Brideshead Included in All-Time Best TV Line-up

A Boston Globe reporter (Matthew Gilbert) decided to put together an all-time best schedule of TV programs to be watched during a one-week period (evenings only). Saturday was scheduled as “Epic” night, and the 1981 Granada TV series of Brideshead Revisited makes the line-up:

EPIC

8: Brideshead Revisited (19)

9: Masterpiece: Bleak House

10: Game of Thrones

News: Frontline

Late Night: Saturday Night Live (20)

(19) No question, it’s one of the best miniseries ever made, both loyal to Evelyn Waugh’s novel and expansive in its spectacular setting. It was hard to choose one from the long list of ambitious TV miniseries — say David Simon’s devastating “The Corner,” or “Pride and Prejudice” from 1995 with Colin Firth. Likewise, I chose “Bleak House” at 9, but I could easily have substituted a number of “Masterpiece” period dramas from the series’ phenomenal catalog of classics.

(20) Yeah, we all hate “SNL.” Too long, weak writing, spotty cast, repetitive riffs. I never miss an episode.

Since Brideshead is in a one-hour time slot, the first or last episode would not be suitable. Of the one-hour episodes, number 2 or 3 would probably be a good selection.  From the same general period (late 70s-early 80s), other selections include All in the Family, Mary Hartman, Mary Hartman, and the Bob Newhart Show. And SNL overlapped Brideshead, having started in 1975.

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Charles Ryder in the Chapel

Rev. Terrance W. Klein, S.J., a priest in the Roman Catholic Diocese of Dodge City, uses the last paragraphs of Brideshead Revisited to conclude an essay on prayer. This essay appears in the online edition of America: The National Catholic Review published by the Jesuit order:

Brideshead was… a great house full of loves denied and passions embraced. Evelyn Waugh ends his story with a strange little reflection about the Catholic chapel in the Brideshead home. The characters have all exited, yet the narrator, Charles Ryder, who revisits the estate, now an army post, during the Second World War, insists that one actor remains.

“There was a part of the house I had not yet visited, and I went there now. The chapel showed no ill-effects of its long neglect; the art-nouveau paint was as fresh and as bright as ever; the art-nouveau lamp burned once more before the altar. I said a prayer, an ancient, newly learned form of words, and left, turning towards the camp; and as I walked back…I thought:

‘…Something quite remote from anything the builders intended has come out of their work, and out of the fierce little human tragedy in which I played; something none of us thought about at the time: a small red flame—a beaten-copper lamp of deplorable design, relit before the beaten-copper doors of a tabernacle; the flame which old knights saw from their tombs, which they saw put out; that flame burns again for other soldiers, far from home, farther, in heart than Acre or Jerusalem. It could not have been lit but for the builders and the tragedians, and there I found it this morning, burning anew among the old stones.'”

The full quotation is available in the essay at the above link. 

 

 

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BBC Announces New Waugh Program on Radio 4

The BBC has published a schedule of next week’s episode of Open Book, a regular series on BBC Radio 4. The 30-minute program will include a segment on Evelyn Waugh, marking the UK publication of the new biography by Philip Eade. The segment will consist of a guide to Waugh’s works.

The program is presented by Mariella Frostrup and will be broadcast next Thursady, 28 July at 15.30p London time. It will be available thereafter on the internet via BBC iPlayer. 

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Progress Report from BBC Production of Decline and Fall

Radio Times has published a progress report from BBC’s production of its adaptation of Decline and Fall in Wales. This includes a photo of actor Jack Whitehall made up as Paul Pennyfeather. Whitehall just joined the ongoing production in Wales:

“I am extremely pleased to be a part of this amazing adaptation by [Rev co-writer] James Wood,” Whitehall said. “I’ve been a fan of this book since I read it as a teenager and I just hope that I can do it justice”…Filmed in over 70 locations around Wales, much of the action is set in a fictional public school in the Welsh countryside. The production marks 50 years since Waugh’s death.

According to the Radio Times report, the program should air later this year. More details are provided in a story in the Barry Gem, a local paper in South Wales. The filming has begun at Atlantic College, St Donats Castle, Llantwit Major, which is in the background of Whitehall’s photo:

The Welsh Government is providing financial support to Tiger Aspect Drama and Cave Bear Productions who, it is anticipated, will spend around £1.8m in Wales. Decline and Fall has a strong Welsh flavour with the majority of the action set in a fictional public school in the Welsh countryside…Tiger Aspect Drama’s Executive producer, Frith Tiplady added: “We are excited and grateful that the support from the Welsh Government’s Wales Screen Fund has enabled us to film Decline and Fall in Wales. We are going to be filming some stunning Welsh locations and working with first class local crew.”

 

 

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Martin Stannard Reviews New Waugh Biography

Martin Stannard, who wrote the standard and so far definitive biography of Evelyn Waugh, has reviewed the latest one by Philip Eade. Professor Stannard is also in charge, with Waugh’s grandson, Alexander, of the publication of the complete works of Waugh by OUP beginning next year. Both Professor Stannard and Alexander Waugh will be among the speakers at next year’s conference on Waugh at the Huntington Library in California. The review, entitled “Oh ! what a lovely Waugh,” appears in this week’s issue of The Tablet.

Stannard’s biography was issued in two volumes in 1986 and 1992 and covered over 1000 pages. He recognizes that important new material has become available since then and comments on how it has informed Eade’s 400-page book. He sees little new, however, in the descriptions of Waugh’s often troubled relations with his family and friends. Although there is a different approach to his military career, the basic story remains unchanged:

So what, exactly, is new here? Alexander Waugh…generously gave Eade the run of his extensive archive. This contains the majority of the previously unpublished material, crucially a brief memoir by Evelyn Nightingale, Waugh’s first wife, and a cache of letters from Waugh to Teresa (“Baby”) Jungman, with whom he was infatu­ated in the 1930s. Both offer potential “scoops”: the memoir was not available to previous biographers, and the letters were only discovered by Alexander after Selina Hastings had completed her 1994 biography. But neither (at least as quoted here) substantially extends Hastings’ account.

More important, as Professor Stannard sees it, is Eade’s use of Hastings’ own archive, which she donated to the Waugh estate, to clarify “the complex chronology of the 1929 marital catastrophe.” Eade’s book

… also contributes helpfully to a more sympathetic image of Waugh by quoting from his friends’ letters of sympathy after his death…Ultimately, however, for those aware of the “story so far”, the experience of reading this book will be one of déjà vu – with huge gaps. Eade not only omits analysis of Waugh’s books, but also of his Catholicism. This biography is, we are told, “scrupulously researched”, and on one level that is true. But it is largely researched from printed sources, and the unpublished ones add little to them. As an intelligent piece of book-making to commemorate the fiftieth anniversary of Waugh’s death, it offers some sprightly cherry-picking among the more scandalous anecdotes. As a revisionary biography, its claims are overstated. A life revisited, yes. But not a life revised.

 

 

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Biography Reviewed in Herald

The new biography of Evelyn Waugh by Philip Eade is reviewed in the (Glasgow) Herald (now rebranded simply, and rather pompously, as “The Herald” but still published in Glasgow) by Richard Strachan. He points out that a disproportionate part of the book (nearly 2/3) is taken up by Waugh’s childhood and education, the period before he had even written a book:

None of this is new information as such, and Waugh was perfectly open about his Oxford dalliances in later years, but Eade spends an inordinate amount of time trying to pin down precisely if he slept with Hugh Lygon, for example, one of the models for Brideshead’s Sebastian Flyte, and later goes into great detail about who Waugh had lunch with on the French Riviera. In contrast, his trip to Abyssinia to cover the coronation of Haile Selassie for the Daily Mail, which produced two books (Black Mischief and the travelogue Remote People) is accounted for in only half a page.

Strachan then notes that this concentration on the early years leaves little room for any analysis of Waugh’s writing and how it was affected by his life, a criticism raised by several previous reviewers. It is also noted that Eade specifically eschews any intention of concentrating on Waugh’s works. Strachan goes on to find that:

Where Eade excels is in fleshing out Waugh’s military career, using newly-uncovered archive material to cast light on one of the more controversial events of the war, and in the process exonerating both Waugh and his commanding officer Bob Laycock from precipitately leaving Crete before the British evacuation. 

The review concludes with a comparison to a previous literary biographical conundrum:

Much like Gordon Bowker’s recent biography of James Joyce, which labours in the shadow of Richard Ellmann’s monumental work, Eade’s life of Waugh acts as a complement to rather than a replacement of Selina Hastings’s more substantial 1994 biography. It’s a decent, full account of the particulars of Waugh’s life, but by the end of the book he still remains an impenetrable figure, mercurial and enigmatic, and animated by a strange despair.

In this case, however, it is also the definitive two-volume biography by Martin Stannard as well as Hastings’s later but also impressive and readable, if somewhat derivative, work that stand in the place of Ellmann’s path-breaking biography of Joyce.

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FT Reviews Waugh Biography

Literary journalist Suzi Feay reviews Philip Eade’s biography in the latest edition of the Financial Times’ book pages. Feay recently moderated the Waugh panel at this year’s Oxford Literary Festival, which was sponsored by the FT. While recognizing, as have other reviewers, that much of the material in his book is well-known, she likes the way Eade presents it in a new light: 

Much of the material might be familiar, but the chief delight of this biography is the way it foregrounds Waugh’s own voice. He hates Norway: “The sun never sets, the bar never opens, and the whole country smells of kippers.” Wartime marine barracks prove surprisingly congenial: “good Georgian architecture, old silver and mahogany, vintage port . . . enough physical exercise to give one an appetite . . . no intellectual exercise except in attempting to convince the Protestant chaplain of the authenticity of Our Lord’s miracles.” 

She is also impressed by how Eade handles Waugh’s military career in the face of previous depictions of insubordination and lack of discipline:

…Eade is concerned to counter accusations of cowardice and incompetence during the evacuation of Crete, made first by historian Antony Beevor. Waugh’s company and his commanding officer Laycock apparently jumped the queue for the boats, leaving higher-priority troops behind to be captured. Eade explains that the debacle “owed far more to the complete breakdown in organisation than any supposed queue-barging by [Laycock’s] commandoes”. He mounts a spirited defence, although Laycock’s own comment about escaping in order to fight another day sounds weak and self-serving. Laycock conceded: “By the look on his face at the time, I gathered that Evelyn believed this to be a dishonourable thing to do.” 

She concludes her review with a reference to Waugh’s writing habits:

 “I long for your company at all times except one,” Waugh once wrote to Laura. “When I am working I must be alone.” Otherwise, he explained, he would “never be able to maintain the fervent preoccupation which is absolutely necessary to composition”. Eade shows just how hard-won his effortless brilliance really was.

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Biography Reviewed in Country Life

The latest issue of Country Life magazine has a review of the new biography of Evelyn Waugh by Philip Eade. This is by James Fergusson, freelance journalist and author of several books. In addition to the usual discussions, Fergusson focusses in on the importance of the archival material of Michael Davie, editor of Waugh’s Diaries, that was made available to Eade. According to Fergusson, Davie was:

… the only Waugh researcher to whom his first wife spoke openly… After [the Diaries appeared], sensationally, in March–May 1973, he offered to work them up for book publication, to which end he wrote to and interviewed many of the protagonists. His invaluable archive, including interviews with Alastair Graham, one of Waugh’s Oxford lovers, and Evelyn Nightingale (née Gardner), Waugh’s first wife, ‘She-Evelyn’ or ‘Shevelyn’, now belongs to Alexander. ‘I looked very like a boy,’ Shevelyn told Davie. Does Waugh’s sexuality matter? Not strictly, but it may explain some of his torturous melancholy.

Fergusson concludes his review: 

Mr Eade’s biography is crisp, diligent and sympathetic; his fresh material adds texture to this oft-told story and he particularly champions his subject over his war record in Crete. But the overall picture remains bleak. ‘Poor Wu,’ wrote Diana Cooper, a clear-eyed friend. ‘He does everything he can to alienate himself from the affection he is yearning for.’

In the UK tabloid i (newspaper), Christopher Hirst found the book:

 … a splendid treat. Eade’s exploration of the most significant episodes in the life of this fearless, deeply melancholic comedian is a most worthwhile addition to the bowing shelf of Waughiana.

It is worth noting that, in the UK, Amazon is listing this book as a “No. 1 Bestseller.” That seems surprising, given the subject matter, until one looks more closely and sees that the category in which Eade’s book is leading the pack is “Christianity–Catholic.”

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Waugh Biographer to Appear at Henley Festival

Philip Eade will appear at the Henley-on-Thames Literary Festival on Tuesday, 27 September at 1230p. He will speak about his biography of Waugh at Stonor Park, a country house about 4 miles north of Henley, and lunch will be served. The program notes (p. 13)  describe Stonor Park as a particularly appropriate place for Eade’s presentation because Waugh

…was a regular visitor [there and it] is thought to have inspired Broome, the country home of the Crouchback family.

This is perhaps a bit of an overstatement since, based on a quick review of published material, the only record of a Waugh visit to Stonor Park  was in April 1955. He described the place in a letter to Diana Cooper as

ghostly, impoverished, candle lit halls and galleries full of delicious 16 year old convent trained girls and gawky youths in plastic shoes. (MWMS, p. 205).

The visit must have been on some occasion involving his daughter Teresa’s school because she would have been 16 at the time and he says that he drove there with “my elder jewels.”

The link with Broome may have more credibility than the frequency of Waugh’s visits. Here is a description of the place from Wikipedia: 

…the Stonors remained Roman Catholic throughout the 17th and 18th centuries, and enabled many local villagers to remain Roman Catholic by allowing them to attend Mass at their private chapel…The Stonor family’s steadfast adherence to Roman Catholicism throughout the reformation led to their marginalization and relative impoverishment in subsequent centuries. This has inadvertently resulted in the preservation of the house in a relative unspoiled and unimproved state.

UPDATE (28 July 2016): According to the Twitter feed of the Stonor estate dated 26 July 2016, the Waugh event at the Henley Literary Festival sold out immediately.

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Eade Biography Reviewed in Daily Mail

Marcus Berkmann has reviewed Philip Eade’s biography of Waugh in today’s Daily Mail. Berkmann is a freelance journalist and has also written widely for TV and radio as well as producing several books on subjects ranging from sport to Star Trek.  At the beginning of the review, Berkmann sets out what he sees as Eade’s challenge in writing about Waugh: 

The old curmudgeon not only wrote like a dream, he wrote quickly. Which meant he had room for an awful lot of other life to live, and my God did he live it. He then wrote from his experience, which gives a biographer lots to do in hunting out sources. And like a lot of writers he was compulsive, writing extensive diaries and letters to everybody, pretty much all the time. So, as Philip Eade has discovered, the problem with writing a life of Evelyn Waugh is not what to put in. It’s what to leave out.

Berkmann thinks Eade manages this problem relatively well, noting that his early pages “rattle along.” He finds that:

Eade isn’t a standard literary biographer; he is, by instinct and preference, an entertainer. His previous two biographies were of Young Prince Philip (2011), which roared ahead like a thriller, and of Sylvia Brooke, wife of the last ‘white rajah’ of Sarawak.
He is an assiduous researcher with a considerable narrative gift. He also, crucially, likes his subject. Waugh never much cared what anyone thought of him, but Eade does, and time and again he finds justification for what previous biographers have considered questionable behaviour. 

Berkmann points out one weak point where Eade “seems to become overwhelmed by the sheer number of people Evelyn is meeting” but concludes that “in the main this is an exemplary piece of work.”

 

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