Waugh Recognized as Expert on Style

In yesterday’s Guardian, Waugh is named twice by novelist and bibliophile Joseph Connolly in his list of Top 10 books on the topic of “style.” Connolly (no apparent relation to Waugh’s friend Cyril Connolly a/k/a Everard Spruce) names Brideshead Revisited as one of his Top 10 in this category, contrasting it to another selection, Scott Fitzgerald’s Gatsby:

The rather more tasteful English vision: “The Sacred and Profane Memories of Captain Charles Ryder”, without whom the aspiration to class and wealth simply couldn’t be triggered. The lavish food, wine, clothes, cars and sensuous self-indulgence – the easy grace of the true aristocracy – is deeply envied by the middle-class upstart Ryder: the outsider, looking in – who yearns to emulate such consummate style.

Another of Connolly’s choices is Nancy Mitford’s 1956 essay collection Noblesse Oblige to which Waugh contributed:

Nancy Mitford is always credited as the one responsible for bringing U and Non-U language and behaviour to the attention of the terrified middle classes, but it was actually Alan SC Ross who first started probing into sociological linguistics in the magazine Encounter. Mitford further explored the theme, and Osbert Lancaster, Evelyn Waugh and John Betjeman were eager to joyously and snobbishly pitch in. The middle classes strove to do better, and they are striving still.

Waugh’s contribution (“An Open Letter”)is included in Essays, Articles and Reviews, p. 494.

Further evidence of Waugh’s skills as a tastemaker appears in an article by novelist Allan Massie in today’s Daily Telegraph (“The Boat Race and Grand National show we’re creatures of tradition”).  A popular drink at the Grand National is called a Black Velvet, a mixture of stout and champagne. Waugh is quoted by Massie as describing it as a “sour and invigorating drink.” The quotation comes from Waugh’s 1942  novel Put Out More Flags (Penguin, p. 38).

Share
Posted in Brideshead Revisited, Essays, Articles & Reviews, Miscellaneous, Put Out More Flags | Tagged , , , , , | Comments Off on Waugh Recognized as Expert on Style

The Loved One Added to Recommended Books about L.A.

Last month the Guardian issued another in its series of book recommendations about U.S. cities. This one related to books about Los Angeles. Others have dealt with San Francisco and New Orleans. The original L.A. list contained no books by British writers, unless Raymond Chandler’s The Big Sleep is included in that category. After reviewing comments by readers, the Guardian included Waugh’s The Loved One among 10 books added to the list, with this explanation:

The Loved One by Evelyn Waugh (1948)
Waugh’s satirical novel about the movie industry, the British expatriate community in Hollywood, the pet funeral business, and the sometimes ridiculous connections between the three was recommended by McSee, CarlRusso and JakeStockwell, who said:

Evelyn Waugh snarls at the hypocrisy and ridiculousness of the American Dream and the Brits who try to maintain the pomp of their diminished homeland. A jolly good film adaptation too (monstrous Mr Joyboy) which is nice for a story that features the movies.

They seem to have overlooked the funeral business per se in which Mr. Joyboy was employed. I’m afraid I can’t agree that Tony Richardson’s 1965 film adaptation was “jolly good;” and nor did Waugh (Letters, p. 633).

Share
Posted in Film, Letters, Miscellaneous, The Loved One | Tagged , | Comments Off on The Loved One Added to Recommended Books about L.A.

Plashy fen and leprechaun-flavoured wine

Waugh scored a twofer in last week’s Telegraph with citations relating to both nature and food writing. On March 30, Waugh’s parody of nature writing in Scoop is cited by Robert Macfarlane in an interview as an example of what that genre needs to escape:

Nature writing, he says, “still carries a hint of 18th-century cleric; of the plashy fen [as William Boot had it in Evelyn Waugh’s Scoop]”.

Then last Sunday in an article (“The Sound of Food”) by Jane Shilling, the language used by Waugh in Brideshead Revisited to describe wine is compared to that of a present day quest by an Oxford academic to find sound equivalents to describe tastes:

Charles Ryder and Sebastian Flyte, the exquisite Oxford undergraduates of Evelyn Waugh’s novel Brideshead Revisited, baptised their friendship in a torrent of fine wine and adjectival excess: “It is a little, shy wine like a gazelle … Like a leprechaun. Like the last unicorn …”

The quote is somewhat misleading in that Charles and Sebastian in this scene are tasting three separate but unnamed wines from the Brideshead cellars. The shy, gazelle-like, leprechaun-flavoured variety is also compared to something “dappled, in a tapestry meadow…like a flute by still water.” The wine that reminded them of the last unicorn was also compared to a “necklace of pearls on a white neck” and “a swan.”  Brideshead Revisited (Penguin, pp. 81-82)

Share
Posted in Academia, Articles, Brideshead Revisited, Miscellaneous, Scoop | Tagged , , , , | Comments Off on Plashy fen and leprechaun-flavoured wine

John Freeman (1915-2014)

We’re late in observing this sad event.

John Freeman died on December 20, 2014. Here’s his obituary from the Daily Telegraph. Freeman was Waugh’s interviewer for an episode of the BBC’s Face to Face series (described in a recent post).

Share
Posted in Interviews, Television Programs | Tagged , | Comments Off on John Freeman (1915-2014)

D.J.Taylor Cites Waugh to Rebut Fears of E-Book Threat to Novel

In a recent Independent on Sunday column (“Ebook apartheid: Fay Weldon calls on writers to adapt their style for technology,” 8 March 2015), critic and novelist D.J. Taylor addresses an argument by fellow novelist Fay Weldon. At the Bath Literary Festival, Weldon urged that writers need to “dumb down” their product to reach the ever increasing percentage of the reading audience that prefers e-books to print versions. Taylor notes similar past concerns about the impact of technological innovation on writing styles:

It was Evelyn Waugh, writing more than half-a-century ago, who noted the existence of a link between the words on the page and the implement that transmits them. To a certain extent, the rolling periods of the Augustan satirists are a result of their being written with a quill pen, each sub-clause marked by a dip in the ink-well. Similarly, the boiled down, staccato prose pioneered by Ernest Hemingway in the 1920s is intimately linked to his habit of composing straight onto the typewriter – an act which, according to Waugh, makes you write like a Gatling gun.

While Taylor does not cite the source of Waugh’s analysis, it may be his own interpretation of Waugh’s 1955  essay “Literary Style in England and America” (Essays, Articles and Reviews, p. 479), although I can’t find any reference in that essay to Gatling guns or typewriters. In any event, the styles of both Waugh and Hemingway survived, and Taylor is confident that the serious or literary novel will survive the e-book as surely as it did the typewriter and that writers need not and should not adapt their style to the new format. Oddly, he does not include in his comments what motivated his own recent decision to publish his latest novel (or novella) exclusively as an e-book (From the Heart, Amazon Digital Services, Inc., 2014, 121 pp., $2.99).

 

Share
Posted in Articles, Essays, Articles & Reviews, Festivals, Miscellaneous | Tagged , , , | Comments Off on D.J.Taylor Cites Waugh to Rebut Fears of E-Book Threat to Novel

Ishmaelia vs. Azania

Last month, the Independent ran a column naming what it deemed to be the 10 best fictional countries created by writers. None of Waugh’s efforts made the first cut, but the response was so great that a second round was published, expanding the list to the top 50. Waugh’s “Ishmaelia” from Scoop
(1938) is named in this new list, nominated by three readers:

Ishmaelia. Scoop, by Evelyn Waugh, with its “very promising little war” (Lord Copper). Nick Reid, Dan Kelly and Fiona Laird.

Not mentioned is another fictional county of Waugh’s, “Azania” from Black Mischief, effectively the same country as Ishmaelia but with a different fictional history and slightly different geography. Waugh may be, if not unique, at least one of the few novelists to have done a double. 

Coincidentally, the map of Azania provided at the beginning of Waugh’s novel bears some resemblance to the 1669 map of Atlantis which illustrates the Independent‘s article. The Azania map’s cartographer is not identified, but Waugh executed several drawings for a limited edition of Black Mischief and may well have also drawn or contributed to the map. Later editions include some of the drawings, as well as the map, all of which are attributed to Waugh in the Penguin version.

Share
Posted in Black Mischief, Scoop | Tagged , , | Comments Off on Ishmaelia vs. Azania

Max Hastings Watches the BBC’s Face-to-Face Interviews

In this week’s Spectator, Max Hastings, former Daily Telegraph editor, comments on his viewing of DVDs of the BBC’s Face to Face interviews, which he had recently been sent as a gift. The recordings have been circulation since 2009, and it seems remarkable that he has only just caught up with them. He describes them as “compelling” and offers these comments on several of the interview subjects (including Evelyn Waugh):

That old rogue Lord Boothby seemed intelligent and curiously appealing. Adam Faith, then 20, handled himself brilliantly, while Simone Signoret was a bore. We marveled that such a repellent human being as Evelyn Waugh could have written the best English novels of the past century. Gilbert Harding, supposedly a monster, appeared movingly vulnerable. A BBC spokesman with whom I discussed the programmes said the only subject for whom John Freeman [the interviewer] formed a violent dislike was Martin Luther King.

The Waugh interview is available on YouTube.

While Hastings may consider Waugh repellent, that assessment must be based on evidence other than his performance in this interview. Waugh holds his own very well against Freeman, the often aggressive interviewer. Freeman was a Labour politician at the time he joined the BBC. Waugh had written his school friend, Tom Driberg, also a Labour politician (and journalist), in advance of the interview, asking if he knew “anything damaging about [Freeman] that I can introduce into our conversation if he should become insolent” (Letters, p. 544). Driberg’s response, so far as I am aware, is unrecorded, but based on Waugh’s performance, it doesn’t appear that he needed any outside help.

Freeman’s own comments on the interview are contained in a written introduction to the DVD set by Hugh Burnett, producer of the TV series:

Waugh was very difficult, he was very uptight, I think he disliked me, and whether he did or not, he was very nervous…I’m disappointed that I didn’t succeed in getting more out of him, because of all the people on the list of Face to Faces, he is the one I think I hold in most honour.

Thanks to Gwyn Price-Evans for bringing this article to our attention.

Share
Posted in Interviews, Letters, Television Programs | Tagged , , , , , | Comments Off on Max Hastings Watches the BBC’s Face-to-Face Interviews

Evelyn Waugh and Catch-22

Today’s Guardian adds Joseph Heller’s 1961 novel Catch-22
to its list of the 100 Best Novels, joining Scoop
which was named in an earlier article.

The article explains that Robert Gottlieb, the book’s editor at Simon & Schuster, tried to obtain blurbs from established authors. Waugh was among those solicited, with somewhat disappointing results – but not quite as disappointing as you would conclude from the Guardian article.  Here’s what the article says:

Gottlieb’s enthusiasm inspired him to send out advance copies, a strategy that (as so often) did not always work. Evelyn Waugh wrote back: “You are mistaken in calling it a novel. It is a collection of sketches – often repetitious – totally without structure.”

In fact, Waugh’s response, reproduced in Letters, pp. 571-71, starts by expressing his thanks for the book and his sorrow that Simon & Schuster found it so fascinating. He notes his belief that the book was both indelicate and prolix and concludes his objections to the novel with the passage quoted above, but he then continues:

Much of the dialogue is funny.

You may quote me as saying; ‘This exposure of corruption, cowardice and incivility of American officers will outrage all friends of your country (such as myself) and greatly comfort your enemies.’

A backhanded assessment which I doubt appeared on the book’s cover, but at least Waugh recognized its humor. Waugh must have gone to the trouble of reading it through because he recommended that it be reduced by half and urged that “the activities of ‘Milo [Minderbinder]’ should be eliminated or greatly reduced.” Notwithstanding Waugh’s reservations, the book has remained in print and sold over 10 million copies.

Share
Posted in Letters, Miscellaneous, World War II | Tagged , , , | Comments Off on Evelyn Waugh and Catch-22

TLS Reviews Memoir of Gore Vidal

In this weeks TLS James Campbell reviews Sympathy for the Devil, a memoir of Gore Vidal by novelist Michael Mewshaw. The review mentions a 1978 dinner party in Italy to which Mewshaw invited Vidal and his partner Howard Austen. The occasion was to honor John D’Arms, newly appointed director of the American Academy in Rome, and his wife Teresa, Waugh’s daughter. Campbell does not start well on this anecdote when he refers to Teresa as a novelist, confusing her with her sister-in-law, Auberon’s wife, Teresa Onslow Waugh, who is, indeed, a novelist.

Vidal began the evening by ordering vodka, sending up warning lights for Austen who gently urged him to switch to his usual choice of wine. Ignoring Austen’s advice, Vidal raised the subject of “how alcohol affects different writers…Whenever I read Faulkner and he rambles on about ‘the ancient avatar of the evening sun slipping down the crepuscular sky’ I know he was hitting the sauce. On the other hand, your sainted father,” he said, nodding to Teresa, “became meaner and more concise the drunker he got. Every sentence had a dagger in it.” Teresa’s response, if any, is not reported.

Campbell at this point refers to Vidal’s own memoirs, Palimpsest, 1995), where he had mentioned that Waugh “once claimed not to know who [Vidal] was at someone else’s dinner table.” In those memoirs, Vidal explained that he had “read with pleasure all of Waugh” but found him “singularly detestable.” He went on to describe Waugh as “that self-invented English Catholic gentleman…proud esquire of a smidgen of English dirt.”  (Palimpsest, pp. 204, 312).

Both writers loved this sort of feud, and Waugh, if he had still been alive, could certainly have given as good as he got. Vidal’s claim to an elevated social standing came through his social-climbing mother’s second husband, his step-father, Hugh Auchincloss, not his own forebears, so he was no less an arriviste than Waugh. And as demonstrated in Mewshaw’s memoir, Vidal could be as mean a drunk as Waugh. On the evening in question, after Vidal insulted another woman present, Howard quickly rose to the occasion and took him home.

Share
Posted in Sightings, Waugh Family | Tagged , , , , | Comments Off on TLS Reviews Memoir of Gore Vidal

The Tablet Celebrates 175 Years

The UK-based Roman Catholic weekly paper The Tablet is celebrating its 175th anniversary this year. Among the events related to the celebration that may be of interest to our readers are a literary festival at Birmingham in June and a lecture at the LSE in October. An event schedule is posted here.

Waugh wrote frequently for the paper. Among his most notable Tablet pieces are “Half in Love with Easeful Death: An Examination of Californian Burial Customs” (18 October 1947), which had first appeared in Life magazine in the US, and “Palinurus in Never-Never Land or, The Horizon Blue-Print of Chaos.” (11 May 1946), about the writings of Cyril Connolly. These and other Waugh articles can be found at the Tablet’s online archive.

Donat Gallagher, the editor of a volume of Waugh’s collected journalism, wrote that:

In most circumstances Waugh would write entertainingly for a high fee. He would write seriously for no fee (e.g. for the Tablet) or a small fee (e.g. for the Spectator). But the market in between did not much interest him. (The Essays, Articles and Reviews of Evelyn Waugh, pp. 111-12)

According to a recent article in the Guardian, the Spectator (founded 1828) is the only UK- based weekly in regular circulation longer that the Tablet (founded 1840).

Share
Posted in Articles, Essays, Articles & Reviews, Events | Tagged , | Comments Off on The Tablet Celebrates 175 Years