Waugh Themes in New Play

A play that opened earlier this week at the Old Red Lion Theatre in the Angel district of North London has multiple allusions to Waugh’s works, according to reviewer Stephan Bates. The script is by Simon Blow and the title is The Past is a Tattooed Sailor. According to the review on The Theatre Hub website:

Informing his lover that the rich have it hard too, the hero of Simon Blow’s new play refers to Evelyn Waugh’s A Handful of Dust to prove his point. Blow himself seems more taken with Brideshead Revisited in crafting a tale of two young men who go exploring in the weird and wonderful world of the English upper classes. The play is based on experiences in the writer’s own life and his relationship with his great uncle, Stephen Tennant.

The play runs until 27 August and you can book here.

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Biography Reviewed in Waugh’s Old Neighborhoods

The new biography of Evelyn Waugh by Philip Eade has been reviewed in the Camden Review, which is an arts and entertainment section carried in local North London papers, including the Camden New Journal and the Islington Tribune. The review is by Gerald Isaaman, and it focuses on Waugh’s early life in what is now part of Camden and in Islington where he lived:

at 17a Canonbury Square… his first marital home with his bride Evelyn Gardner… There are many more delicious sagas and demeaning disasters in this tremendous re-visitation to Waugh’s life. Yet, unbelievably, this is not the end of the war on Waugh industry. The first of 43 volumes of Waugh’s complete works, edited by his grandson, Alexander, is due out next year to add to his posthumous glory.

Another review by Liz Dexter appears on a literary website Shiny New Books. Dexter describes the new materials available to Eade and is one of the few reviewers to note a source for these other than the archives of Alexander Waugh:

Eade also acknowledges a debt to [Waugh biographer] Selina Hastings…as he was able to access her research materials and she gave him some stories that she hadn’t included in her own book.

The thoughtful and informative review concludes:

The book is extremely well referenced, with comprehensive notes plus starred footnotes for anything requiring immediate explanation, a good solid bibliography and a good index…Although it’s made clear that this is not a literary biography, Eade weaves the writing of the books and the influences on their characters, as well as their reception by friends and critics, into the narrative. This is an approachable but intelligent and well-referenced book which stands well as a monument to Waugh and is even-handed without venturing into hero-worship or name-calling. It sets the novels and non-fiction works well in their context and would serve as a good introduction to Waugh’s life, times and works.

 

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Good-bye to Fleet Street

The Independent newspaper, now online only, reports that the last journalists have now left their Fleet Street premises. The final departures were two reporters for the Dundee Sunday Post. In a panegyric to the former home of British journalism. the Independent looks back to a Waugh novel of the 1930s, which was probably Fleet Street’s golden age:

By the 20th century, Fleet Street as a national and international centre for journalism had been cemented, and was captured in its pomp in Evelyn Waugh’s 1938 satirical novel Scoop in which unscrupulous authoritarian editors battle for prominence as their writers drink heavily in bars. But Fleet Street’s demise began in 1986 when Rupert Murdoch moved publication of his News International titles The Times, News of the World and The Sun to new premises in Wapping. Despite furious opposition from print unions, all of Mr Murdoch’s Fleet Street print staff were sacked, thereby breaking the power of the unions, and electronic printing began in Wapping. The following year, the Telegraph left its mock-Egyptian tower for Canary Wharf and the Financial Times moved out of Bracken House near St. Paul’s Cathedral, crossing the river to Southwark.

The story features a 1932 photo of the aggressively Art Deco front of the Daily Express building where Waugh’s short-lived newspaper career took its course a few years earlier. According to the Independent, the Express moved out of that building in 1989 and is now just across the river on Blackfriars Road SE1.

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Literary and Media Celebrities Cite Waugh’s Influence

In the past few days several celebrities from various media have stated in interviews that they had been influenced by the writings of Evelyn Waugh. In an interview by the book website Goodreads, US novelist Jay McInerney (Bright Lights, Big City) had the following exchange: 

GR: What books and writers, beyond Raymond Carver and Tobias Wolff, most influenced you?

JM: When I was young and struggling to find my own voice, some of the books that influenced me were The Sun Also Rises, and Evelyn Waugh was a big enthusiasm for me in my early 20s. Another book that was a huge influence on me was Hunter S. Thompson’s Fear and Loathing in Las Vegas, which I think for all intents and purposes is really a novel. … Another book that was a big influence on me was The Ginger Man by J.P. Donleavy, a book that people don’t seem to talk about much anymore. The prose and wit were just electric. I also was influenced by Thomas McGuane, who I thought was a master of the language.

On another literary website, British novelist and journalist Laurie Graham was interviewed and, when asked, “What book do you wish you’d written?” answered:

I make no secret of my admiration for Evelyn Waugh and in particular I think A Handful of Dust is pretty much perfect. But every year I discover new (to me) writers whose talent I envy. This year’s discovery has been Richard Ford’s Frank Bascombe stories.

Graham is probably best known for her 2000 comic novel Dog Days, Glenn Miller Nights

Canadian TV commentator Andi Petrillo was interviewed on the CBC’s book website before leaving for Brazil to cover the Olympic games and was asked about what sort of books she would take along. She made a list of 8 by category, among which was “The book that makes her laugh out loud”: 

The Loved One by Evelyn Waugh. I caught myself laughing out loud many times reading this book. This is one of my favourite satirical novels. Instead of getting angry with the human pursuit of social status, this novel mocks it using humour by exaggerating our chase for it through how we depict ourselves even in death.

Finally, three other US novelists have mentioned Waugh as among their favorite authors in interviews published on the internet: Joseph Kanon (his favorite book to re-read is The Letters of Nancy Mitford and Evelyn Waugh), Paul Pickering and Donald Ray Pollock.

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Brideshead Actor to be Honored at BAFTA Event

Jeremy Irons, who played Charles Ryder in the 1981 Granada TV adaptation of Brideshead Revisited, will be honored next month by the British Academy of Film and Television  Arts (BAFTA). He will take part in a secial event entitled A Life in Pictures: Jeremy Irons. This will include a retrospective review of his acting career. According to The [Glasgow] Herald:

Oscar-winner Jeremy will follow in the footsteps of stars including Kenneth Branagh, Cate Blanchett, Dustin Hoffman, Emma Thompson, Sam Mendes, Helen Mirren, Alan Rickman, Vanessa Redgrave, Martin Scorsese, Meryl Streep and Kate Winslet, who have all taken part in the A Life In Pictures series. The 67-year-old actor, who has twice been nominated for a Bafta, has an extensive career across TV, film and stage. The evening, held in partnership with Audi, will take place on Friday September 9 at Bafta headquarters in London’s Piccadilly.

Seats are bookable starting tomorrow. A photo from the TV series accompanies the Herald’s story in the online edition. Video excerpts from the event will likely be posted on BAFTA’s website after 9 September.

 

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Waugh Presentation Copies of More than Usual Interest

York Modern Books has published a list of new arrivals which includes two presentation copies of Waugh’s books of more than routine interest. The first is a copy of Scott-King’s Modern Europe which may have been presented to Waugh’s sometimes bête noire Hugh Trevor-Roper: 

Inscribed by the author on the front free endpaper, “from Evelyn Waugh March 1947.” Bookplate of historian Hugh Trevor-Roper to the front pastedown. It is interesting that this copy belonged to Trevor-Roper as Waugh disliked him intensely, referring to him variously as “that blackguard” and “the demon don”… Waugh does not name the recipient of the inscription (he normally did), and it is interesting to speculate as to whether Waugh presented a copy of this work to a figure for whom he held a strong dislike. 

Item 2157; price £1000.00. It is also interesting to speculate why, if it was not presented to him, Trevor-Roper would have paid the extra cost of buying a signed copy of the book.

The second book is a copy of Waugh in Abyssinia presented in October 1936 to Mary Herbert, mother of Waugh’s second wife, Laura. The date is important as is explained in the seller’s description:

Inscribed by the author on the front free endpaper, “Mary Herbert with love from Evelyn Oct. 1936.” … The date of this inscription, October 1936, comes two months after Waugh’s first marriage had been annulled and is perhaps an attempt to mollify Mary. [The marriage took place in April 1937.] It is interesting to note that another copy of this work came up at auction (Sotheby’s 19th May 1977) inscribed to Auberon Herbert, his future father-in-law, who also strongly opposed the union between Waugh and Laura. 

Item 2156; price £1800.00. The “Auberon” Herbert to whom the earlier presentation was made must have been Waugh’s future brother-in-law, rather than father-in-law as the description suggests. Laura Herbert’s father was named Aubrey Herbert, and he died in 1923. While Waugh  ultimately developed cordial relations with Mary, his dealings with Auberon Herbert were always rather strained.

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US Edition of Waugh Biography Previewed

The US edition of the new biography of Evelyn Waugh by Philip Eade has been previewed in the current issue of Kirkus Reviews. This publication is based on advance galley proofs, and is intended for use by those in the book trade and libraries. The unsigned review notes that, although several earlier biographies exist, a case for the new one is made by publication in conjunction with the 50th annivesary of Waugh’s death and the use of newly available materials. It continues:

Though he is better known in England than in the United States, two of his novels—Brideshead Revisited, which he called his “magnum opus,” and The Loved One, which he described as a “study of the Anglo-American cultural impasse with the mortuary as a jolly setting”—have earned him a readership in America… The book is brimming with society-page stuff: tales of dalliances and social dinners; quotes commenting on who’s smitten with whom; who is/isn’t a homosexual; etc.—all of which grows tedious eventually. The author admits Waugh was probably something of a snob, but charges of his being a bully may be a stretch. Eade offers up a softer portrait of Waugh that might help bring him some new readers, which he deserves.

The US publication date is set for 11 October.

UPDATE (6 August 2016): Another preview of the US edition of the new Waugh biography appears in the 25 July issue of Publishers Weekly. This describes the book as a:

well-crafted, slightly frothy portrait of the complex, difficult literary icon Evelyn Waugh …Eade focuses on Waugh’s colorful personal life and exploits with the “smart set” of his time. The cameo appearance of dozens of glamorous figures throughout the book approaches literary name-dropping….Despite the book’s crowded canvas, its narrative trajectory is straightforward… Waugh’s cruel streak, evident all his life, made him many enemies. With appreciation and empathy, Eade also points out Waugh’s many kindnesses, and his intense loyalty to the Catholic Church after converting. Eade’s treatment reveals a man of astonishing awareness of his gifts and failings, great sincerity, and wit.

Thanks to David Lull for providing a link to this preview.

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Waugh Event at Henley Festival Early Sell Out

The Henley Standard for today reports that the Evelyn Waugh event at the Henley Literary Festival next month was its first sell out. Philip Eade will discuss his new biography of Waugh in a session at Stonor Park where lunch will be provided. According to the Standard article this may have more to do with the lunch offer than the subject matter. The small size of the venue (40 seats) may also have contributed:

What we find is that authors are less fussed over the size of their venue as long as whatever room we put them in is full. They like to sell out. We have a reputation for selling out but in fact it is only certain events. With 150 to choose from, it is always possible to book some things, right up until the day…We had wanted to use Stonor much more, but although the house is substantial as well as beautiful, it was built as a home and there isn’t a large room for theatre-style seating.

This year is the 50th anniversary of Evelyn Waugh’s death, and as Waugh was a regular visitor to Stonor we thought it a fitting venue for Philip Eade, who has written about his life. I am looking forward to it. My friend and colleague at the Daily Telegraph, the late Bill Deedes, knew Waugh well as they were on assignment together in Abyssinia. That was the trip that inspired Scoop and the main character was based on Bill. Actually, Bill didn’t care for Waugh much — he thought he was a terrible snob. But there is no doubting he was, like Graham Greene (another regular visitor to Stonor), one of the greatest writers of that generation.

Unsurprisingly all the tickets for Philip Eade went within a couple of hours of going on sale — a mix of the subject matter, the fact it includes lunch (often in short supply for dedicated festivalgoers) and the chance to visit Stonor. So it was officially our first sell-out.

As noted in an earlier post, the description of Waugh as  “regular” visitor to Stonor park may be an overstatement based on published records. 

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Brideshead Revisted Yet Again

Actor Jeremy Irons, who famously played Charles Ryder in the 1981 Granada TV production of Brideshead Revisited, recently made another visit to its setting. He was artist in residence at the Ryedale Festival in which he appeared in “A Meeting of the Minds.” He read lines from T S Eliot’s Burnt Norton set to the music of Beethoven’s final quartets. One of the performances took place in the Long Gallery at Castle Howard, which stood in for Brideshead Castle in the TV series, as well as the later theatrical film version. Irons is pictured in this story from a local newspaper, the Malton & Pickering Mercury, with his wife and the current occupants of Castle Howard. Additional performances of this and other compositions took place throughout the region, including at Ampleforth College where Evelyn Waugh stayed in 1937 on his only recorded visit to Castle Howard (Diaries, p. 420). The festival ends tomorrow.

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Daily Mail on Location with Decline and Fall

The Daily Mail sent a reporter (Poppy Danby) and, more importantly, a photograper, to the location in Wales where the BBC’s production of Decline and Fall is being filmed. The results are posted in the Mailonline edition and contain more photos than you will probably want to see. Most focus on Eva Longoria (in costume as well as in headscarf and dressing gown) who is playing Margot Beste-Chetwynde, but there are also several shots of Jake Whitehall (Paul Pennyfeather) and David Suchet (Dr Fagan, headmaster of Llanabba School), also in costume. The location itself is not identified, which is no doubt just as well. Based on the costumes, it would appear that they are probably in the process of filming the school’s sports day.

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