Happier Hunting Ground (U.K. Branch)

The Daily Telegraph has run an article on the history and current status of pet cemeteries and crematoria in the U.K. A cite to Waugh’s 1948 novella The Loved One, which prominently described one such institution in Southern California, was perhaps inevitable. But the conclusions drawn are somewhat surprising:

One assumes pet cemeteries to be an adopted tradition inherited from America – the preserve of the Hollywood types depicted in Evelyn Waugh’s The Loved One, who pay through the nose to bury their animals in the luxurious Happier Hunting Ground. But we Britons have been similarly extroverted in grief for hundreds of years.

The Victorian era was when official pet cemeteries started to spring up here. In 1881, the Hyde Park pet cemetery was started. Six years later, in a quiet corner of the Sandringham estate, Queen Victoria created a cemetery to accommodate her collie, Noble. In 1959, Elizabeth II buried her first corgi, Susan, there. Nowadays its brick boundary walls are lined with numerous plaques commemorating other deceased royal pets.

Waugh certainly seems to have assumed that pet cemeteries were a U.S. phenomenon; otherwise his satirization in The Loved One might not have been so sharp on that subject.

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Vile Bodies and Aladdin Sane

A newsblog has posted a review of David Bowie’s 1973 Aladdin Sane album in which the connections with Waugh’s novel Vile Bodies are further elaborated:

Named after the pun ‘A Lad Insane’, David Bowie has stated that this album was “Ziggy Stardust goes to America”. Written primarily based on the observations of Bowie from the American tour for the aforementioned Ziggy album, Aladdin Sane is based on an extension of the character…Originally inspired by Evelyn Waugh’s Vile Bodies, Aladdin Sane is set textures in decadence and silly. About this song, David Bowie said, “Aladdin Sane is about young people, just before the two wars, wanting to go and screw girls and kill foreigners.”

See earlier post. The lyrics from the title song of the album contain several references that can be traced to the novel:

Watching him dash away
Swinging an old bouquet
Dead roses
Saki and strings divine
You’ll make it
Passionate bright young things
Takes him away to war
Don’t fake it
Sadden glissando strings
You’ll make it
Who will love Aladdin Sane?
Battle cries and champagne just in time for sunrise
Who will love Aladdin Sane?
Motor sensational
Paris or maybe hell
I’m waiting

Bowie’s recording of the song is posted on YouTube.

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Additional Venues Announced for Brideshead Stage Production

The English Touring Company has announced additional venues for its stage production of Brideshead Revisited. These include Bath, Cambridge, Malvern, Brighton, and Richmond-on-Thames. The production will begin in York and will also stop in Oxford and Southampton. See details here.

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Paula Byrne and Philip Eade to Mark Waugh Anniversary

Waugh biographers Paula Byrne and Philip Eade will speak on the author’s life and work at this year’s Oxford Literary Festival. The joint presentation will mark the 50th anniversary of Waugh’s death on 10 April 1966. They will appear on Wednesday 6 April at 4pm in Worcester College’s Linbury Building. Eade’s book Evelyn Waugh: A Life Revisited will be published 10 April in the U.K. It will include previously untold episodes of Waugh’s life and explore the reasons for the continuing popularity of his work. Byrne’s book Mad World: Evelyn Waugh and the Secrets of Brideshead was published in 2009. It is an example of what she calls “partial lives” and focuses on the friendships and experiences that informed Waugh’s writing of Brideshead Revisited.

Byrne will also speak on Saturday 2 April on the subject of her new book Kick: JFK’s Forgotten Sister and Heir to Chatsworth. This is a biography of Kathleen Kennedy, considered by Waugh to be a friend. He advised her against marriage to William Cavendish, an Anglican and heir to the Dukedom of Devonshire and Chatsworth Estate. She ignored his advice and alienated her Roman Catholic family. Her talk will take place in  the Oxford Martin School, Seminar Room at 1000 am. See details here.

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Waugh Reading on BBC Radio 4

Humorist Craig Brown has included a reading from Waugh for his appearance on the BBC Radio 4 series With Great Pleasure. The program asks each participant to choose favorite book passages from their lifetime of reading. Among Brown’s choices is Waugh’s  description of a sunset from his early travel book Labels: A Mediterranean Journey. Other selections include writings by Saki, Yeats, Ezra Pound, Italo Calvino and Alan Bennett. The readings will be performed by actors Simon Russell Beale and Eleanor Bron. The program will be broadcast on Monday, 25 January at 1600 British time and will be available online on BBC iPlayer shortly thereafter.

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First Edition of Brideshead to be Auctioned

Today’s papers report that a rare pre-publication copy of Brideshead Revisited belonging to the late Duchess of Devonshire (born Deborah Mitford) will be auctioned by Southeby’s.  Here is the story from the Guardian:

The items include a true first edition of Waugh’s Brideshead Revisited, one of 50 pre-publication copies distributed to an inner circle inviting revisions and suggestions. It is inscribed: “Debo & Andrew/ with love from/ Evelyn/ A very old fashioned story.”…Writing years later she reflected: “In spite of his uncertain ways, Evelyn remained a friend and a generous one.”

Another story in the Financial Times provides additional details:

… a pre-edition of Brideshead Revisited by Evelyn Waugh (ÂŁ15,000-ÂŁ20,000) exposes Debo as an early Waugh reader and occasional editor. “She did once recount saying something like, ‘In 1930 women wouldn’t have worn Cartier clips … ’ ” says [Southeby’s expert David] MacDonald, of her contribution to his oeuvre. “But, I don’t know if that’s Brideshead.”… In her memoirs, she described Evelyn Waugh as “a difficult guest and when he drank too much, impossible”

MacDonald may here be confusing Deborah with her sister Nancy who advised Waugh that he had made a mistaken reference in Brideshead Revisited to a piece of jewelry:

One dreadful error. Diamond clips were only invented about 1930, you wore a diamond arrow in your cloche.

Waugh corrected this in later editions. Letters of Nancy Mitford and Evelyn Waugh, pp. 12-14. No mention is made of the even rarer (possibly unique) first edition of Waugh’s Life of Ronald Knox that he had sent to Deborah. When she opened it, she found the pages blank. Waugh explained that it was sent “in the certainty that not one word of this will offend your Protestant persuasion.” In Tearing Haste: Letters between Deborah Devonshire and Patrick Leigh Fermor, pp. 60-61. The auction is scheduled for 2 March at Southeby’s London galleries.

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Publisher of Waugh’s Diaries and Letters Dies

The Daily Telegraph has announced the death at the age of 96 of George Weidenfeld, who published Waugh’s Diaries and Letters. According to the Telegraph, Weidenfeld

sometimes said that [Vladimir Nabokov’s] Lolita (1959, a “cautionary tale”) and [Mary McCarthy’s] The Group (1963) were the books of which he was proudest; other landmarks were The Double Helix (1968) by James Watson, and Isaiah Berlin’s essay The Hedgehog and the Fox (1953).

Although he did not publish any of Waugh’s books during Waugh’s lifetime, Weidenfeld did attempt to publish a collection of essays relating to the U and Non-U controversy, including an essay by Waugh in response to an article by Mitford. This became the subject of a series of letters between Mitford and Waugh in which they opposed what they saw as a plot by Weidenfeld and Irving Kristol, editor of Encounter in which Mitford’s article and Waugh’s response had first appeared, to land the rights for Weidenfeld to publish the collection. In the end the book was published by Hamish Hamilton under the title Noblesse Oblige: An Enquiry Into the Characteristics of the English Aristocracy. The subtitle was suggested by Waugh who thought something pompous was called for. Letters of Nancy Mitford and Evelyn Waugh, pp. 371-75.

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Waugh’s Advice on Writing

Terry Teachout, drama critic of the Wall Street Journal and critic-at-large of Commentary, has posted on his artsblog a quote from Waugh on the practice of writing:

Never send off any piece of writing the moment it is finished. Put it aside. Take on something else. Go back to it a month later and re-read it. Examine each sentence and ask ‘Does this say precisely what I mean? Is it capable of misunderstanding? Have I used a clichĂ© where I could have invented a new and therefore asserting and memorable form? Have I repeated myself and wobbled round the point when I could have fixed the whole thing in six rightly chosen words? Am I using words in their basic meaning or in a loose plebeian way?

The quote comes from a letter by Waugh to Thomas Merton. This was written at the time Waugh was editing Merton’s work The Seven Story Mountain for publication in England where it appeared under the title Elected Silence. The story of Waugh’s interaction with Merton over the next few years is retold in the recent book Merton & Waugh: A Monk, A Crusty Old Man & the Seven Story Mountain by Mary Frances Coady. The letter quoted appears at pp. 36-38.

 

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The Loved One Named in Best-of-Century Film List

The filmblog Zekefilm has compiled a list of notable films from the past hundred years dating back to 1915.  It names a film released in the mid year of each decade. The idea seems to be to offer a representative and interesting example from each decade. The selection for 1965 is Tony Richardson’s adaptation of Waugh’s The Loved One. Since that film was, to say the least, given a decidedly mixed critical and box office reception, the blogger’s rationale for its selection makes thoughtful reading:

first because it failed so miserably by whatever standards one judges the relative merit of a movie, whether it be critical reputation or box office, and second because the film anticipates the sort of radical narrative and stylistic experimentation filmmakers would increasingly take during the latter part of the decade.


Does it go too far? Well, one’s litmus test for these matters may differ from my own, but as the disgustingly gluttonous character of “Mrs. Joyboy” is credited to an actual performer (Ayllenne Gibbons) – rather than a hideously overstuffed animatronic meat puppet made by some perverse mechanical engineer from Disneyland– indicates that the film still succeeds in offending the sensibilities of its audience even 50 years later. By its own standards, then – or lack of them – The Loved One remains a deathless work of art.

The list starts with Charlie Chaplin’s 1915 film The Tramp. The Loved One is bracketed in 1955 by Max Ophuls’ Lola Montes and in 1975 by Robert Altman’s Nashville. The list is posted in two parts. Part I (1915-1955); Part II (1965-2015). A reproduction of the poster  is provided for each selected film.

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Aloysius in the News

Sebastian’s Aloysius made the news twice this week. In the bookblog InterestingLiterature, he is mentioned in connection with John Betjeman’s poem “Archibald.” This poem is among Betjeman’s 10 best (i.e., most readable) poems, as selected by the blog:

Archibald Ormsby-Gore was, according to Betjeman, the one person who never let him down. Archibald was also, famously, a teddy bear – and the inspiration for Sebastian Flyte’s teddy Aloysius in Evelyn Waugh’s Brideshead Revisited. This poem reflects Betjeman’s fondness for his stuffed toy, and helps to explain why Betjeman became, for Britain, ‘the nation’s teddy bear’. Archibald, and Betjeman’s toy elephant Jumbo, were in his arms when he died in 1984.

The poem was not included in the original 1958 Collected Poems compiled by Freddy Birkenhead but does appear in the posthumous Uncollected Poems (1982) and in the more recent 2006 edition of Collected Poems with an introduction by Andrew Motion.  Here are the first and last verses:

The bear who sits above my bed
A doleful bear he is to see;
From out his drooping pear-shaped head
His woollen eyes look into me.
He has no mouth, but seems to say:
‘They’ll burn you on the Judgement Day.’

********

And if an analyst one day
Of school of Adler, Jung, or Freud
Should take this agĂšd bear away,
Then, oh my God, the dreadful void!
Its draughty darkness could but be
Eternity, Eternity.

Aloysius also featured in a Guardian quiz this week on the subject of “Bears in Books”:

5 What was the name of Sebastian Flyght’s [sic] bear in Brideshead Revisited?

Peregrine
Aloysius
Reginald
Algernon

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