Radio Adaptation of Decline & Fall Rebroadcast

BBC Radio 4 Extra will rebroadcast its two-episode adaptation of Waugh’s novel Decline and Fall starting this Thursday. This adaptation by Jeremy Front was first transmitted in 2015, and this is apparently its first rebroadcast. Front has also adapted other Waugh novels for radio, including Sword of Honour, Scoop and Brideshead Revisited. See previous post. The first episode of this repeat will be this Thursday, May 16 at 10am with Episode 2 the next day (Friday, May 17) at the same time. Here’s a link.

In other broadcast news, the Daily Mail has announced some advance program details for the second series of the award-winning BBC comedy/thriller Killing Eve. Part of the story will take place in Oxford, and costume designer Charlotte Mitchell provided these insights of a Waugh connection to the Mail:

Our anti-heroine [Villanelle] is in Oxford for scenes in which a ‘Brideshead Revisited look’ was required. With Villanelle the subversive sort, Mitchell took that to mean she should play one of the male characters in the classic Evelyn Waugh novel. ‘The show said that would be fantastic — Villanelle should look like she’s dressing up to be quintessentially English. So we found a vintage shirt and tie, and put it with a pair of high-end trousers from Raey (the in-house brand of designer fashion retailer Matches).’ With Villanelle’s hair slicked back, a vintage cricket jumper draped over her shoulders completes the look.

The Mail’s story is accompanied by a photo of the character in Oxford costume.

While it’s a podcast, not a broadcast, Player.fm has posted recordings of talks delivered to the 2017 Evelyn Waugh Conference at the Huntington Library in California. These are available in individual files at this link.

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Mother’s Day Roundup

–The Washington Post has an op-ed article by Anne Applebaum that opens with this comparison between Donald Trump and Lord Copper from Waugh’s novel Scoop:

“A few sharp victories, some conspicuous acts of personal bravery on the Patriot side and a colorful entry into the capital . . . We shall expect the first victory about the middle of July.”

Those immortal words of advice were given to William Boot, the accidental foreign correspondent who is the hero of Evelyn Waugh’s novel “Scoop.” They came from the fictional newspaper proprietor, Lord Copper, who wasn’t too worried about which side were really “patriots”; he just wanted a happy and rapid end. Waugh’s novel satirized the British press of the 1930s, their empty sensationalism and their disdain for reality. A similar spirit pervades the making of U.S. foreign policy today.

The columnist then offers several examples, starting with the recent apparent shift in Donald Trump’s policy on Venezuela.

–The New Zealand Herald features an interview with local writer Vincent O’Sullivan. When asked what things he has to be wrathful about, one of them is sloth:

Sloth might have got an upper hand if it hadn’t been for deadlines, so you might say it’s that long shadow of sloth that gives you the space actually to work in, because other people are constantly prodding you. I remember when I was a student in England, Evelyn Waugh writing in the Sunday papers about sloth but I seem to remember it was other people’s sloth that so enraged him, because he said everything from – say – sloppy proofreading to bad theologians was all the result of sloth and bore out the slide of civilised values. I’m not going that far. It’s just interesting the different ways you can come at it.

Waugh’s 1962 essay about Sloth appeared as part of a Sunday Times series on the Seven Daily Sins which was later published as a book. A copy is collected in EAR. O’Sullivan’s latest book is All This By Chance, a novel about the legacy in New Zealand of the WWII persecution of the Jews.

–The Catholic Herald has posted a profile of artist Rex Whistler, a contemporary of Waugh who admired much of Whistler’s work. Daniel Frampton, who wrote the story, compares Whistler’s career to two of Waugh’s characters:

Comparisons with the artist Charles Ryder, Evelyn Waugh’s protagonist in Brideshead Revisited, have been made before. Ryder, who paints similar scenes to Whistler, does eventually convert [to Roman Catholicism], of course. However, it seems safer to continue to view Whistler as an unrepentant romantic, albeit with Catholic sympathies, as opposed to a likely convert.

[…] When war came in 1939, Whistler, despite his age, was determined to serve in a frontline unit. In a way, he was similar to another of Waugh’s great characters, Guy Crouchback, in the Sword of Honour trilogy. Crouchback’s war experiences are largely based on Waugh’s own involvement, fighting in such places as Crete. Whistler had the “strong feeling that if anyone has to go and fight it is precisely people of my age, and not the young boys”.

Unlike Crouchback and Waugh, Whistler did not survive the war but was killed in action shortly after the D-Day landings. Frampton might also have mentioned that Whistler made the drawings that Waugh selected to illustrate his post-war booklet Wine in Peace and War.

–In an article posted on her weblog From the Archivist’s Notebook, Natalia Vogelkoff-Brogan discusses the life of the well-travelled Charlotte Eleanor Ferguson who taught at the American College for Girls in Greece after graduation from Mount Holyoke College.  A collection of her letters was recently published (A Learning Teacher’s Odessey) in which she makes remarks  disdainful of “tourists” less well-treveled than she. This reminds Vogelfoff-Brogan of another seasoned traveller:

A recurrent theme in Charlotte’s letters is her low opinion of tourists, especially those who toured the Mediterranean in cruise ships. She took special pleasure in writing that “one insisted on going to see the Acropolis when they had just come down from it” or “tourists are so funny –they know so little and say so much…” [pp. 183, 187].

Reading Charlotte’s comments, I remembered that a few years ago, when I was writing “ ‘All Aboard’: Cruising the Aegean in 1923,” I read an enjoyable description of tourists in Evelyn Waugh’s Labels, published about the same time, in 1929: ‘… baffled, breathless, their heads singing with unfamiliar names, their bodies strained and bruised from scrambling in and out of motor charabancs, up and down staircases, and from trailing disconsolately through miles of gallery and museum at the heels of a facetious and contemptuous guide… Must they go on to the very end? Are there more cathedrals, more beauty spots, more sites of historical events, more works of art? Is there no remission in this pitiless rite?”

–Waugh is cited in a review of two new books inspired by the works of P G Wodehouse. These novels in “homage” to Wodehouse were written by Ben Schott (Jeeves and the King of Clubs) and Sebastian Faulks (Jeeves and the Wedding Bells). The review is by Richard Rex and appears in the religion and public policy journal First Things:

It was Evelyn Waugh, in a radio broadcast of 1961, who put his finger on [the] central moral truth in the perennially delightful literary world created by P. G. Wodehouse through seven decades of unremitting authorial labor. It was, Waugh observed, an “idyllic world,” an innocent realm untouched by sex or death, and immune (unlike its creator) from the imperative to work—to all intents and purposes, a world without original or mortal sin. There is nothing to be gained by recapitulating Waugh’s penetrating analysis of a world in which all is fair in love, and there is no war; in which misdemeanors and felonies (assault, blackmail, burglary, fraud, identity theft, kidnapping, and unlawful detention) find their guilt washed away by the absolution and indulgence of the author.

Waugh’s broadcast on the BBC Home Service was published the next day in the Sunday Times (16 July 1961) and is collected in EAR, p. 561.

–Finally, in recognition of Mother’s Day, here’s an extract from the weblog Wonkette in which writer Rebecca Schoenkopf continues the list of things her mother (“Mi Mamacita Communista”) taught her. This portion of a much longer list  (quite funny in parts) deals with recommended reading matter:

* Read “Catch-22.” A good place to do this is on the sand at Hermosa Beach in 1966.

* Read “Let’s Eat Right to Keep Fit.”

* Read Mother Jones and the Utne Reader.

* Read “A Prayer For Owen Meany.”

* Read Evelyn Waugh and the sainted Miss [Molly] Ivins.

* Erma Bombeck was funny too. No, really, she was!

* Read Eda LeShan, and take her childrearing tips to heart. Forgive yourself if you snap and smack your kid, but it’s a lot better to do it because you’re out of control than if it’s in-control and premeditated. Also, kiss your husband or wife before your kids when you get home from work, because the best thing you could possibly give your kids is parents who are happy and in love.

* Read e.e. cummings, Bukowski, and Thompson. The best way to do this is out loud at the dinner table. Also, the scene in “Tracks” where someone takes a shit on Louise Erdrich’s pillow.

* Reading trashy romance novels is giving me a skewed vision of life, and I will never marry and will always be sad.

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Waugh and Albatross

Naomi Milthorpe, the editor of the Complete Works of Evelyn Waugh volume of Black Mischief, has posted a report of her research at the Harry Ransom Center (University of Texas). This is on the University of Leicester staffblog and relates to the publication of a paperback edition of Waugh’s novel for sales and distribution in Continental Europe shortly after the UK first edition was published in October 1932. Here’s an excerpt. (Detailed references to sources have been omitted):

Black Mischief was Waugh’s first novel to be sold to the European firm The Albatross Press for publication on the Continent. While individual novels of Waugh’s had been published in Europe, it wasn’t until Black Mischief that Waugh enjoyed an enduring reprint relationship with a Continental publishing house. The origins of this relationship are revealed in the HRC’s collection, […]

The Albatross Press was established in 1932 by John Holroyd-Reece and M.C. Wegner, and set about to rival Tauchnitz, then the major European reprint publisher. […] While for today’s readers the firm’s bird emblem and cheap but high-quality product recalls Penguin, Albatross is the older firm (Jaillant 109). […]

Albatross swooped on Waugh early in January 1932 – many months before Black Mischief was completed. Wegner wrote to Waugh’s agents offering to option Waugh’s next novel. […] Letters and postcards went back and forth between the agents and Albatross throughout 1932. Sometime in early October, [Waugh’s agent] sent Albatross an advance copy, and on October 25 Wegner wrote back to negotiate for the novel’s publication by Albatross in April 1933, saying he found the novel “delicious”.

The article goes on to discuss similarities between Albatross editions and those of Penguin Books which started up in the UK in 1935. There was also at least one feature of the Albatross business plan which differed from Penguin:

At the same time as Albatross published their books in affordable paperback, they also produced handsome presentation copies. This appealed to Waugh. In a letter to Wegner dated 19 June 1933, and written on Savile Club letterhead, Waugh wrote that he had returned from South America “to find waiting for me the charmingly bound copy of BLACK MISCHIEF. It is a great delight to me to be published by your firm, particularly when I see how admirably the edition is produced.” He surely would have been describing not the paperback, but their limited presentation edition on handmade paper, bound in green half-leather and cloth and limited to 12 copies. One copy Waugh made out to Nancy Mitford and inscribed as the “Waugh Emulation Prize” (a joke about Mitford’s Highland Fling, which had been compared by reviewers to Vile Bodies), is now housed in the Huntington Library’s Evelyn Waugh collection.

Dr Milthorpe also notes the existence of other Albatross editions in the HRC archive. According to the Bibliography of Evelyn Waugh, the arrangement continued in the 1930s with Albatross reprints of A Handful of Dust (1935) and Mr Loveday’s Little Outing (1937) but was apparently interrupted by the war.  No Albatross edition of Put Out More Flags or Scoop is recorded in the Bibliography. There was, however, an Albatross reprint of Brideshead Revisited in 1947.

Although well beyond the scope of Dr Milthorpe’s research, one can at least imagine that a Cambridge University student in the 1960s might well have picked up one of these or other Albatross editions on an outing to the Continent. Suppose that student was one of the several that later formed into the Monty Python group.  His handsome little book may then have contributed some inspiration to the group’s well-known 1970 TV skit, known as “Intermission”. This is where John Cleese, dressed as a cinema theatre ice-cream girl, is offering “Albatross! Albatross!” from his/her tray, on which a large dead bird is evident.

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“American Epoch” Revisited

In an article posted on the weblog, The Just Third Way, Michael Greaney discusses Waugh’s 1949 Life magazine article on the Roman Catholic Church in America. Greaney introduces the subject with a brief reference to several critics of the Church who saw a need for reform in the years before the Second Vatican Council. He then contrasts those views with Waugh’s discussion of that same period in his article “The American Epoch in the Catholic Church.”:

The essay first appeared in the September 19, 1949 issue of Life magazine. (Reprinted in Donat Gallagher, ed., The Essays, Articles and Reviews of Evelyn Waugh.  London: Penguin Books, 1983, 377-388.) Shocking those who generally miss whatever point Waugh was making, the caustic satirist presented a very positive view of the Church in America halfway through the twentieth century.[…]

Again startling many, Waugh credited the strength of the Catholic Church in America to separation of Church and State in a form that left determination of religious belief up to the individual.  Admittedly in practice even in the United States this has often developed into hostility against the Catholic Church and other faiths, but that was never the intent or meaning of America’s Founders.

In the final reckoning, at least at the time de Tocqueville wrote, the division of life into private and public aspects left individuals largely in control of their own destinies and restricted the State to a relatively minor role.  As Waugh commented, “The realm of ‘private life’ was large and inviolable.  And the division of Church and State is feasible only under those conditions.” (Ibid., 379-380.)

Nevertheless, Waugh saw a grave danger threatening the Church and the rest of civilization throughout the world as the role of the State continued to expand.  Having seen the direction Fabian socialism was taking Great Britain — which he would depict a few years later in his dystopian novella Love Among the Ruins: A Romance of the Near Future (1953) — he was alert to what the related New Deal could do to Catholicism in the United States.  As he noted,

“As the State, whether it consist of the will of the majority or the power of a clique, usurps more and more of the individual’s “private life”, the more prominent become the discrepancies between the secular and the religious philosophies, for many things are convenient  to the ruler which are not healthy for the soul. ” (Ibid., 380.)

[…] Waugh thought the greater danger to the Church was that European Catholics would adopt the superficial aspects of American culture he had lampooned in, e.g., The Loved One: An Anglo-American Tragedy (1948), and drift away from what remained on the continent of the practice of the faith.  He did not foresee that Americans would adopt the European liberal version of democracy, “the tragic fate of Europe,” (ibid.) and undermine their own Christianity.  As he concluded his essay,

There is a purely American “way of life” led by every good American Christian that is point-for-point opposed to the publicized and largely fictitious “way of life” dreaded in Europe and Asia.  And that, by the grace of God, is the “way of life” that will prevail. (Ibid., 388.)

The article then concludes with  a discussion of Waugh’s disappointment in the results of the Second Vatican Council and his assessment of the career of Pope John XXIII.

 

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New Waugh-Themed Play in the Works

The literary agency Curtis Brown has posted a notice regarding one of their clients who is working on a new theatrical play that will be of interest to our readers:

Sophie Swithinbank is a London based playwright. Her play, Bacon, won the 2018 Tony Craze Award, and she is currently developing the piece at Soho Theatre. Sophie is Writer In Residence at the Bodleian Library, Oxford, through the David Bradshaw Creative Writing programme, with whom she is commissioned to write a play (working title Arcadia) inspired by the works of Evelyn Waugh.

Sophie explains her project in more detail on her University of Leicester staffblog:

My premise is fairly simple. I plan to write a short play (working title Arcadia), that is based on the story of Brideshead Revisited, but is set in present day Oxford (much like how Pride and Prejudice joyously became Bridget Jones’ Diary, which went down pretty well, internationally). The pillar of this new piece of work, is that the central friendship will be between two young women, rather than two young men. […] Translating this story to 2019 means embracing the fact that Oxford now pullulates with deserving, respected and strong women, both within and beyond the University. Over the sunny bank-holiday weekend, I saw a millennial Oxford pullulating on Port Meadow with picnics, Kendrick, t-shirts worn over only one shoulder, marijuana cigarettes, bikes, top knots, dreadlocks, bikinis, beers, speakers, trainers, iPhones and half-cooked chicken on tin foil barbeques. The world in Arcadia, will embrace this sunny, and slightly doomed millennial Oxford.

The story at the centre of Brideshead Revisited is a potently timeless one of love, friendship, power and addiction, but the characters at the centre of the story are not timeless. Grown men with teddy-bears and servants, champagne and strawberries no longer exist here (apart from the odd few). I plan to prove that the modern women of Oxford can take up as much space as their male predecessors, Captain Charles Ryder and Lord Sebastian Flyte.

She also offers this brief outline (very rough and subject to change) of her play: 

Charley is alone in Oxford. She gets a job. Sab is surrounded by money and friends and parties. She does not need a job. They meet by chance one afternoon on Port Meadow. They form an unexpected, intense and, at times, exhaustingly close friendship, that means everything to both of them. As the dry summer cracks onwards towards September, it becomes clear that Sab isn’t the happy, healthy, wealthy girl she seemed to be, but is grappling with some dark and toxic secrets. Charley makes it her mission to save Sab from these dark places, putting her own life and happiness in jeopardy.

As Sab’s outbursts wear Charley down, and the friendship becomes ever darker and saturated with addiction, Charley starts to wonder how she will ever break free of this intoxicating friendship.

 

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Cinco de Mayo Roundup

Today is Cinco de Mayo which celebrates the victory of Mexico over the French Empire in 1862 at the Battle of Puebla. The Mexicans lost to the French about a year later but still mark this victory of their smaller army over the larger French forces. According to Wikipedia, the day is more celebrated in the United States, where it commemorates US-Mexican cultural connections, than in Mexico where the remembrance is more solemn and official.

–The conservative website (formerly newspaper) HumanEvents.com has posted an article by William Voegeli exploring what may be left of traditional (if that’s the right word) conservatism after Donald Trump’s Presidency. This considers several gradations of conservatism requiring specialized knowledge way above your correspondent’s pay grade. At one point, however, he does bring Evelyn Waugh into the analysis, citing a quote from 1964 written shortly before Waugh’s death in 1966:

The conservative is far less sanguine [than John Stuart Mill’s liberal] about progress being irreversible. Instead, he considers civilization to be something “laboriously achieved” but only “precariously defended,” as novelist Evelyn Waugh wrote in 1964. (Twenty-five years earlier Waugh had warned that barbarism “is never finally defeated,” which means that civilization “is under constant assault,” requiring “most of the energies of civilized man to keep going at all.”) The result of these ineradicable dangers, and liberalism’s blithe complacency about them, is that the conservative considers liberals “gullible and feeble,” in Waugh’s account, “believing in the easy perfectibility of man and ready to abandon the work of centuries for sentimental qualms.” Georges Clemenceau said that war is too important to be left to the generals; conservatives think liberty too important to be entrusted to liberals.

Appropriately for today’s roundup, the quote from 1939 can be found in Robbery Under Law, Waugh’s book about Mexico and his only truly political work; the 1964 statements come from a Sunday Times book review entitled “The Light that Did Not Entirely Fail” relating to two books about Rudyard Kipling. EAR, p. 625.

–Political commentator, Simon Heffer, in today’s Sunday Telegraph brings Waugh into his assessment of the Conservative Party, which he claims is “conservative ” in name only. Heffer harks back to the days of Margaret Thatcher:

who said that her brand of Conservatism “would best be described as ‘liberal’ in the old fashioned sense. And I mean the liberalism of Mr Gladstone, and not of the latter day collectivists.” It is a pity that Evelyn Waugh who once complained that “The Conservative Party have not put the clock back by a single second” did not live to see Gladstonian liberalism resurrected, with its belief in the individual, its distrust of the state, its confidence in Great Britain and (perhaps above all) its respect for the tenets of the British constitution. But today an almost socialist belief in the state, in its paternalistic and regulatory functions, is resurgent…

I’m not sure whether Evelyn Waugh ever expressed much confidence in the British constitution, as such, but he would probably be comfortable with the rest of the Gladstonian package.

–The JSTOR digital archive for academic articles published a notice regarding a review of Patrick Query’s book entitled Ritual and Idea of Europe in Interwar Writing. This appeared in the Spring 2015 issue of Religion and Literature and was written by Paul Robichaud. Why the notice is posted now is not explained.  The third section of the book describes how three British Roman Catholic converts (Waugh, Graham Greene and David Jones) used that church’s ritual in their texts. In Waugh’s case the text analyzed is Robbery Under Law in which, according to the review, Query writes that:

Waugh mounted a spitited defense of the institutional church [in Mexico] as a safeguard of Indian rights against a rapacious state […] Query notes that Waugh’s position is that of the more, conservative, orthodox wing of the Church [and that] Catholic ritual acts as a bearer not only of Christianity, but also of European cultural particularity; this aspect of Catholic ritual is, for Waugh, a civilizing influence…

The other books discussed are Greene’s The Lawless Roads and The Power and the Glory (both of which also have Mexican settings) and Jones’s In Parenthesis.  JSTOR urges readers to access its site and read the review free of charge. I used a subscription from my public library but, despite linking through the JSTOR notice, I was still required to start a new search for the book review. There was however an unexpected bonus. By browsing the Spring 2015 Religion and Literature issue, I found that it also contained a review by the late John Howard Wilson of a book by Michael G. Brennan: Evelyn Waugh: Fiction, Faith and Family. Both Patrick Query and John Howard Wilson were editors of Evelyn Waugh Studies and officers of the Evelyn Waugh Society, of which John Wilson was the founder.

–The University of Texas (a region once part of Mexico and still located next door) this week issued the final version of its selection of 150 Highly Recommended Books. This began with a “Non-required Reading List” for undergraduates in the 1980s and has been under study by various committees since that time.  It includes books in all genres and in all languages (translated into English). Among the selections is Evelyn Waugh’s Brideshead Revisited:

England of the 1920s recalled from the vantage point of the post-World War II era. The novel tracks the fortunes of an aristocratic Catholic family, but is famous above all for its description of an effete yet extravagant decadence among students at Oxford in the interwar years.

The balance of the entry describes Sword of Honour and mentions that novel’s debt to Ford Maddox Ford’s Parade’s End. Other books by Waugh’s generation include Graham Greene’s The Heart of the Matter, Scott Fitzgerald’s The Great Gatsby, and Ernest Heimngway’s The Sun Also Rises. The booklet describing the list is available from the University of Texas, College of Liberal Arts.

–The food and travel website AtlasObscura.com posts an article about how Britain coped with the banana drought during WWII. In addition to rationing (indeed blocking shipments of bananas altogether), they developed recipes for mock bananas and banana substitutes which sound pretty awful. Inevitably, they include Auberon Waugh’s now apocryphal story of the first postwar banana shipment:

After the war, the first shipment of bananas called for a grand parade. Footage from the Ministry of Food shows five million bananas being lifted out of the ship’s hold, in 1945, by large conveyors at the Avonmouth dock. […] That first lot of bananas was meant only as a wartime treat for children. But the Ministry evidently underestimated the adult yearning for bananas. Auberon Waugh, son of the famed British author Evelyn Waugh, describes in his memoir, Will This Do?, how his father confiscated the first postwar bananas obtained for each of the Waugh children. “They were put on my father’s plate, and before the anguished eyes of his children, he poured on cream, which was almost unprocurable, and sugar, which was heavily rationed, and ate all three,” wrote Waugh. “[H]e was permanently marked down in my estimation from that moment.”

–In the Guardian’s column “Book Clinic”, columnist Andrew Martin is asked to recommend books that will make a reader laugh out loud. Here’s one if his recommendations:

Evelyn Waugh is extremely funny (particularly in the first half of Decline and Fall), as are Nancy Mitford and Alan Bennett, but this is quite common knowledge.

He also recommends Martin Amis’s The Rachel Papers but could have also included several of the early novels of Martin’s father Kingsley, such as Lucky Jim and That Uncertain Feeling.

–Speaking of whom, Samuel Hux has written an article for the May issue of the New English Review mainly devoted to a reconsideration of Kingsley Amis’s little-read alternate history novel The Alteration. After considering that and several other related works  as well as digressing to some extent, Hux brings his article to a close with this:

And there’s another reason to remember and even to honor (?) Kingsley Amis, although perhaps this gets a little too personal and taste-dependent. I have a kind of ironic affection (perhaps this should be confessed rather shamefully) for the writer you would not want your sister or daughter to marry: let me call him the charming son of a bitch, although not charming in the princely sense but in the sense that unless you’re a stuffed shirt or strict in your liberal opinions you smile at the offensive.

Perhaps the champion CSOB was Evelyn Waugh. I doubt there’s an anthology of Waugh’s remarks but I wish there were one. The most famous is probably his answer to someone who asked how a professed Christian could be so nasty to other people—that without divine intervention he’d be absolutely impossible. My favorite, however, is not a confession of shortcomings, at which he was clever, but an insult of another, at which he was expert. When Randolph Churchill had a luckily benign tumor removed, Waugh called it a doubtful achievement of medical science to discover the one part of Randolph Churchill that was not malignant and to remove it.

There is indeed an anthology of Waugh’s memorable statements. This is The Sayings of Evelyn Waugh, edited by Donat Gallagher. The reference to Randolph is there (p. 45) but the one about nastiness and religion is probably not. I recall it coming from a restatement of Waugh’s remark by Nancy Mitford in a letter she wrote to some one else, but I believe it may have been reported elsewhere as well. See previous post.

–Finally, American anti-immigrant crusader Steve Sailer has posted a comment in The Unz Review on news stories about the population explosion in Nigeria:

It’s almost as if sub-Saharan Africa has a very different culture when it comes to fertility than the rest of the world, and we need more research and discussion of those differences. Evelyn Waugh vividly outlined how different were European and sub-Saharan attitudes regarding fertility limitation in his 1932 novel Black Mischief, but this diversity in outlook is almost forgotten in Western academic discourse today.

 

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Waugh Featured in Conservative Journal

The American Conservative, a print magazine and online journal, has issued an article entitled: “Evelyn Waugh Predicted the Collapse of Catholic England: He saw Vatican II as an attempt by elites to foist changes on a laity that didn’t want them.” This cites the  correspondence published as A Bitter Trial in which Waugh made a case against the liturgical reforms that proceeded from the Second Vatican Council. After discussing the reforms of Vatican II and several of Waugh’s familiar objections to them, the article, by Casey Chalk, the magazine’s religious affairs corrspondent and a graduate student at the Notre Dame Graduate School of Theology of Christendom University, concludes that part of its discussion with this:

Waugh (and [Cardinal] Heenan) argued that the reform movement embraced a modernist paradigm that pitted traditionalists against intellectual progressives, the latter manipulating the media to both direct and narrow the conversation and silence alternative opinions. Heenan observed that the reform was driven by self-described “intellectuals” whose “constant nagging” and “tiresome letters to the press and articles in the Catholic papers may eventually disturb the faithful.” Moreover, Heenan noted, “the voice of the laity” was largely ignored by the media, as were conservative leaders in the Church, whom intellectuals painted as “mitred peasants.” Waugh argued, “the function of the Church in every age has been conservative—to transmit undiminished and uncontaminated the creed inherited from its predecessors. Not ‘is this fashionable notion one that we should accept?’” Indeed, what is “fashionable” is usually identifiable not with what the ordinary man on the street wants, but what elites desire.

The great irony of the liturgical reforms of 1960s Catholicism is that rather than bring new faces into the Church, they drove people away. During the 1930s, there were 12,000 English converts a year to Catholicism. Yet Church attendance among Catholics in Britain has been on a steady decline ever since Vatican II.

This seems to suggest that Waugh was motivated in his campaign against the reforms to protect the interests of what the article describes as “the ordinary man on the street.” Waugh had an objection to that concept dating back to at least a 1953 interview on the BBC where he was asked how he got on with “the man in the street”. His answer was “I’ve never met such a person” and this led to a persistent hectoring by the BBC interviewers to the end of the interview. Complete Works of Evelyn Waugh, v. 19, pp. 557 ff. It is probably more accurate to say that Waugh included all Roman Catholics in his concern over their reactions to the Vatican II reforms and was not particularly focused on subcategories such as “the ordinary man” among them.

The post has engendered a lively discussion that is still open if anyone should wish to join. Several of the comments relate to Waugh’s position. Here’s a link.

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Waugh News from Oxford

Oxford University has issued two announcements relating to Old Oxonian Evelyn Waugh. The first is from the Ashmolean Museum which has scheduled a lecture in its After Hours talk series. This is entitled “Beyond Brideshead: Queer Oxford, 1919-1945” and will be given by Ross Brooks, a Historian at the Oxford Brookes University:

On the eve of the Oxford Pride parade and event, Ross Brooks shares his research on the extraordinary queer culture of interwar Oxford. Immortalised in Evelyn Waugh’s classic novel Brideshead Revisited (1945), the 1920s saw the flourishing of some of the twentieth-century’s queerest writers and artists at Oxford including John Betjeman, Robert Byron, and Emlyn Williams. Long-since styled the “Brideshead generation” by Humphrey Carpenter, Ross will reconstruct what we know of the flamboyant fashions and same-sex affairs of the set and revisit some of their favourite places including the ill-fated Hypocrites Club and the cruisy St. George’s café.

The talk will also explore the increasing presence of female undergraduates at Oxford through the period and recover the experiences of trans students such as Michael Dillon and Jan Morris. Finally, Ross will chart the nosedive in attitudes towards queer people through the 1930s as a changing socio-political scene swept away the last remnants of Oxford’s earlier queer chic and drove the University’s queer aesthetes ever further into the shadows.

The talk will be given on Friday 31 May in the museum’s Lecture Theatre. Tickets are required and booking details are available here.

Worcester College, Oxford, and the Complete Works of Waugh project have announced the selection of the first David Bradshaw Creative Writing Residency. The recipient is Dr Robert M Francis. According to the Worcester College notice:

Robert is undertaking a full-time residency and dividing his time between writing studios at Worcester College and the Weston Library, Oxford. Robert will also be delivering a series of Evelyn Waugh-inspired creative writing workshops to members of Crisis Skylight Oxford.

Robert is a writer from Dudley, who recently completed his PhD at the University of Wolverhampton, where he is a lecturer on the Creative and Professional Writing degree course. He has written four poetry chapbooks: Transitions (The Black Light Engine Room Press, 2015); Orpheus (Lapwing Publications, 2016); Corvus’ Burnt-Wing Love Balm and Cure-All (Black Light Engine Room, 2018); and Lamella (Original Plus Press, 2019). Next year promises to be even busier for Robert as Smokestack Press is due to publish his first full collection and his debut novel will be released with Wild Pressed Books.

Read more about Robert and his work through his website

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Roundup: Autumn in Canberra

–As Summer turns to Fall in the Southern Hemisphere, The Canberra Times is reminded of Evelyn Waugh. This is in an article written by Ian Warden who is not impressed by Autumnal colors:

As an aesthete who cares about the looks of everything, I find the colours of autumn leaves lurid and disgusting. As I write the city’s parks and streetscapes (those cursed with deciduous trees) are approaching peak gaudiness and Canberra fans of this ugliness are reaching peak gush.

His reaction reminds him of a description of nature by Evelyn Waugh:

I was helped out of this nature-is-always-perfect delusion (subconsciously I had always known it was nonsense) many years ago when I came across this liberating passage in Evelyn Waugh’s Labels, a book about his Mediterranean travels.

“I do not think,” he muses, “I shall ever forget the sight of Etna at sunset; the mountain almost invisible in a blur of pastel grey, glowing at the top and then repeating its shape, as though reflected, in a wisp of grey smoke, with the whole horizon radiant with pink light. Nothing I have ever seen in Art or Nature was quite so revolting.”

The first time one reads this passage one is lulled into thinking one is reading yet another gushing account of nature’s unimpeachable loveliness. Then, with that last very Waughian sentence, there is that refreshing Shock of the New, the new (and true) idea that nature can be revoltingly tasteless.

Inspired by Waugh, Warden likens Autumnal Canberra to a city wearing the “cheapest and nastiest Hawaiian shirt.”

–The Daily Mail interviews author and journalist Tanish Carey, who has written widely on childhood and parenting, what book she would take to a desert island. Here’s her answer:

I’d take The Complete Works of Evelyn Waugh. I wrote my dissertation on Waugh at university. I’m fascinated by how such a bilious personality must have masked a sensitive soul, considering he wrote a novel as insightful as Brideshead Revisited. He was versatile, too, with books ranging from satire to a description of his own nervous breakdown.

She may have to wait awhile before making the trip since only 5 of the 43 volumes have yet been published.

–A blogger on his website Nigeness has posted his latest review of Auberon Waugh’s novels:

Having read and written about Waugh’s first two novels, I move on, inevitably, to his third, Who Are the Violets Now? Published in 1965, this is, I’d say, just about the best of the three, and the funniest (if you like your comedy dark). Like his father, Waugh was particularly adept at cutting away extraneous connective tissue, and here he exercises that talent to brilliant effect. Who Are the Violets Now? is less ambitious than The Foxglove Saga, and the canvas is less crowded than Path of Dalliance. The result is a structural elegance that, most of the time, matches the characteristic elegance of Waugh’s prose.

Thanks to David Lull for sending this link.

–Harry Mount, editor of The Oldie has contributed an essay to a new online periodical called The Article:

Ever since the start of the year, I’ve been obsessed by two questions, and I keep finding myself asking them everywhere I go. At New Year, a friend asked, “Who, at your school or university, seemed most likely to succeed? And who ended up being the most successful?”

After considering several examples, mostly of seeming successes who ended up failures, he recalls this:

The same cautionary tale runs through Evelyn Waugh’s Brideshead Revisited in the form of another gilded Oxford undergrad, Lord Sebastian Flyte. So grand, so rich, so good-looking; and with the brand of fatal English charm that Anthony Blanche brilliantly dissects at dinner with Charles Ryder: “Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, Charles, it has killed you.”

When Waugh was writing Brideshead in 1944, he wrote to Coote Lygon, whose family – and family home, Madresfield Court in Worcestershire – inspired Brideshead Castle. He said: “I am writing a very beautiful book, to bring tears, about very rich, beautiful, high-born people who live in palaces and have no troubles except what they make themselves and those are mainly the demons, sex and drink.”

–In the National Review, Senior Editor Jay Nordlinger writes a column called “Impromptus” in which he jots down seemingly random thoughts which sometimes lead from one to another. In the latest issue, he starts with Hong Kong’s drift away from democratic capitalism and the fire at Notre Dame and, before reaching a longer thought on Tiger Wood’s unlikely comeback, writes this:

• In an Evelyn Waugh novel, Brideshead Revisited, a character peruses the newspaper and sighs, “Another naughty Scoutmaster.” I thought of this when seeing a headline: “Boy Scouts could be hit with more sex abuse claims.” (Article here.) Will it ever end? Apparently not.

• Once, Bill Buckley couldn’t remember Evelyn Waugh’s name. He was just blanking, as we all do. He said to me, with annoyance, “Who is my hero, the author of Brideshead?”

The Brideshead reference comes from Book One, Chapter IV (1960 rev. ed. p. 99) and is something Sebastian found in the News of the World.

 

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Mexican View of ‘Robbery Under Law’

The Mexican newspaper El Universal has published a short essay on Waugh’s 1939 book Robbery Under Law. This is written by author and university administrator Ángel Gilberto Adame who has also written biographies of Spanish-language writers such as Octavio Paz. The article appears in the paper’s “Opinion” section and opens with a description of the book’s genesis:

In 1938, when [Waugh’s] career was breaking down, he accepted an employment proposal from the Pearson family –magnates from the oil industry–, which consisted of traveling to Mexico and writing a book opposing the oil expropriation. The Pearsons were among the businessmen harmed by the decision of President LĂĄzaro CĂĄrdenas, so Waugh’s goal was to expose the injustice and dangers that emanated from the progressive policies of the Mexican president, which, from the point of view of its detractors, were closer to fascism than the international left press supposed. Philip Eade reports that Waugh received a check for 989 pounds to cover his travel expenses and those of his second wife, Laura.

It’s not clear what Gilberto Adame means by Waugh’s career breaking down (“cuando su carrera despuntaba“) at the time he accepted the arrangement. As Philip Eade explains, in 1938 Waugh was doing quite well financially, based on the proceeds from Scoop. Eade describes the arrangement as more in the normal course of business–an opportunity for some easy money and expense-paid travel. The essay then goes on to describe the details of Waugh’s itinerary and quotes from two letters home (to writer Henry Green and his mother-in-law) about  his early impressions of Mexico as well as a quote from his “Foreword” to the book. Comments relating to the text of book itself, however, are limited to this, with which the essay concludes:

The introductory chapter showed more trenchant comments: “For many people Mexico has, in the past, had this lunar character. Lunar it still remain, but in no poetic sense. It is a waste land, part of a dead or, at any rate, a dying planet. Politics, everywhere destructive, have here dried up the place, frozen it, cracked it and powdered it to dust. Is civilization, like a leper, beginning to rot at its extremities? ” Beyond his political background, Waugh’s visit incorporated a much less literary vision than those of other compatriots of his and placed himself, regardless of the mythical past, in the inhospitable region of corruption on which our institutions are built.

The essay had previously made the point that Waugh had also produced works of fiction from his previous foreign trips. When describing his more limited literary vision from this one than those of his compatriots, Gilberto Adame probably has in mind Graham Greene, Malcolm Lowry and D H Lawrence who wrote novels based on their Mexican visits. Waugh’s book on Mexico has been published in Spanish translation (Robo Al Amparo De La Ley) in two editions, in 1996 and 2008, in both Mexico City and Madrid (Source: World Cat). The translation of the essay is by Google with some edits, and Waugh’s original English has been substituted for the Spanish language quotation.

Waugh’s book on Mexico is also mentioned in a recent entry in the Oxford Reference Encyclopedia of Latin American History. This is entitled “Foreign Travelers’ Accounts and Fanny CalderĂłn de la Barca’s Life in Mexico” and is written by Lourdes Parra Lazcano. A subscription is required to see the full text, and if any of our readers has access, they may want to explain what she has to say in a comment posted below.

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