Waugh’s Encounter

It has long been known that Encounter magazine, a leading cultural journal during the cold war, was secretly backed by funds from the CIA. This information came out during the protest movement in the Vietnam War period, and the magazine’s credibility never recovered. Now, however, according to a Canadian journalist, the tide of public opinion seems to be turning.

Robert Fulford, writing in the Canadian newspaper National Post, notes that:

…a less harsh view has emerged, arguing that the magazine’s high quality was, on reflection, more important than its financing. The Times Literary Supplement has run two pieces praising Encounter and suggesting the CIA scandal was a fuss about nothing. A revisionist opinion has poked through, notably in the reviews of the memoirs of Matthew Spender, Stephen’s sculptor son, and in discussion of Vincent Giroud’s biography of Nicolas Nabokov.

Nabokov (a cousin of the novelist) was head of the Congress for Cultural Freedom, the Paris-based CIA-front through which Encounter was funded. Spender was the British-based editor, sharing duties with Irving Kristol in the USA. Fulford says he was always impressed by the talent that the magazine attracted and remained so even after the CIA connection was revealed:

The writers ranged from Evelyn Waugh to Mary McCarthy and from Arthur Schlesinger, Jr., a leading American liberal, to Anthony Crosland, a Labour cabinet minister and theorist. Somehow Encounter managed to get the best work that most of these people, and a few dozen others, could produce…In Encounter Isaiah Berlin wrote wisely about 19th-century Russian literature and Hugh Trevor-Roper delivered a famous attack on the bloated reputation of Arnold Toynbee’s 10-volume Study of History. (“Every chapter of it has been shot to pieces by the experts.”) Waugh debated Nancy Mitford on upper-class and lower-class English usage.

According to the Encounter archives, available online, Waugh’s only contribution to the magazine is the one mentioned in Fulford’s article: “An open letter to the Hon. Mrs. Peter Rodd (Nancy Mitford) on a Very Serious Subject from Evelyn Waugh.” This appeared in the December 1955 issue and related to the debate then raging over “U and Non-U” social practices and behavior. The article was later reprinted in an expanded version in Mitford’s collection of essays Noblesse Oblige and in Waugh’s Essays, Articles and Reviews.

Share
Posted in Articles, Collections, Essays, Articles & Reviews | Tagged , , | Comments Off on Waugh’s Encounter

Source of Azania

A recent debate started on the Facebook page of a South African politician has migrated to the op ed pages of the newspapers. Earlier this month, Tito Mboweni, a retired Governor of the South African Reserve Bank, proposed that the name of South Africa was inappropriate and should be changed. One suggestion was “Azania”, the fictitious name used by Evelyn Waugh for the East African country that was the setting for his 1932 novel Black Mischief. But that was rejected because it means “land of the slaves.”

A political commentator (Andrew Donaldson) writing in the Weekend Argus, a leading South African newspaper, notes that Waugh’s fictional Azania:

… is governed by Emperor Seth, an Oxford-educated idealist who embarks on a modernisation drive, which all goes hopelessly wrong, thanks to a French-supported coup d’état. Seth is assassinated and Azania becomes a League of Nations mandate, and there is some unsavoury evidence of cannibalism. Waugh was of course a terrible reactionary. His, you could well argue, was certainly an ugly head that reared… 
According to the critic and journalist Christopher Hitchens, in the early 1960s, the exiled leadership of the then-recently formed Pan-Africanist Congress wrote to Waugh at his Somerset home, “asking if they could annex the name ‘Azania’, from his novel Black Mischief, for the future liberated South Africa! (The title ‘Azania’ survives now in lapidary form on the gravestone of Steve Biko.)” This, I may add, is from Hitchens’ introduction to Scoop, one of the more accurate novels about journalism.

Access to the Weekend Argus is available only by subscription but Donaldson’s story has been reposted on an African news blog called PoliticsWeb. Christopher Hitchens’ introduction to Scoop is included in his 2004 collection of essays entitled Love, Poverty and War. Hitchens doesn’t offer a source for the letter to Waugh from the Pan-Africanist Congress, but the following inscription does appear on Steve Biko’s tombstone: “One Azania One Nation”.

Share
Posted in Black Mischief, Scoop | Tagged , , , | Comments Off on Source of Azania

Waugh’s Travel Diary

A book has been published that is made up of travel entries by various writers in diaries, journals and letters. These are arranged by the day and month on which they are written so that the reader may select a travel description for any given day of the year. This is entitled A Traveller’s Year and the editors are Travis Elborough and Nick Rennison. The book is reviewed by Marcus Berkmann in yesterday’s Daily Mail:

With no entry more than a page, and a few far shorter, the book gains from its giddy variety. You can never guess what is coming next…Maybe because I have compiled books a little like this myself, I can’t help imagining the enormous amount of reading necessary to produce this splendid, inconsequential little squib. But it was worth it…A book like this stands or falls on the taste, judgment and diligence of its compilers. They score highly on all three.

There are entries written by dozens of writers, including Evelyn Waugh. His Diaries are cited in entries for 9 July (trip to Spitzbergen 1934), 14 August (trip to Abyssinia 1936), 17 December (trip to Guyana 1932), and 27 December (trip to Goa 1952). In the latter, Waugh describes a day of tedious sightseeing, and then remarks laconically: “That night I tried to go to Hall’s bar, but found the square given over to a ball in aid of lepers.” Other noted British travel writers of Waugh’s generation are also represented. These include Robert Byron, Patrick Leigh Fermor and, moving forward one generation, Bruce Chatwin

Share
Posted in Diaries, Miscellaneous | Tagged , , , | Comments Off on Waugh’s Travel Diary

Waugh, Boyd and Manning

Evelyn Waugh is mentioned several times in an interview of novelist, critic  and screenwriter William Boyd published in the Australian Financial Review. The interviewer (Joe Aston) notes that Boyd’s fiction has been compared with Waugh’s from his very first published novel (A Good Man in Africa). Boyd also wrote the screenplay for the TV film of Scoop (and, although not mentioned, also for Sword of Honour). Aston goes on to explain how Waugh became an off-stage character in Boyd’s later novel Any Human Heart, in which Ian Fleming was among the many other literary characters featured, to which Boyd responds:

Fleming’s wife Anne was close to Evelyn Waugh, yet Waugh (who also drank himself to death) and Fleming, despite their similarities, hated each other. “He’d write the odd letter to the newspaper but was ill and morbidly obese and he’d just sort of given up. I’m the same age as Waugh was when he died,” Boyd, 63, says. “And I hope I have a few more years in me.”

Another writer, Peter Hitchens, also mentions Waugh in his Daily Mail blog. This is in his article on Olivia Manning’s Balkan and Levant Trilogies which Hitchens compares to Waugh’s war novels:

They run partly in parallel to Evelyn Waugh’s ‘Sword of Honour’ Trilogy (and his ‘Put Out More Flags’, which I tend to see as a separate but linked volume) , and as essential for understanding Britain’s part in the Second World War.

Both authors write about the war in the Balkans (Yugoslavia, in Waugh’s case, and Rumania/Greece, in Manning’s) and the Levant (Egypt). One primary difference, however, is that most of the action in Waugh’s novels takes place on the home front, whereas in Manning’s books almost all except for the first few pages takes place overseas.

Share
Posted in Interviews, Put Out More Flags, Scoop, Sword of Honour, Television, World War II | Tagged , , , | Comments Off on Waugh, Boyd and Manning

Waugh Anniversary Events Announced

The University of Leicester has announced the details of the first in what will be of a series of events to mark the 50th anniversary of Evelyn Waugh’s death in 1966. These include a monthly book group session starting on Monday 18 January. This will discuss Waugh’s first novel Decline and Fall. Following that will be a showing of the 2008 Ecosse/Miramax theatrical film production of Brideshead Revisited on 20 January. For full details consult this UoL press release.

Share
Posted in Academia, Anniversaries, Brideshead Revisited, Decline and Fall, Film | Tagged | Comments Off on Waugh Anniversary Events Announced

Waugh and Anthony Powell

On the occasion of their republication by the University of Chicago Press, two of Anthony Powell’s novels are reviewed on a website called The Millions. One of these (Venusberg) was originally published before and the other (Oh How the Wheel Becomes It) after Powell’s best known work, the 12-volume Dance to the Music of Time. Both books contain introductions by Levi Stahl, the publisher’s promotions director. This is cited by the reviewer (Gerald Russello) where Powell’s works are compared to those of Waugh:

Both wrote about the educated upper classes and had enormous skill at skewering their pretensions and obsessions. But where Waugh was highly self-conscious of his status as an outsider and desperately wanted to be included among his subjects even as he savaged them, Powell developed a different style. He writes more as an insider but one removed from the social whirl by almost incomprehensibly sensitive social antennae. “Waugh’s books are arguably funnier (though some sections of Dance hold their own), but they also have an angry, cruel, even nihilistic strain. Waugh’s satire is scorching, leaving little behind but blasted ground. Powell, on the other hand, while refusing novelistic happy endings, presents a more hopeful outlook: his early novels tend to include at least one character who yearns, if fitfully, to live a life with meaning.”

 

Share
Posted in Academia, Discussions | Tagged , , , | Comments Off on Waugh and Anthony Powell

David Bowie, William Boyd and Evelyn Waugh: Art Hoaxers

Art Critic and Sportswriter Jasper Rees has posted an article on a blog called The Arts Desk in response to the death yesterday of David Bowie. According to Rees, Bowie and novelist William Boyd (both Waugh fans and art lovers) were involved in the creation of the fictitious “artist” Nat Tate in the 1990s. This is when they were both on the editorial board of a magazine called Modern Painters. It was Bowie’s idea that Boyd’s 1998 mock biography of the artist be published as a book where it would receive more attention that as an article in the magazine as originally planned:

[Bowie] not only brought it out in his own imprint, he also supplied the blurb on the jacket: “The small oil I picked up on Prince Street, New York…must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist’s most profound dread – that God will make you an artist but only a mediocre artist – did not in retrospect apply to Nat Tate.”

Boyd himself produced drawings alleged to be the work of Tate, and one of them (Bridge No. 114) was actually put on auction by Southeby’s in 2012.

This is where Waugh comes into the scheme. Southeby’s idea for an auction of the cod drawing was inspired by their earlier sale of a work by Bruno Hat, who was part of a similar hoax by Waugh, Brian Howard and their friends in 1929:

Nat Tate eventually penetrated the ultimate inner sanctum of Sotheby’s, with the proceeds going to the Artists General Benevolent Institution. Sotheby’s were game, having recently sold a Bruno Hat, the artist fabricated in 1929 by Evelyn Waugh’s Oxford muckers. The framed work was a small line-drawing showing a bridge depicted with childlike directness. Under it was a dense mess of black fingerprints – Boyd’s, of course. [A copy of the drawing accompanies Rees’ article.]

 The Bruno Hat painting was probably by Brian Howard. Waugh and Howard collaborated on the catalogue for the 1929 exhibit of Hat’s works. Selina Hastings, Evelyn Waugh: A Biography (1994, p. 218). Bruno Hat never quite rose to the level of a published biography as happened with Nat Tate, but his career as an artist was certainly created and celebrated in the same tradition.

Share
Posted in Art, Photography & Sculpture, Auctions, Humo(u)r | Tagged , , , , | Comments Off on David Bowie, William Boyd and Evelyn Waugh: Art Hoaxers

Alec Waugh, Man of Letters

In a previous post, it was mentioned that a new book by D.J. Taylor somewhat enigmatically displayed Alec Waugh’s name on its cover. This is in Taylor’s study of English men of letters entitled The Prose Factory: Literary Life in England since 1918 . Subsequent reviews have provided additional information about how Alec Waugh’s career contributes to the book. The Herald (Glasgow) reviewer, for example, wrote :

The Prose Factory is a fascinating and oddly touching examination of the often ramshackle way something as central to human identity as literature is made and funded. Peopled with rogues and eccentrics, perhaps the most representative figure in the book is the endearing journeyman Alec Waugh, elder brother of the infinitely more talented Evelyn. Developing from an enfant terrible when his 1917 public school novel The Loom of Youth was published, to a solid novel-a-year professional in the 1930s, Waugh was reduced to writing hack-work company histories by the 1950s. Then, utterly unexpectedly, his 1956 novel Island in the Sun became a major best-seller. Serialised in American magazines, optioned for Hollywood and taken up by the Reader’s Digest, Waugh made a quarter of a million dollars in a month. For whatever reason the book chimed with the times, and it changed Waugh’s life. Today, everything he wrote is out of general print.

This week’s New Statesman makes the same point in their review dated 11 January:

And it’s hard not to cheer when the long-suffering, near-suicidal Alec Waugh (brother of Evelyn), who said that “resilience” was the mark of a born man of letters, bets everything on a 900-page novel and wins. “By January 1956,” Taylor writes, “the month of publi­cation, Island in the Sun . . . had racked up pre-publication earnings of nearly $500,000 – enough, as Waugh gratefully acknowledged, to set him up for life.”

 

Share
Posted in Alec Waugh | Tagged , , , , | Comments Off on Alec Waugh, Man of Letters

Brideshead Again Named One of Top TV Period Dramas

British internet and cable service provider, BT TV, has issued a list of what it considers the top TV period drama series. Granada’s Brideshead Revisited production for ITV is one of those listed. Among other British productions on BT’s list of the top 7 are BBC’s 1995 adaptation of Jane Austen’s Pride and Prejudice by Andrew Davies and ITV’s recent original drama series Downton Abbey by Julian Fellowes, now broadcasting its final season on PBS. Here’s what BT say about Brideshead:

The 1981 TV masterpiece perfectly captured Evelyn Waugh’s novel and turned a young Jeremy Irons into a star.
Immaculate performances, extraordinary period detail and a healthy dose of humour mean that this remains one of the best loved costume dramas of all time.

Share
Posted in Brideshead Revisited, Film | Tagged | Comments Off on Brideshead Again Named One of Top TV Period Dramas

Death of a Waugh Fan

The papers have announced today the death of singer-songwriter David Bowie (1947-2016). He was just 2 days past his 69th birthday. Bowie was unusually widely read for a popular musician, and one of his fans posted the list of his 100 favorite books from his Facebook page a few years back. Among these is Waugh’s Vile Bodies. As mentioned in a previous post, that book had inspired some of the music in Bowie’s 1973 album Alladin Sane.

Share
Posted in Vile Bodies | Tagged , | Comments Off on Death of a Waugh Fan