Waugh’s last interviewer dies at 90

Novelist Elizabeth Jane Howard died on January 2 in Suffolk. She was the last person to conduct a broadcast interview of Evelyn Waugh. This was for the BBC Monitor documentary series and was transmitted in February 1964. According to her memoirs, Waugh was willing to do a second TV interview after having appeared on BBC’s Face-to-Face series in June 196o. This time round, however, he wanted to write the questions himself and wished the interviewer to be either his friend Christopher Sykes or a woman who was familiar with his books. In the end, Howard got the nod (Slipstream: A Memoir, 351-52). A transcript of the interview is available on David Cliffe’s Evelyn Waugh website.

Howard says that there were two afternoon filming sessions in the BBC’s London studios. This was necessary, she explains, to produce enough material for a one-hour broadcast, although the final result, as it survives in the BBC archives, is approximately 20 minutes, probably a segment of a longer program. Prior to the recording sessions, Howard met for lunch with Waugh and the director, Christopher Burstall, to whom Waugh explained that “one used one’s knives and forks beginning from the outside.” She asked some of the questions from Waugh’s list, which she considered very “run-of-the-mill,” but managed to slip in a few of her own. During the filming, “Waugh was still playing games. During each interval when they reloaded the camera he asked things like, ‘When is Miss Howard going to take off all her clothes?'” She was also asked to amuse Waugh during the intervals and, when she explained her lack of a formal education, he “seemed to enjoy [it], or at least he remained benign throughout.” When she asked whether he preferred to be anxious or bored, he replied “Oh, bored every time is the answer.”

The Monitor interview is much less lively that the one on Face-To-Face in which Waugh was forced to ad lib and came off brilliantly. Waugh also appears to have aged considerably in the few years between the interviews. He referred to his 1964 performance as “a dreary exhibition I made of myself on the television.” (The Letters of Evelyn Waugh, 618). At least one clip from the Monitor interview is available on YouTube, but the entire broadcast has yet to be released by the BBC.

Howard later became the second wife of novelist Kingsley Amis and step-mother of Martin Amis, whose obituary for EJH kindly credits her with having ensured that he received a proper education. Evelyn Waugh was among the authors on her suggested reading list. Howard is best remembered for her novel sequence The Cazalet Chronicles, the final volume of which, All Change, was published just a few weeks before she died.

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Hugh Trevor-Roper on Evelyn Waugh

The current issue of Standpoint reprints a 1986 letter of Hugh Trevor-Roper in which he attempts to explain why he and Evelyn Waugh were not, to put it mildly, close chums. HTR (1914-2003) was an academic who first came to public attention with his book The Last Days of Hitler (1947), which Waugh publicly criticized on a point HTR admits in the letter was his own error. HTR went on to become Regius Professor of Modern History at Oxford and was created Lord Dacre in 1979. He is probably most famous (or infamous) for having endorsed as genuine the forged Hitler Diaries in 1983.

HTR explains that he tried to keep well clear of Waugh based on his reputation for “offensive” behavior and a desire on HTR’s part “not to be involved in disagreeable scenes.” The two, however, continued to lock horns in the press, most notably in a vituperative 1953-54 exchange (not mentioned by HTR in his letter) in the New Statesmen about obscure and seemingly unimportant points relating to the history of the Roman Catholic church in England. Both sides of the New Statesman exchange were published as an appendix to The Letters of Evelyn Waugh (pp. 641-47), to the credit of neither correspondent.

HTR felt that Waugh regarded him “as a particularly poisonous serpent who had slid into the garden of Brideshead and was corrupting its innocent Catholic inhabitants; which perhaps, to a certain extent, I was-or, as I would prefer to say, was provoked into being.” Indeed, HTR believed that a veritable cabal of Roman Catholics (mostly converts) centering on the Jesuit church in Farm Street were ganged up against him, with the goal of removing him from his position at Oxford. In addition to Waugh, the only members of this supposed group identified by HTR are Martin D’Arcy, Frank Pakenham and Graham Greene, although the latter two did not share the reactionary political views of Waugh and the others. According to HTR, the group was largely consigned to obscurity by the reforms of Vatican II, which caused Waugh “to sink into abject eccentric reaction,” but Waugh “remains a cult hero to a little band who live in an imaginary mini-Brideshead.”

The letter containing HTR’s memories of Waugh will appear in a collection entitled One Hundred Letters From Hugh Trevor-Roper, ed. Richard Davenport-Hines and Adam Sisman, OUP, to be published on 23 January.

Thanks to Gwen Price-Evans for calling this item to our attention on the Evelyn Waugh email discussion list on Yahoo Groups.

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Brits in Hollywood

The long-awaited publication of Lisa Colletta’s British Novelists in Hollywood, 1935-1965: Travelers, Exiles, and Expats took place last month in both the US and the UK. Professor Colletta presented a preliminary version of portions of the book relating to Waugh at the Evelyn Waugh Centenary Conference held at Hertford College, Oxford, in 2003.

Unlike other prominent novelists of his generation such as Aldous Huxley and Christopher Isherwood (also subjects of the book), Waugh never intended to become an exile in Hollywood.  In fact, he made no secret of his disdain for the place in his satiric novel The Loved One (1948) as well as in his journalism (“Why is Hollywood a Term of Disparagement?” (1947).

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Evelyn Waugh 1962 Paris Review interview

In April 1962 Julian Jebb interviewed Evelyn Waugh for the Paris Review:

He showed me into a comfortable, soberly furnished room, with a fine view over the trees across Hyde Park. As he moved about the room he repeated twice under his breath, “The horrors of London life! The horrors of London life!”

“I hope you won’t mind if I go to bed,” he said, going into the bathroom. From there he gave me a number of comments and directions:

“Go and look out of the window. This is the only hotel with a civilized view left in London . . .. Do you see a brown-paper parcel? Open it, please.”

I did so.

“What do you find?”

“A box of cigars.”

“Do you smoke?”

“Yes. I am smoking a cigarette now.”

“I think cigarettes are rather squalid in the bedroom. Wouldn’t you rather smoke a cigar?”

He reentered, wearing a pair of white pajamas and metal-rimmed spectacles. He took a cigar, lit it, and got into bed.

The interview is illuminating. At one point Waugh states, “I regard writing not as investigation of character, but as an exercise in the use of language, and with this I am obsessed. I have no technical psychological interest. It is drama, speech, and events that interest me.” When asked if there were any books he would like to have written and found impossible, he replies, “I have done all I could. I have done my best.”

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Deadline approaches for the 2013 Evelyn Waugh Undergraduate Essay Contest!

The deadline for the 2013 Evelyn Waugh Undergraduate Essay Contest is Dec. 31.

Essays by undergraduates on any aspect of the life or work of Evelyn Waugh are solicited for the contest, which will be judged by the editorial board of Evelyn Waugh Studies. The winner will receive $500.

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The Culture Show: Writers in the Blitz

A recent episode of the BBC’s series The Culture Show (November 6, 2013), entitled Wars of the Heart, dealt with the experience of several writers during the Blitz. The presenter was James Runcie. The focus was on Graham Greene and Elizabeth Bowen, with lesser consideration given to novelist Henry Yorke (who published under the name Henry Green) and US poet Hilda Doolittle (“H.D.”). The program seems to have been inspired to some extent by Lara Feigel’s recent book The Love-charm of Bombs: Restless Lives in the Second World War. She was interviewed for the program.

Waugh was named in the program as one of a group of writers — those previously mentioned plus Dylan Thomas — who were said to have frequented the pubs of Fitzrovia during the war. Examples cited were the Wheatsheaf, the Bricklayers Arms and the Marquess of Granby, all still in existence. It was suggested that Waugh might “perhaps” have been among the punters if he happened to be in town. This seems rather doubtful. Waugh by his own account seems to have done most of his wartime drinking in his gentlemen’s clubs around St James’s Square or nearby watering holes such as the Ritz, at least while he was in London. Waugh’s second appearance was in conjunction with the period of 1942 when the front line retreated somewhat from London. Waugh described London in this period as:

…crowded and dead. Claridge’s slowly decaying. Wine outrageous in price and quality…Newspapers always late and usually deficient. [Diary, December 1941]

The program may be repeated in the future on the BBC or shown on foreign television channels. It’s worth watching for its period flavor. Clips — but not the segments in which Waugh appears — are currently available on BBC iPlayer. Feigel’s book frequently cites Waugh for information about the writers whose wartime lives she describes (particularly Graham Greene and Henry Yorke), although Waugh himself is not among her subjects.

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Complete Works project schedules Digital Humanities session at University of Leicester, Nov. 21st

From the overview of the event posted at the University of Leicester IT Services site:

Join Martin Stannard, Principal Investigator, and Barbara Cooke, Research Associate, to find out more about the AHRC-funded Evelyn Waugh Project including how it plans to use new digital humanities technology to add value to the new Waugh editions and ensure the work reaches as many people as possible. Professor Stannard will talk about the aims of the project before Dr Cooke discusses some of the immediate challenges it faces.

Additional information about the event — scheduled to last one hour — is available at the page linked above.

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Complete Works of Evelyn Waugh project schedules 2015 conference

The Complete Works of Evelyn Waugh (CWEW) project has announced on its new Twitter account (@CWEvelynWaugh) that the 1st International Conference for the project will be held at the University of Leicester, April 23-26, 2015. Additional details will be forthcoming.

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All Evelyn Waugh fiction now available in audiobook format

All Evelyn Waugh’s works of fiction, both novels and short stories, are now available in audiobook format from Audible.com. The Complete Short Stories includes Mr. Loveday’s Little Outing, Scott-King’s Modern Europe, Love Among the Ruins, Work Suspended, and Basil Seal Rides Again. No works of non-fiction are currently offered.

Audible’s catalog also includes two works about Evelyn Waugh, Frances Donaldson’s Evelyn Waugh and Alec Waugh’s My Brother Evelyn and Other Profiles.

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Seven days left to listen to Episode 2/7 of BBC Radio 4’s Sword of Honour

This is the last reminder we’ll be posting about the weekly broadcasts of BBC Radio 4’s adaptation of the Sword of Honour trilogy.

New episodes are broadcast on Sundays at 3:00 p.m. UK time, and you have seven days from the broadcast date to catch up via the program’s streamable archive.

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