Waugh in Brazil and in National Review

The Milan newspaper Il Foglio carries an article in Italian by Marco Archetti about Evelyn Waugh’s 1934 travel book Ninety-Two Days. After a quote from the book and some biographical background, Archetti explains the trip to Brazil:

One cannot know what caused this twenty-nine-year-old Englishman–who for a long time could not decide between painting and writing, had a past of carefree brief affairs, married  a “homonym” (“She-Evelyn and He-Evelyn,” they were called) but soon separated, and had a shriveled and disgusting mussolinofilia–to cover the wild stretch between Georgetown, Guyana and the Brazilian state of Roraima, struggling with nature, insects, the fury of the elements and the imperturbability of the inhabitants of the most remote outposts . But he knows an artifact: a story that was told to him of Boa Vista. And it was enough for him, because, if it is true that he travels because, says Waugh, it is part of life, he also travels because there is always a fairy tale to light our desires as eternal children who are subject to the spell of words more than to things, to the mirage of illusion rather than to the impetuous solidity of the world.

After describing how Waugh learned of Boa Vista and made his arduous journey, Archetti then concludes with what he found when he got there:

… after tremendous crossings with suspicious stock, after the fifteen huts in Surana, dry slides, after tiredness, dust, insomnia, snakes and nausea, there was Boa Vista: a handful of dilapidated buildings. Because the truth is that no one goes to Boa Vista, no one rides its hardened mud roads that go off in dusty trails in the four directions. So it is only left to leave, enduring in silence the truth of the journey – it begins as it ends – with bitterness.

The translation is by Google with some edits and any suggestions for improvement would be welcome.

The current National Review carries a book review by Terry Teachout of recent biographies of F Scott Fitzgerald and Ernest Hemingway (“Two Kinds of People”). In describing Hemingway’s legacy, Teachout is reminded of Evelyn Waugh:

The trouble with Hemingway, seen from the privileged vantage point of hindsight, is that he looks increasingly like a great influence but not a great author in his own right. No 20th-century writer would leave a deeper mark on his contemporaries, and as late as 1948, Evelyn Waugh, no respecter of reputations, unhesitatingly described him in print as “one of the most original and powerful of living writers.” Yet all but the very finest of his short stories now sound mannered and artificial, while the novels come off as little more than sustained exercises in mirror-gazing and pose-striking. I would like to like him more than I do, but the truth is that I find him almost unreadable, and my chronic distaste for his work is more than merely an allergy.

The quote comes from Waugh’s review (“Winner Take Nothing”) of Hemingway’s late work Across the River and into the Trees which appeared in The Tablet, 30 September 1950, and is reprinted in EAR, p. 391.

 

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Scoop Abides

The Spectator has reviewed the latest novel by Ned Beauman with a nod to Evelyn Waugh. The title of the novel (Madness is Better than Defeat) itself implies a certain amount of irony and the remote foreign setting will resonate with Scoop fans:

Two rival expeditions set off from the United States to the jungles of Honduras to find the temple — one with the intention of using it as a location in which to film an absurd comedy, the other determined to disassemble it and take it back to New York. The two sides clash, each refusing to give way. The weeks roll into years; and life around the temple, populated with a disparate and distinct array of characters, steadily deteriorates into greater savagery. Meanwhile, Zonulet, rogue CIA agent (and primary narrator), under internal investigation, needs to unlock the secrets of the temple to prove his innocence.

The Spectator’s reviewer David Patrikarakos remarks that the novel:

…displays literary self-awareness. Much of the action around the temple brings to mind a more sophisticated and tamer version of Lord of the Flies. Meanwhile, the book’s early action sees the young director, Jervis Whelt, summoned by the reclusive Hollywood studio head, Arnold Spindler (a man with more than a touch of the Howard Hughes about him), who promptly tells Whelt that he is being sent into the jungle. It is a beautiful set piece that cannot help but bring to mind William Boot’s dispatch to cover ‘a very promising little war’ in the fictional Ishmaelia (based on Ethiopia) at the behest of the newspaper tycoon Lord Copper in Evelyn Waugh’s Scoop.

On the Spanish language news website 20 Minutos, their literary columnist, writing as  “Regina Exlibris”, was asked to compose an article covering books about journalists. Her shortlist of 6 includes Waugh’s Scoop (Noticia Bomba! in Spanish) in the #1 position:

News Bomb! Evelyn Waugh. Anagram. A Fleet Street press mogul called Lord Copper boasts of his infallible nose in discovering talented reporters who flood his tabloid with exclusives and thus gain readership over the competition. However, because of a confusion of surnames, he sends to “cover” the civil war in a remote African republic one of the most improbable journalists for such a mission. From that misunderstanding, Evelyn Waugh launches into a fierce and hilarious satire on the world of journalism, special envoys, information, misinformation and confusion. Regarded as one of the great novels of humor of the twentieth century, it is also a vivid and corrosive portrait of the profession and the sector that will start the laughter of both those who suffer it daily and those outside its world.

Others on the list include Story of a Shipwrecked Sailor by Gabriel Garcia Marquez and In Cold Blood by Truman Capote. The translation is by Google.

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Lecture at Hertford College Announced

A lecture on the subject of “Waugh’s Enemies” has been announced for Mo, 25 September at Hertford College, Oxford:

Cecil Beaton, Randolph Churchill, the BBC …. English writer Evelyn Waugh was not short of enemies. He was infamous for both witty spats and long-running feuds, and many of his adversaries ended up lampooned in the pages of his novels. As Oxford University Press launches its new edition of the Complete Works of Evelyn Waugh, general editor Alexander Waugh and Barbara Cooke, editor of Waugh’s autobiography, will be working over Waugh’s extensive blacklist in Waugh’s alma mater, Hertford College. This lighthearted discussion will take place in the dining hall, overseen by the portrait of Waugh’s first and best nemesis: his history tutor, C. R. M. F. Cruttwell.

The lecture is scheduled for 1500-1700pm. Entrance is free. Booking details are available here.

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Oxford Mail Surveys Complete Works

The Oxford Mail has published a feature length article on the Complete Works of Evelyn Waugh. The project will launch next month with the publication of four volumes, including Precious Waughs, the first of 12 volumes of “personal writings.” These are co-edited by Alexander Waugh and Alan Bell. Alexander, who is General Editor of the project, explains to the Mail:

“I do hope the whole project can be completed in 10 years and I hope the publication of the first five volumes in the autumn will galvanise editors working on other volumes. With Brideshead my grandfather invented a way of looking at Oxford, a mellowness, and it was that TV series in the 1980s with its soft rich tones that imprinted itself on people’s minds and drove people back to the book. My daughter Mary graduated in French from Christ Church about a year ago and it wasn’t the idyllic dream of Brideshead at all – she worked extremely hard.”

The story continues with this background information:

The novelist’s biographer, Professor Martin Stannard of the University of Leicester, and the late Prof David Bradshaw, of Worcester College, Oxford, have been co-executive editors of the first five volumes, which will be published this autumn, with the next set due to appear in 2019. No other collection of a British novelist’s work has been undertaken on a comparable scale. Oxford University Press signed up The Complete Works of Evelyn Waugh in 2009.

This is the first time a schedule for the next volumes after the first five has been mentioned. There appears to be some misunderstanding on precisely when the first volumes will be issued. The Mail and OUP list the date at 14th September but the Amazon.co.uk website give 1st September as the publication date. Publication in the USA is scheduled for November. The story concludes with a mention of OUP’s local plans for marking the start of publication:

To celebrate the first five volumes, the Bodleian’s Weston Library will be hosting an exhibition of Evelyn Waugh’s Oxford, curated by Barbara Cooke, from August 26 to October 22.

The Mail’s story is accompanied by a gallery of photos and drawings. There is one photo of Evelyn Waugh signing books in an Oxford bookshop which I do not recall having seen before and several drawings from the childhood diaries which may be appearing for the first time.

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The Loved One in Gay Hollywood; D&F in the Antipodes

The Intro and “Outro” discussions of the film version of The Loved One from the recent broadcast on the Turner Classic Movies cable channel have been posted on YouTube. Appearing are Dave Karger from TCM and writer William J Mann. The film was presented on TCM as part of its Gay Hollywood series. The two speakers first note the unusually large number of homosexuals involved in the production which they describe as a “nonstop parade of fairies” and wonder rhetorically whether there was anyone involved who wasn’t gay. They then focus on the outstanding performance of John Gielgud as Sir Francis Hinsley and recall the scandal in the early 1950s when he was rumbled while cottaging in London. In the discussion following the film, they analyse the performance of Rod Steiger (one of the few participants not known to be gay) as Mr Joyboy who is portrayed as a “flaming fairy”. They do not mention that the character in the book does not come across as so flamboyantly gay.

Another Waugh adaptation is now available in New Zealand. This is the BBC’s 3-part TV series version of Decline and Fall. According to Sam Brooks writing on the NZ entertainment website The Spinoff, the best thing about the overall praiseworthy series is Eva Longoria’s portrayal of Margot Beste-Chetwynde:

She takes a while to appear (about half an hour and eight seconds into the first episode, by my incredibly scientific measure) but once she does she’s a breath of fresh air. … Longoria is the clear highlight of the series, which is mostly populated with a menagerie of British actors who you’ve definitely seen in something – probably Harry Potter – but can’t quite remember their names or who they’ve played. She plays Margot with an affable amorality (but I am sad to report no silly accent) that is intentionally jarring in this context.

Margot is at odds with the world around her, and Longoria does this with a one-foot-in-one-foot-out approach; there’s no way she doesn’t know what she’s doing, but the appearance that she doesn’t is enough to sell it. Also, the same knack she had for a one-liner in Desperate Housewives helps her here. There’s a scene where she has to audition some performers that ranks among the best of her career, and it’s where her spikiness feels liveliest against the relative softness of the other performers.

 

 

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Waugh Cited in Reports of Barcelona Incident

Several papers have reported that the Spanish terrorist cell responsible for the recent mayhem in Barcelona intended to use their explosives to attack the Holy Family Church, another of that city’s popular tourist sites. These reports have spread across the press spectrum from the Scottish Daily Record and New York Post to the Daily Telegraph and Catholic Herald and have in more recent articles received some confirmation. Blogger Steve Sailer has noted the Daily Record’s report on the conservative website Vdare.com (best known for its anti-immigrant position) and adds a quote from Evelyn Waugh to the story by way of background:

The astonishing sand-drip castle Holy Family church has been under construction since 1882. Evelyn Waugh wrote in 1930:

“I feel it would be a graceful action on the part of someone who was a little wrong in the head to pay for its completion.”

It is said to be on track for completion in 2026, the centenary of Antoni Gaudi’s death…

Waugh seems to have been unaware of Gaudi’s work before he visited Barcelona in 1929 as a stop on his Mediterranean voyage prior to the break-up of his first marriage. His essay on Gaudi first appeared as an article in Architectural Review in June 1930 and was later incorporated into Chapter VII of his account of the voyage in Labels published later that year. He was quite impressed by the several examples of Gaudi’s works which he saw in his 2-day visit and wished he could have stayed longer and seen more. The state of the Holy Family church at the time of his visit is ironically described in the essay:

It seems to me certain that it will always remain a ruin–and a highly dangerous one unless the towers are removed before they fall down. (Labels, p. 179).

Fortunately, that has not proved to be the case.

Sailer has previously commented on Waugh’s work and may be the first to have written about the connection between The Loved One and Billy Wilder’s film Sunset Boulevard. See earlier posts.

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Handful, Oxford and North End Road

Author Gill Hornby in her Daily Mail column takes up the literary genre of expat novels. This is in response to two of her children expatriating themselves:

We Brits didn’t only build the model for expat life, we’ve also provided its cliches: Surrey lawns in improbable climates, eating Yorkshire pudding beneath a boiling sun. In A Handful of Dust, Evelyn Waugh takes that nostalgia for home to its satirical extremes. Tony Last is a happy country gent until his wife deserts him. In a fit of self-pity, he joins an expedition to the Amazon and ends up prisoner in a steaming rain forest, forced to read aloud the works of Dickens for the rest of his life: a vision of expat hell.

Other novels recommended are Old Filth by Jane Gardam and The Expats by Chris Pavone.

A blogger (TomWinnifrith.com) has recently posted a comparison of his own Oxford career with that of Evelyn Waugh:

… I botched my entrance papers somewhat and double botched my interview when trying to get into Christ Church at Oxford (The House) and, was thus, not that surprised to be rejected some 31 years ago. But to its credit, Hertford College gave me a second chance and after an interview which I found rather confusing I was, rather to my surprise, offered a place. Clearly Professor Malpas saw something in me although, to this day, I cannot really say what. But his inspired call, has allowed me to make the same joke for thirty years about how the two greatest writers of the 20th Century were both shunned by The House and ended up at Hertford: that is to say myself and Evelyn Waugh.

Waugh’s diaries and biographies have a different explanation of  his entrance experience at Oxford. When he first visited the university with his father in September 1920, he was much impressed by New College, his father’s alma mater, and Christ Church. In his diaries he noted: “Father has put my name down for New College and I am going to try for a scholarship at the House” (Diaries, p. 100). But he was advised by his teachers at Lancing to aim lower: “Lucas tells me that it is better to go up to Oxford as a scholar in a smaller college than New, from an educational point of view. Apparently, the dons make much more of you. As a commoner [i.e., without a scholarship], however, New College is far the best as you are in a really intellectual atmosphere.” (Diaries, p. 142). In the end, when he sat the scholarship examination, he listed as his first preference the more modest Hertford College, where not only was there less competition for a scholarship, but if one was awarded, it was worth more.  He was offered a scholarship by Hertford and accepted without apparent hesitation (A Little Learning, pp. 137-39; Hastings, pp. 79-80). So, although he harbored a desire to attend Christ Church as well as New College, he never made the attempt.

Another blogger, George Callaghann, has posted on YouTube a video filmed in front of the Waugh family home at 145 North End Road in London NW11. In his video, he discourses for about 2 1/2 minutes on the career of Evelyn Waugh, to the accompaniment of considerable background traffic noise. Unfortunately, he begins his narrative with rather a clanger by asserting that Waugh lived in the house from the 1920s until his death in 1966. His family actually moved into the house when he was four years old (about 1907-08) and Evelyn could be said to have made his home there on and off until his father sold the house and moved to Highgate in 1933. After that, Evelyn lived mostly in hotels, his club or with friends until his second marriage in 1937 when he moved into his own house near Dursley in Gloucestershire. Aside from that, the commentary is accurate. Callaghann does not, alas, offer an inside view of the house and garden.

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Rock Band Named “Flyte” to Issue First Album

A London-based rock band calling itself “Flyte” is about to issue its first album called “The Loved Ones.” Their guitarist Will Taylor has explained the band’s literary associations in an interview by Robin Murray on the website of Clash magazine:

Q: There’s a real literary influence in the lyrics.

A: I think it’s a real combination of our environment… I grew up with two English teacher parents, so lots of reading, and lots of books lying around all the time. I was a very big fan of Evelyn Waugh, and his novel Brideshead Revisited is where we took the name of the band, actually – Sebastian Flyte. That’s why we called the band that.

It was all about the mourning of a lost time, the golden nostalgic eras that are now in crumbling ruins. I think that was one of the themes of that book. Something that we definitely moved over onto the band, it’s aesthetic, and the tones of the songs. We called the album ‘The Loved Ones’ because there’s another Evelyn Waugh novel called that. And it felt like a nice way to refer to the characters on the album – there’s Annie and Alasdair, and of course ‘Cathy Come Home’. Lots of real life stories being told, lots of characters, and it felt like a good way of tying it all together.

And also, you can mention Morrissey or maybe Ray Davies or even Nick Drake, but I think they were just probably in a similar situation to us, and obviously they were inspired by those writers too, but I think it’s a lovely combination when pop or rock ‘n’ roll or recorded music… lyricism, when it clashes with other things – like art, literature, film. I think that’s always for us the most satisfying aspect of popular culture, when those things clash together. So we were trying to bottle a bit of that.

Their album will be released in the UK on vinyl later this week by Island Records. Among the tracks are songs entitled “Orphans of the Storm” and “Annie and Alasdair.” The record will also be available for sale on Amazon.com in the USA from 1 September. The band will be touring the UK in September and October (schedule posted at end of interview).

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CWEW Diaries Volume Previewed in Sunday Times

The Sunday Times becomes the first paper to preview a volume of the Complete Works of Evelyn Waugh. The first four of these will be published at the beginning of September, in less than two week’s time. One of those to be published is Precocious Waughs, volume 30 of the complete works and the first of several which will contain Waugh’s “personal writings”, primarily letters and diaries. These are edited by Alexander Waugh, Evelyn’s grandson, and Alan Bell. Alexander is also General Editor of the entire project, which he expects will take a decade to complete.

The Sunday Times article by Dalya Alberge, entitled “Punch-ups revisited”, notes that the childhood diaries in this first volume are appearing in print for the first time. They have been available to readers at the Harry Ransom Center of the University of Texas for many years but were not included in earlier publications, according to Alexander Waugh, “because biographers have been more interested in his ‘impossible and rude behaviour’ as an adult.” As described in the Sunday Times, the diaries are:

… illustrated with dozens of his sketches, they reveal that one of the 20th century’s greatest writers was a witty youngster who was unafraid of a fight. His many punch-ups there are described in words and sketches that convey rough-and-tumble energy. One entry records the consequences for a boy who repeatedly mocked his name as “Wuffles”: “I informed him that, unless he refrain using my name in a corrupted form, I would have to chastise him. He, knowing that he was larger than me, continued in the name whereupon I fulfilled my promise one hundredfold.”…

Alexander Waugh has allowed himself one joke in the edition: “There’s one moment in the diary where he says, ‘Will future editor kindly omit from published version. E.A.W.’ I’ve put a footnote, ‘No. A.E.M.W.’ I couldn’t resist that . . . He had no idea he might be addressing his grandson.”

The childhood diaries referred to are for the period 1914-16 when Waugh was between the ages 10-12.  This volume also includes other personal writings for the period 1903-21 and ends with Waugh’s departure from Lancing College. Other volumes to appear on September 1st in the UK include Rossetti: His Life and Works, Vile Bodies, and A Little Learning. Another volume previously announced for early release was Essays, Articles and Reviews 1922-34. The UK publication date for that volume is now reset for November. All five of these volumes have November release dates in the USA.

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Waugh Events Announced

There will be a panel on Evelyn Waugh at the Blenheim Palace Festival of Literature, Film & Music in October. This will consist of Paula Byrne, Alex Preston and Justine Picardie who will discuss the life and loves of Evelyn Waugh that were at one time played out in the pages of Harper’s Bazaar magazine.

Preston, a novelist and writer for Harper’s Bazaar, recently researched the magazine’s archives to explore the story of Waugh, his wife, Evelyn Gardner, and her lover, John Heygate, all of whom were writing for Harper’s Bazaar. Waugh’s work was serialised in Harper’s Bazaar, notably A Flat in London, which ultimately became the classic novel, A Handful of Dust. Biographer Paula Byrne’s book, Mad World: Evelyn Waugh and the Secrets of Brideshead, looks at how the writer’s famous novel was inspired by his own experiences, loves and obsessions.

Preston is an award-winning novelist whose works include In Love and War. He writes for The Observer, GQ, Harper’s Bazaar and Town & Country Magazine, and is a senior lecturer in creative writing at the University of Kent. Byrne is author of a number of biographical works including The Genius of Jane Austen: Why She is a Hit in Hollywood; and Kick: The True Story of JFK’s Forgotten Sister and the Heir to Chatsworth. Here they talk to Harper’s Bazaar editor-in-chief Justine Picardie, author of four books including a memoir, If The Spirit Moves You, a biography of Coco Chanel, and Daphne: A Novel. This event is one of a series devoted to writers past and present associated with Harper’s Bazaar to mark the 150th anniversary of the magazine.

The event is sponsored by Harper’s Bazaar and is scheduled for 14 October at 2pm in the Marlborough Room of Blenheim Palace, north of Oxford. Tickets and other details are available here.

This event will take place during the display of the Evelyn Waugh exhibit at the Bodleian Library in Oxford itself. This is called “The City of Acquatint” and will run through 22 October. See earlier post for details.

The New York Public Library has selected Brideshead Revisited as its September book for its series “Discuss Great Books in a Great Space.” This will be at the main library on Fifth Avenue & 42nd St on Tu, 21 September at 2pm. Details will be posted later. Watch this site.

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