast also includes Laurence Olivier and John Gielgud.

Others named include Blackadder, Bleak House and Jewel in the Crown.

 

 

 

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Radio Times Article on 1967 BBC TV Adaptation

The director of the BBC’s 1967 TV adaptation of Waugh’s Sword of Honour wrote an article in Radio Times on the occasion of its rebroadcast in November 1968. Donald McWhinnie, “Three From Evelyn Waugh,” Radio Times, 28 November 1968, p. 33. This is reproduced on the internet site which is selling a copy of that issue of the magazine. Here’s a link. The article is in frame number 5. 

McWhinnie’s article opens: 

The story of the second world war as most of us knew it is told in Sword of Honour. Not the heroics and the high drama, the cruelty and the senseless suffering, but the day-to-day routine. It is a hilarious and sad and absolutely accurate picture of six inglorious years…The trilogy is one of Evelyn Waugh’s finest achievements, bursting at the seams with comic invention, rich in humanity and full of memorable characters. 

The article is headed by a photo of actor Edward Woodward who played Guy Crouchback in this early TV version. It has, alas, never been made available on videotape or DVD and is unlikely to be repeated on TV as it is filmed in black-and-white and extends over 270 minutes in three episodes. The British Film Institute preserves a copy and recently made it available for limited release in the UK. This is part of their Mediatheque program which also includes the BBC Arena Waugh Trilogy documentary, written and directed by Nicholas Shakespeare. Details may be found at this link. Any of our UK readers who have managed to see these or other productions in the BFI’s Mediatheque progam are invited to report on their experience by posting a comment below. 

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Bullingdon/Bollinger Faces Extinction

Sebastian Shakespeare in his Daily Mail gossip column reports that the Bullingdon Club at Oxford (on which Waugh based the Bollinger Club in his novel Decline and Fall) may soon die out for lack of interest:

…The Buller is understood to be launching a recruitment drive among freshers to save it from extinction. Ambitious undergraduates have shunned the club, satirised by Evelyn Waugh in Decline And Fall as The Bollinger Club, because of its ‘toxic’ reputation. In the final nail in the coffin for Cameron’s ‘chumocracy’, the Bullingdon’s membership is down from 30 to just two.

Unless some of Oxford’s around 6,000 male undergrads sign up for the society’s unsavoury brand of posh hooliganism… the Bullingdon will be disbanded after more than two centuries of debauchery. One Oxford undergraduate tells me: ‘Most Bullingdon members graduated this year, and with likely no new members, this looks like it might be its last year in existence.’ Do get in touch if you know who the last two members are.

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Another Mitford Book

Another biography of the Mitford girls is reviewed in the New York Times Book Review. They seem to be competing with Evelyn Waugh for the number of biographies published, but they have an advantage since there are six of them. This latest is entitled The Six (in the UK it was Take Six Girls) and is by Laura Thompson, who previously published a biography of Nancy Mitford entitled Life in a Cold Climate (recently reissued). She has also written widely on horse and dog racing as well as on Agatha Christie and Lord Lucan.

The NYT review is by journalist Tina Brown, who opens with a groan: “Oh no! Not another book about the Mitfords!.” But she found it was riveting and was especially impressed with Thompson’s analysis of how the life of Diana affected the lives of the others: 

…the Mitfords’ rivalries were as intense as their loyalties. Thompson makes it clear that Diana is the still, chill touchstone for them all. The spiky, possessive Nancy was forever jealous when her own admirer Evelyn Waugh fell at Diana’s feet. After the war the Mosleys exiled themselves to Orsay in France. Nancy loyally visited Diana but never introduced her to her glittering circle of Paris friends. Competition with Diana also stoked Unity’s determination to outdo Diana’s fascism by following Hitler. A tinderbox dynamic played out through all their lives — Jessica, eloping with the radical Communist firebrand Romilly because Unity was a Nazi, Unity becoming a Nazi because Diana was a fascist… 

I’m not sure the chronology of Waugh’s admiration for Diana, which peaked in the early 1930s, supports Brown’s (or Thompson’s) theory about Nancy’s jealousy, since his admiration for Nancy really blossomed during and after the war, long after he fell out with Diana; but she may have a point.

UPDATE: The print version of Tina Brown’s review appeared in the New York Times Book Review dated 18 September 2016.

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Australian Journalist Cites Scoop

Australian journalist Mark Baker has cited Waugh’s novel Scoop as one of the books that changed his life:

This peerless satire of the foibles and vanities of Fleet Street in the golden age of newspapers is as sharp and funny today as it was when it first appeared in the 1930s. I stumbled on to it early in my career in journalism and saw repeated echoes through many years as a foreign correspondent: the pompous, bumbling bosses, the big-noting and big-spending star reporters, the sycophantic editorial bureaucrats. It ought to be a standard text for journalism students of all ages.

The article appears in the Sydney Morning Herald and several other papers. Other life-changing books cited by Baker include Alan Moorehead’s Gallipoli, Little House on the Prairie by Laura Ingalls Wilder and The Narrow Road to the Deep North by Australian novelist Richard Flanagan.

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Philip Eade to Appear at Oldie Lunch and Bridport Festival

Oldie magazine has announced the appearance of Waugh’s biographer Philip Eade as one of three authors at its 11th October literary lunch:

This new study reveals that from his strained relationships with family and lovers to his religious and drug-induced awakenings, Waugh’s life was one of drama and complexity.

The others to appear at the lunch are Tom Bower who recently wrote a biography of Tony Blair and Anne Sebba whose recent book is Les Parisiennes about the life of women during the German occupation. The Oldie was among the first publications to review Eade’s biography, Evelyn Waugh: A Life Revisited See earlier post. The lunches are held at Simpsons-in-the -Strand and may be booked here.

On Thursday, 10th November, Eade will appear at the Bridport Literary Festival in Dorset. There, he will be in conversation with Celia Brayfield at the Bull Hotel at 11am. Tickets may be booked here.

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Daphne Fielding, Writer

A book blog called The Neglected Books Page has posted an article on the first book written by Waugh’s good friend and correspondent Daphne Fielding (1904-97). This is the first volume of her memoirs entitled Mercury Presides that was published in 1954. The article opens with a quote from Waugh: 

When Evelyn Waugh read Daphne Fielding’s memoir, Mercury Presides, he quipped that the book was “marred by discretion and good taste.” Considering that the author was one of the more sparkling of the Bright Young Things whose exploits and indulgences Waugh satirized in Vile Bodies and other early novels, one can understand his assessment…Waugh remarked that “the adult part [of the book] is rather as though Lord Montgomery were to write his life and omit to mention that he ever served in the army.”

Waugh’s comments are quoted from a letter he wrote to Nancy Mitford on 16 November 1954 (Letters, 433). Waugh had known Daphne since the days of the Bright Young People and became her mentor when she took up writing. Indeed, he can be said to have been the moving force behind her discovery of her writing talent. Daphne and her husband Henry Bath asked Waugh to write a brief history and description of their home at Longleat House to be used for a booklet to be sold to day trippers. Waugh declined on the basis that he couldn’t write about a family of Protestants that had unjustly (in his view) received their property from the Roman Catholic church during the Reformation. As a result Daphne completed the project herself and never stopped writing.

Most of her works, like Mercury Presides, are forgotten and out of print. These include a largely autobiographical novel (The Adonis Garden), which Waugh reviewed in The Spectator of 22 June 1961, as well as a second volume of memoirs. In his review of the novel, Waugh chided her for using up enough material for several books. Her book that enjoyed the greatest commercial success was Duchess of Jermyn Street. This was a biography of Rosa Lewis who ran the Cavendish Hotel with an imperious hand for many years. Waugh contributed an introduction to that book as well as suggestions for sources. Daphne also gave birth to Alexander Bath (Henry’s heir as the 7th Marquess) who became quite a celebrity in  his own right during the latter years of the 20th Century. See earlier post.

Thanks to David Lull for sending a link to this article.

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Waugh Appears in Student Reading List

The iNews (an online UK newspaper) has published a list of books that all well grounded students should read (not necessarily as part of a course or degree syllabus). The list consists of both fiction and non-fiction. For example, two books (one in each category) are recommended by George Orwell: 1984 and Homage to Catalonia and by Aldous Huxley:  Brave New World and Doors of Perception. A single book by Waugh is among those recommended:

Scoop by Evelyn Waugh. William Boot seeks the ‘scoop’ on the beginning of a “very promising little war” in a fictional East-African country. Waugh’s satire on fleet street sensationalism is a must read for any budding journalists.

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Simon Leys on Evelyn Waugh

This week’s issue of The Weekly Standard carries a review of a biography of Simon Leys (1935-2014). The review is entitled “Muddle Kingdon” and the reviewer is Stephen Miller. Leys was the pen name of Pierre Ryckmans, a Belgian who became an Australian and made a name for himself as a Sinologist who deconstructed the underpinnings of Maoism, much to the dismay of Western Maoists in the 1970s. The biography also mentions his articles and appreciations of writers such as George Orwell and Evelyn Waugh. Leys’ essay on Waugh, entitled “Terror of Babel” recently appeared in a collection of his essays issued by New York Review Books: The Hall of Uselessness (2013). It had first appeared as an article in the March 1993 issue of the Independent Monthly, a Australian cultural magazine, and was later included in an Australian collection of his works, The Angel and the Octopus (Sydney, 1999).

Waugh is also mentioned in another book review (unsigned) appearing in this week’s Economist. This is a biography of the Byzantinist, Steven Runciman (1903-2000), entitled Outlandish Knight: The Byzantine Life of Steven Runciman by Minoo Dinshaw. Waugh and Runciman were contemporaries but don’t seem to have known each other particularly well (Runciman studied at Eton and Cambridge). According to the review, the book frequently cites Waugh’s WWII trilogy (Sword of Honour) as well as those of Olivia Manning. Runciman was in the Balkans and the Middle East during WWII. He had posts in both Jerusalem and Cairo and may have contributed to one or more of the characters in Manning’s Balkan and Levant TrilogiesWaugh may have met him in Cairo. According to the review, during his student years Runciman also made “frequent trips to London to socialise with the ‘bright young people’ (and be photographed with his budgerigar by Cecil Beaton),” and he may well have met with Waugh in those days as well. Beaton’s photo is on the book’s dust wrapper. 

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Social Climbing Heroes

In the current issue of the Anthony Powell Society Newsletter (Autumn 2016, No. 64) Simon Barnes has written the lead article in which he compares social climbers in three novels: Waugh’s Brideshead Revisited, Powell’s Dance to the Music of Time and Kingsley Amis’s Lucky Jim.  In each case, there is a malevolent climber (Rex Mottram, Kenneth Widmerpool and Bertrand Welch) as well as a benevolent one (Charles Ryder, Nick Jenkins and Jim Dixon). The reader is encouraged to despise the bad guys and identify with the goodies even though they are all striving toward the same goal–to better themselves socially. Waugh manages a few scenes where the climbing of Rex and Ryder clash–e.g., the dinner in Paris and the hand of Julia/possession of Brideshead Castle. Ryder tops Rex in both cases only to lose everything in the end (compensated perhaps by religious conversion). Similar themes are developed in the interplay between the climbers in the other novels. 

The APS Newsletter is available by subscription/membership. Apply here.  It will eventually find its way to the internet where copies are posted about a year after publication.

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