Waugh Biographer to Appear at Henley Festival

Philip Eade will appear at the Henley-on-Thames Literary Festival on Tuesday, 27 September at 1230p. He will speak about his biography of Waugh at Stonor Park, a country house about 4 miles north of Henley, and lunch will be served. The program notes (p. 13)  describe Stonor Park as a particularly appropriate place for Eade’s presentation because Waugh

…was a regular visitor [there and it] is thought to have inspired Broome, the country home of the Crouchback family.

This is perhaps a bit of an overstatement since, based on a quick review of published material, the only record of a Waugh visit to Stonor Park  was in April 1955. He described the place in a letter to Diana Cooper as

ghostly, impoverished, candle lit halls and galleries full of delicious 16 year old convent trained girls and gawky youths in plastic shoes. (MWMS, p. 205).

The visit must have been on some occasion involving his daughter Teresa’s school because she would have been 16 at the time and he says that he drove there with “my elder jewels.”

The link with Broome may have more credibility than the frequency of Waugh’s visits. Here is a description of the place from Wikipedia: 

…the Stonors remained Roman Catholic throughout the 17th and 18th centuries, and enabled many local villagers to remain Roman Catholic by allowing them to attend Mass at their private chapel…The Stonor family’s steadfast adherence to Roman Catholicism throughout the reformation led to their marginalization and relative impoverishment in subsequent centuries. This has inadvertently resulted in the preservation of the house in a relative unspoiled and unimproved state.

UPDATE (28 July 2016): According to the Twitter feed of the Stonor estate dated 26 July 2016, the Waugh event at the Henley Literary Festival sold out immediately.

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Eade Biography Reviewed in Daily Mail

Marcus Berkmann has reviewed Philip Eade’s biography of Waugh in today’s Daily Mail. Berkmann is a freelance journalist and has also written widely for TV and radio as well as producing several books on subjects ranging from sport to Star Trek.  At the beginning of the review, Berkmann sets out what he sees as Eade’s challenge in writing about Waugh: 

The old curmudgeon not only wrote like a dream, he wrote quickly. Which meant he had room for an awful lot of other life to live, and my God did he live it. He then wrote from his experience, which gives a biographer lots to do in hunting out sources. And like a lot of writers he was compulsive, writing extensive diaries and letters to everybody, pretty much all the time. So, as Philip Eade has discovered, the problem with writing a life of Evelyn Waugh is not what to put in. It’s what to leave out.

Berkmann thinks Eade manages this problem relatively well, noting that his early pages “rattle along.” He finds that:

Eade isn’t a standard literary biographer; he is, by instinct and preference, an entertainer. His previous two biographies were of Young Prince Philip (2011), which roared ahead like a thriller, and of Sylvia Brooke, wife of the last ‘white rajah’ of Sarawak.
He is an assiduous researcher with a considerable narrative gift. He also, crucially, likes his subject. Waugh never much cared what anyone thought of him, but Eade does, and time and again he finds justification for what previous biographers have considered questionable behaviour. 

Berkmann points out one weak point where Eade “seems to become overwhelmed by the sheer number of people Evelyn is meeting” but concludes that “in the main this is an exemplary piece of work.”

 

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Stage Adaptation of Brideshead Available as Book

For those who were unable to see a stage performance in its recent UK run, Bryony Lavery’s stage adaptation of Brideshead Revisited is now available in book form. Lavery’s script and various other features relating to its initial production are included in a 160-page paperback book published by Faber and Faber. The book is also available in Kindle format.

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Mark Amory Reviews New Biography in the Spectator

Mark Amory, editor of the 1980 collection of Waugh’s letters and retired literary editor of the Spectator magazine, reviews Philips Eade’s new biography of Waugh in this week’s Spectator. As he began Eade’s book, Amory wondered what more Eade could say in view of previous biographies and copious academic studies: “How much knowledge can he assume? Should he include the best known stories and remarks? On the whole he does.”

Amory, as editor of Waugh’s Letters, recalls his own encounter with one of Eade’s new sources:

Waugh met and fell in love with Teresa (‘Baby’) Jungman, also a Roman Catholic, and assumed that marriage was impossible. (I approached her in the late 1970s, asking if she still had Waugh’s letters to her. She said that she did not wish anyone to see them. I wrote again, as I do not think I did to anyone else, with all the persuasions I could think of about their interest and importance. She refused again with an otherwise amiable letter that began ‘Dear Blackmailer’.) These letters and a memoir by Waugh’s first wife were available to Eade and fill out details of important relationships, but do not radically alter what we knew. 

Amory also identifies some new information in Eade’s descriptions of Waugh’s WWII career:

There have been accusations that Sir Robert Laycock, Waugh’s commander and military hero, disobeyed orders and jumped the queue to get away from Crete, while Waugh falsified his official account to cover up for him. Since then, points out Eade, ‘a substantial body of contrary evidence has been excavated’, which goes a long way towards refuting the accusations against Evelyn and his military mentor.

In the same Spectator article, Amory also reviews Ann Pasternak Slater’s newly published study of Waugh’s life and works. This is discussed in a separate post.

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Waugh Study by Ann Pasternak Slater Published

The long-awaited study of Waugh’s life and work by Ann Pasternak Slater was published earlier this month in the UK. Dr Pasternak Slater is Senior Research Fellow at St Anne’s College, Oxford. She is well known to Waugh Society members and is one of the speakers scheduled to appear at next year’s conference at the Huntington Library.  Her book is entitled Evelyn Waugh (Writers and their Work). The publishers, Northcote House, describe the book as a study that

… shows how Waugh transformed his own experiences into painfully comic, brilliantly constructed novels. They are works, in his own words, of ‘elegance and variety of contrivance’. Ann Pasternak Slater has written an ingenious and engaging study of the relationship between Waugh’s life and work, between his sharp moral vision and Dionysiac comic genius. She focuses on Waugh’s entire fictional oeuvre in a book notable for its intellectual sympathy.

The book was reviewed in this week’s Spectator magazine by Mark Amory, editor of Waugh’s collected letters and former literary editor of the Spectator. Amory describes her book and compares it to the recent biography by Philip Eade, which is reviewed in the same article:

Evelyn Waugh by Ann Pasternak Slater mainly concerns the books, their technique, and how they came from his life. Eade says the books ‘could hardly have been easier to understand’, but this turns out to be not entirely true. Slater notices every word or phrase and has spotted if it is ever repeated. She knows where Waugh had got to in writing Vile Bodies when his marriage broke up and how that affects the style. She observes that a correction by Waugh when Tony Last is asked whether he believes in God has been read as ‘I suppose no’ when it is actually ‘I suppose so’. This leads to her theme: the earlier satiric works before his conversion present a disordered world where apparent chaos is artistically controlled. ‘Scrutinise the kaleidoscope and a perfect pattern is revealed.’ Sometimes he returns to this approach — as in Put Out More Flags and The Loved One. The Catholic novels — Work Suspended, Brideshead Revisited, Helena and The Sword of Honour — have a quite different style, derived from Victorian novels, and are predominantly rational and realistic.

US publication will be in October according to amazon.com which is taking advance orders, but it is available over the internet now from amazon.co.uk.

UPDATE (29 July 2016): Amazon.com now lists the US publication for the Pasternak Slater book as December 11, 2016. See link.

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Journalists in Literature Surveyed in New Book

In a book to be published tomorrow by Bloomsbury, Dr Sarah Lonsdale, who teaches at the City University London, surveys the role of the journalist in British literature over the period since 1900. The book is entitled The Journalist in British Fiction and Film: Guarding the Guardians from 1900 to the Present. Waugh and his works feature prominently in the book. In an excerpt, Lonsdale includes one of her references to Waugh’s life and writings. This appears on the webpage The Conversation where she writes: 

Interwar novelists who wrote for newspapers now questioned the news industry in their fictions. Rose Macaulay, although a successful novelist who needed her freelance Daily Mail income, savagely attacked the stereotyping of women readers and writers in her novel Keeping Up Appearances (1928). Evelyn Waugh, who had a trial doing work experience on the Daily Express, and who wrote for the Daily Mail, famously lampooned the foreign correspondent press pack in his classic novel Scoop (1938)).

In the PressGazette Dr Lonsdale selects the top 1o fictional journalists based on the researches for her book. Her first choice is William Boot from Scoop:

You’ve probably all read about William Boot, the “idiot savant” country writer in Evelyn Waugh’s Scoop, whose bucolic prose-style has yet to find an equal: “Feather-footed through the plashy fens passes the questing vole
” But of the dozens of fictional journalists created by practising or some-time journalists (Waugh had an unsuccessful work experience trial at the Daily Express), which are the best? For my new book, The Journalist in British Fiction and Film: Guarding the Guardians from 1900 to the Present I read nearly 160 novels, plays and poems by and about journalists.

Lonsdale then describes her other selections in addition to Boot. These include Thomas Fowler from Graham Greene’s The Quiet American and John Dyson from Michael Frayn’s Towards the End of the Morning.

According to the text available on Amazon, Lonsdale also cites Waugh’s views on and depictions of journalists from his other books, including Waugh in Abyssinia, Remote People and Robbery Under Law as well as from several articles in Essays, Articles and Reviews. 

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Sotheby’s Results Reported

The results of Sotheby’s 12 July London auction of several Waugh items is reported on their internet site. This consists of lots 195-205 in the linked catalogue. It includes several lots of multiple copies. All sold at or in excess of their estimates. The largest overbid was for lot 204 which consisted of two copies of Unconditional Surrender: Waugh’s mark up of the uncorrected proof and his presentation copy to Graham Greene. The estimate for these was ÂŁ6000-8000 and they sold for ÂŁ25,000.

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Forum Auctions Results on Internet

The results of the large sale of Evelyn Waugh books and manuscripts by Forum Auctions is reported on the internet. See earlier post. Here’s the link to the results(you may have to register to see results but there is no charge). Most of the more than 70 lots went for prices at or above the estimate. A few went spectacularly over (eg, lot 7, ms postcard to Robert Byron went for double the estimate) but most were close to or within parameters. A quick review found 5 books that went for less than estimate. There were bargains to be found in the lots made up of aggregated items at the bottom of the list.

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New Study of Waugh’s Satire Published

Naomi Milthorpe, well known to Waugh Society members, has written a study of Waugh’s works entitled Evelyn Waugh’s Satire: Texts and Contexts. The book was published last month and is described in the publisher’s announcement as offering:

… new exegetical accounts of the forms and figures of Waugh’s satire, linking original readings of Waugh’s texts to the literary-historical contexts that informed them. Posing fresh readings of familiar works and affording attention to more neglected texts, Evelyn Waugh’s Satire: Texts and Contexts offers readers and scholars a timely opportunity to return to the rich, dark art of this master of prose satire.

Milthorpe is on the faculty at University of Tasmania and is one of the scheduled speakers at the Waugh Conference recently announced for next May at the Huntington Library near Pasadena, California. She also recently published an interview in Evelyn Waugh Studies (v. 47.1, Spring 2016) relating to the Huntington’s collection of Evelyn Waugh materials. The book is published by the Fairleigh Dickinson University Press. The cover art is from a portrait of Waugh by Feliks Topolski in the collection of the Harry Ransom Center at the University of Texas.

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George Osborne and Evelyn Waugh

New Europe, a weekly English-language newspaper published in Brussels, carries an article comparing George Osborne, Tory Chancellor of the Exchequer (for the time being), to Evelyn Waugh. Osborne changed his name from Gideon Oliver to plain George because it

“sounds more like a prime minister”… True, a name such as Gideon Oliver would sound funny for non-Brits, unfamiliar with historical figures such as Disraeli, or with the fact that people from the English affluent middle class could bestow upon their male children names such as
 Evelyn. George Osborne himself could after all be a figure out of one of Evelyn Waugh’s novels. Like Evelyn Waugh, Osborne tried journalism. Like Evelyn Waugh, he failed at that, but instead of of persevering in writing, he entered politics.

The reference may be to Waugh’s failure at his attempt at being a reporter for the Daily Express, his first regular job as a journalist. He was sacked after a two-month trial period. But once established as a novelist, Waugh continued to write as a free-lance journalist for the rest of his life, and was quite successful at it.

 

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