BBC Radio 4 to Rebroadcast Waugh Stories

BBC Radio 4 Extra will next week rebroadcast readings of three Evelyn Waugh short stories. Each broadcast will last 15 minutes:

“Cruise”: Tuesday, 20 November, 11am. This was first broadcast in 2007 and is read by Abigail Docherty. It was originally published in Harper’s Bazaar, London, February 1933. (“Sailing round the Mediterranean, a young lady writes about the upper-class antics on board ship.”)

“Portrait of a Young Man”/”The Sympathetic Passenger”: Wednesday, 21 November, 11am. This was first broadcast in 2003 and is read by Crawford Logan. These stories were originally published, respectively, in The Isis, 30 May 1923 and The Daily Mail, 4 May 1939. (“A showcase of the author’s wit and irony – two tales of an unwanted guest and an outspoken hitch-hiker.”)

“The Manager of the Kremlin”: Thursday, 22 November, 11am. This story was first broadcast in 2003 and is read by Crawford Logan. It was originally published in John Bull,  15 February 1930. (“A refugee from the Russian Revolution finds himself running a successful night club in Montmartre.”)

All the stories will be available to hear over the internet on BBC iPlayer after the scheduled broadcasts. All are available in Waugh’s Complete Stories.

 

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Books: Waugh and Trump and Amis

This week’s New York Review of Books has as its lead review a book by Michael Lewis called The Fifth Risk. This is is about governmental dysfunction in the present USA administration and is reviewed by Fintan O’Toole, who opens with this:

Writing about her friend the famously unpleasant Evelyn Waugh, Frances Donaldson reflected that

“the weakness in attributing any particular quality to Evelyn is that he could not allow anyone to dictate his attitude or virtues to him. Consequently, if he was accused of some quality usually regarded as contemptible, where other men would be aroused to shame or hypocrisy, he studied it, polished up his performance, and, treating it as both normal and admirable, made it his own
. Consequently, it was never any good looking straight at him to learn the truth about him.”

Donald Trump is not often compared to a great English novelist, and the word “studied” does not apply—he is all instinct. But his instincts lead him in precisely the same direction. He disorients us by wearing his most contemptible qualities as if they were crown jewels, by brandishing as trophies what others would conceal as shameful secrets. He uses his dirty linen as a cloth with which to polish up his performance.

There then follow several examples, none of which reminded me much of any bad behavior ever charged to Evelyn Waugh. Perhaps that’s not the point, however; and the rest of the review is behind a paywall.

The Boston Globe, meanwhile, has interviewed Ben Macintyre who is in the USA promoting his new book The Spy and the Traitor, about Cold War double agent Oleg Gordievski. When asked what books he is currently reading, Macintyre answered:

I always have three or four books on the go. It might be a sign of incipient madness. I’m reading Jonathan Coe’s new book “Middle England,” which is a hysterical, satirical look at Brexit. He also wrote “The Rotters’ Club,” which is good fun. I’m also plowing my way through Christopher Andrew’s magisterial “The Secret World,” a history of intelligence from classical times to now. He pretty much invented intelligence studies in Britain. I’ve been rereading quite a bit of Evelyn Waugh. I think a lot of the writers from his era haven’t survived. For example, I don’t think people read Kingsley Amis anymore. Waugh is the one who stands the test of the time. His novel “Scoop” never fails to make me think that what we journalists do is both noble and idiotic.

It is interesting that Macintyre considers Amis a writer “of Waugh’s era” since he was usually thought of as some one from the next or “post war” generation of “Angry Young Men” that followed those who flowered in Waugh’s “interwar” era of “Bright Young People”. But Macintyre’s discussion suggests that younger readers now look at the 2oth century literature in larger chunks of time.

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Oxford Trails and Roman Holidays

The Oxford Mail has reported the Ashmolean Museum’s exhibit No Offence: Exploring LGBTQ+ Histories and notes an adjunct:

…the exhibition traverses epochs and continents, deftly showing the numerous ways in which LGBTQ+ lives and loves have been expressed across cultures and throughout history. But here in Oxford we do not have to look elsewhere to appreciate LGBTQ+ history and heritage. Our great city has been a hub of queer life and culture for centuries [… Reporter Naomi Herring’s] new app-based city trail produced to coincide with the Ashmolean’s No Offence exhibition, foregrounds just some of the stories which makes Oxford one of the world’s most extraordinary queer localities.

Here’s a description of one of the sites identified on Naomi Herring’s trail:

[…] Evelyn Waugh’s classic novel Brideshead Revisited (1945) was founded on his undergraduate life at Hertford College during the early 1920s, but the full depth and breadth of LGBTQ+ experiences in the city that [Oscar] Wilde called ‘the capital of romance’ is only now being appreciated.

The Ashmolean’s exhibit continues through 2 December but the LGBTQ+ trail will presumably survive beyond the exhibit’s closure. I was unable to locate a link to Naomi’s “app-based trail”.

Oxford graduate, journalist and novelist James Delingpole has reported in his Spectator column on his recent trip to Rome. He found the museums (especially at the Vatican) underwhelming and overtiring but the food sublime (especially a spaghetti carbonara sampled in Testaccio). On the basis of the trip, he asked himself:

Is [a trip to Rome] worth it? Only so you can knock it off the list of items on your bucket list and then tell all your friends how thoroughly overrated it is. St Peter’s Basilica especially. What a blowsy, kitsch monstrosity that is. Some of my best friends are Catholics — the soundest of the sound — and I’ve occasionally toyed with the idea of doing an Evelyn Waugh and joining them. But I didn’t come away thinking that the papacy is a very good recruitment advert.

In his Thinly Disguised Autobiography (2003) Delingpole may have inadvertently contributed some sites on the Oxford Mail’s LGBTQ+ trail. The early Oxford chapters of the book are replete with allusions to Brideshead Revisited such as this:

..Rufus proposes a visit to George’s Wine Bar so that we can get very,very drunk. We order our usual Brandy Alexanders–creme de cacao, brandy and fresh cream. It’s what Anthony Blanche drinks with Charles Ryder…so it’s what we must drink too. (p. 17)

That is apparently the same “George bar” where Charles watched Anthony down four of the drinks (called “Alexandra cocktails” in Waugh’s novel, May 1945 edition, p. 43). The antihero of Delingpole’s novel, however, is at pains to disavow any homosexuality on his part despite constant ragging by his chums, so any associations of the novel with the trail might better be avoided.

Perhaps now that Delingpole is back home, he can finish the third volume of his “Coward in WWII” series entitled Coward in the Woods. It has been listed on Amazon since 2012 and has been duly assigned ISBNs, but its appearance is still mysteriously delayed.

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Waugh Event in Milan

The British Council in Milan has announced a presentation relating to Evelyn Waugh later this week.  Here are the details:

On occasion of the 2018 edition of Bookcity, the British Council Milan, in collaboration with the Department of Modern Languages of Milan University, will host the editors of Evelyn Waugh’s complete works

On occasion of the Bookcity event Martin Stannard (University of Leicester), Sharon Ouditt (Nottingham Trent University), Simon James (University of Durham), Rebecca Moore (University of Leicester) and Roger Irwin (Oxford) will discuss several aspects of Waugh’s creative achievement and his reception in Italy with Giovanni Iamartino and Sara Sullam (University of Milan), and Ottavio Fatica, author of the latest translation of Brideshead Revisited (Bompiani 2009).

During the two weeks preceding the event, the British Council will host an exhibition of materials related to Waugh’s Italian fortune.

The presentation will take place on Saturday, 17 November, 17:00-19:00pm, at the British Council in Milan, via Manzoni 38. Booking is available here. There is no charge. Thanks to Waugh Society member Milena Borden for sending a link.

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2018 John H. Wilson Jr. Evelyn Waugh Undergraduate Essay Contest

Essays by undergraduates on the life and work of Evelyn Waugh are solicited for the 2018 John H. Wilson Jr. Evelyn Waugh Undergraduate Essay Contest. The contest is sponsored by Evelyn Waugh Studies, the journal of the Evelyn Waugh Society, whose editorial board will judge the submissions.

  • Subject: Any aspect of the life or work of Evelyn Waugh
  • Prize: $500
  • Limit: 5,000 words, approximately 20 pages
  • Submission Deadline: December 31, 2018

Undergraduates in any part of the world are eligible to enter. The winning essay will be published in the journal and the author will receive a prize of $500 (US).

Entries (in English, please) should be directed by email to (click to email).

Academics are encouraged to print the contest flier and post it in their departments.

“There will be a prize of half a crown for the longest essay, irrespective of any possible merit.” — Decline and Fall (1928)

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Waugh’s Signature, Favorite Dublin Pub, Lost in Translation, Etc.

–Duncan McLaren has posted a short note on Waugh’s change in his signature at an early stage in his career. This is posted on his website under WAUGH BITES. McLaren is able to triangulate that change in the early 1930’s by comparing signatures in signed book copies of the period, examples of which are posted. I have always thought that the “E” in the new style looks suspiciously like a handwritten pound sign–if you leave off the top horizontal bar. Probably not intended, as Waugh was not exactly rolling in money at the time, but was doing well for a newly minted novelist.

–An Irish “publog” called Publin has reposted a listing of Dublin public houses visited by James Joyce and described in his novel Ulysses. These are included in an annual pubcrawl on what is called “Bloomsday” based on Joyce’s novel. Among the listed venues is this one:

The Bailey pub, formerly The Maltings, had always been a hub of literary and political activity. Prior to John Ryan’s acquiring it, it had welcomed international artists such as Evelyn Waugh, John Betjeman, and Charles Chaplin, as well as being popular with local figures like Oliver St. John Gogarty, PĂĄdraig Colum and Thomas Kettle. […] Under John Ryan’s direction the pub again became fertile ground for artists and writers in the 1950s and 60s. Ryan maintained close relationships with all of the significant figures of this period, such as Patrick Kavanagh, Samuel Beckett, Brendan Behan, Brian O’Nolan and J. P. Donleavy, many of whom he also supported financially.

It was in this context that Bloomsday, a celebration of Joyce’s Ulysses, first emerged. Ryan arranged for two horse drawn carriages to take participants from the Martello Tower in Sandycove, where the novel begins, across the city, following in the footsteps of Leopold Bloom and Stephen Daedalus. Present were Kavanagh and O’Nolan, as well as the architect Michael Scott, critic Anthony Cronin and Joyce’s cousin Tom Joyce. As they progressed through their journey the cortege stopped frequently at pubs and by the time they reached the city centre, exhausted and inebriated, they abandoned the expedition for welcoming warmth of The Bailey.

No details of Waugh’s visit(s) to this establishment are provided. He didn’t spend a lot of time in Dublin but did stop there on his way to visit his Anglo-Irish friends in their country houses and actually shopped around the outreaches of the city looking for a place to live after the war. It seems unlikely that he would choose this pub for its Joycean associations since Joyce was not a writer Waugh admired, but it does seem to have been widely accepted by others in the trade so that might explain his visit(s).

BBC Radio 4 has reposted a 2007 broadcast of its books interview program A Good Read. The panel includes poet/critic Andrew Motion and investigative journalist Roger Cook and is presented by Sue MacGregor. The Waugh novel discussed is Scoop and that discussion comes at the beginning of the 30-minute program.  It is available on the internet via BBC iPlayer.

–A review of Brideshead Revisited is posted in Crisis Magazine, a digital religious journal maintained by Roman Catholic lay people. The review, entitled Stubborn Roots,  warns, inter alia,  that Brideshead is not an easy read and is not recommended for children. Among its many challenges is this:

A common way to misunderstand Brideshead Revisited is as an implicit condemnation of the Catholic faith, of the Catholic life, or at least the Catholic belief in the reality of evil and original sin. It may seem that every single Catholic character is unfulfilled directly because of a faith that thwarts love and happiness at every turn […] Almost everyone ends up being unhappy, from Rex Mottram to Hooper, and Catholic to non-Catholic. It is not Catholicism that is to blame, but aristocratic England, plebian England, individual vice, family pride, you, me, and fallen human nature. […]

–A blogger and fan of the film Lost in Translation, written and directed by Sofia Coppola, has posted an essay discussing why she still finds the film fascinating 15 years after its original release. The blogger, Mairead Small Staid, now age 30, makes several literary references, especially to JD Salinger’s Franny and Zooey, but also recalls this very funny line from the film:

“And the worst part was,” Franny tells her brother Zooey, “I knew what a bore I was being, I knew how I was depressing people, or even hurting their feelings—but I just couldn’t stop! I just could not stop picking.” Charlotte [the young female lead character played  by Scarlett Johannsen], too, can’t stop picking, but when she tries to find an ally in her clueless husband, to make light of her ill-tempered state—“Evelyn Waugh was a man,” she confides as if sharing a gleeful secret—she’s met with admonishment. “Not everybody went to Yale,” her husband scolds.

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Martin Stannard to Lecture at Durham

Durham University has announced that Martin Stannard, Evelyn Waugh’s biographer and co-executive editor of the Complete Works of Evelyn Waugh, will lecture there early next year. His topic will be “Evelyn Waugh, America and Catholicism”. This will probably touch on Waugh’s 1949 article in Life Magazine entitled “The American Epoch in the Catholic Church” (EAR, pp. 377-88) as well his 1948 and 1949 trips to North America researching that article. The lecture will be delivered at Ushaw College, Durham University at 17:30p on Tuesday, 12 February 2019. This is part of the Ushaw Lecture Series sponsored by the university’s Department of Theology and Religion.

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Post-Election Roundup

Having recovered from the news deluge of the USA midterm elections, we can now return to coverage of matters Wavian:

–The big story in British journalism earlier this week was Paul Dacre’s valedictory address as editor of the Daily Mail, as he moves over to a corporate managerial position in the paper’s owner, Associated Newspapers. Most coverage of his speech focused on his perceived need to regulate digital news sources such as Facebook, Google and Apple instead of picking on print media such as the Daily Mail. The unregulated online news coverage is seen by him as full of fake news and biased political stories. He seems to offer this in contrast to the “regulated” and, presumably, unbiased coverage that appears in the print media, such as the Daily Mail. (I must have missed that unbiased edition of the Mail, but then I don’t read it every day.) He also takes the opportunity to criticize the occasional rogue journalist that may be employed by one of his fellow like-minded newspapers, bringing Evelyn Waugh into that discussion:

One-time Maxwell henchman, Roy Greenslade, Editor of the Mirror during the “Spot the Ball” game scam, has reinvented himself as a Professor of Journalism. That such a mountebank teaches ethics is a satirical commentary on academia that the combined talents of Jonathan Swift and Evelyn Waugh would struggle to do justice to.

The Greenslade reference is explained in Wikipedia:

While editor of the Daily Mirror, Greenslade was at the centre of a controversy after he rigged a competition in the paper to make sure it was unwinnable. He admitted his behaviour in October 2011 at a seminar at the Leveson Inquiry: ″On behalf of my proprietor Robert Maxwell I fixed a game offering a million pounds to anyone who could spot the ball and ensured that no-one won. Mea culpa, mea culpa, mea culpa.″

Greenslade has gone over to what Dacre perceives to be the other side; he now writes for the Guardian (target of Dacre’s sharpest criticism among the print media) and teaches journalism at the City University. One wonders how Dacre himself would fare if examined by such as Swift or Waugh.

–An art movie venue in Amsterdam (Filmhuis Cavia) offered this description of the Hollywood film adaptation of The Loved One in its announcment of a screening of the film that took place last Tuesday:

This is a perfect example of loads of movies that once existed: films that satirized the American way of life and lambasted the entire patriotic, pro-war, pro-business landscape of America. It is the kind of biting satire that has been suspiciously missing from Hollywood cinema for the last 40 years. The closest thing I can think of is John Waters, but his films miss the edgy social criticism.

It is perhaps the amazing cast that helps make this insane, out-of-control movie so special… Rod Steiger as Mr.Joyboy, one of the creepiest morticians you will ever hope to see. His performance is sheer brilliance. But we also have Sir John Gielgud, Tab Hunter, Roddy McDowall, James Colburn – and the one and only, gay icon Liberace. The entire film explodes in a great climax, both poetic and sharply critical at the same time.  Expect a wild runaway horse, the kind of film that bolts and bucks, and you have to just hold on as tight as you fucking can.

–An article (“It’s not ‘Just a pet'”) in the suburban Chicago paper, the Daily Herald, discusses how its readers should cope with grieving for a deceased pet. In the context of her article, the reporter mentions Waugh’s 1948 novel:

Evelyn Waugh, the infamous British humorist, wrote a novel about pet cemeteries called The Loved One, many years ago. It was poking fun at the great lengths people will go to memorialize their pets, and about all the expense involved in pet care, pet cemeteries, etc. When I was much younger and didn’t understand, I thought it was funny indeed. And we used to marvel at the two huge aisles in the grocery store devoted to pet supplies, pet food, pet toys. But of course, now I do understand — we take care of them, love them, and the death of a pet is very sad to their humans. And I don’t bat an eyelash paying a vet for medical care. And I would buy a gravestone or other memorial.

–The magazine History Today offers an article on kedgeree that provides an explanation of the source, recipes for and importance of that smoked-fish dish to British cuisine. This appears in the magazine’s “Historian’s Cookbook” column:

By the early 20th century, [kedgeree had become] associated not only with aristocratic tastes, but also with extravagance, even decadence. In Evelyn Waugh’s Brideshead Revisited (1945), for example, Charles Ryder orders salmon kedgeree after beginning an adulterous affair on board an ocean-liner. Similarly, in his memoirs, Anthony Powell shares the amazement of a Sheffield fishmonger when Edith Sitwell attempted to buy a salmon ‘for making kedgeree’ at the height of the Second World War (‘Had the days of the Bourbons returned?’).

–The Irish fashion and design magazine Image carries on its website a selection of the 40 books one should read before reaching the age of 40. The selection criteria are briefly described by writer Sophie White before she launches the list:

Initially I tried to limit the inclusions by utilising sub headings. I opted for Heavy Hitters, Thinkers and Bangers as my categories. Heavy Hitters being the big ‘uns, the Dickens, Dostoevskys and De Beauvoirs, the Thinkers being the ones that ain’t pretty necessarily, but leave you changed none the less. … The Bangers are what it says on the tin – books you’ll return to again and again. The Joy-givers, the comfort-reads and the day makers – basically anything by Marian Keyes, Donna Tartt and Evelyn Waugh.

Here’s the description of her Waugh selection:

Brideshead Revisited. A tale of nostalgia, faded glamour and unrequited love. Waugh’s classic made Jeremy Irons an unlikely sex symbol and solidified our obsession with the doomed Marchmain family.

It should be noted that Waugh’s book is the only one from a writer of his interwar generation to make the list.

–The Italian language religious website Radio Spada is offering a series of translations into Italian of Waugh’s writings on the Second Vatican Council. Here’s a translation of an excerpt from the article announcing this project:

…until the end of his days…Waugh and a few others  fought with articles, armed only with a typewriter, [waging] a daily battle against rampant heterodoxy. Also in his powerful collection of letters – published in 1980 and edited by Mark Amory – several letters can be found that deal more or less directly with the issues debated at the Council. In 1996 these letters were assembled by Alcuin Reid in a small volume, A Bitter Trial, subsequently expanded and republished in second edition in 2011 by Ignatius Press. This column, which debuts with this article, wants to present for the first time to the Italian public the more significant excerpts from Waugh’s epistles on the Second Vatican Council. What will emerge is a scathing portrait, never banal, with viriolic opinions, crossed by the same satirical vein that is the characteristic feature of the novels of the English writer. On the other hand, it is well known that in the face of misfortune it is sometimes better to laugh than to cry.

The translation into English is by Google with minor edits.

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And Yet More Letters

Literary biographer Zachary Leader is interviewed on the Book Marks page of the Literary Hub website. The second volume of his biography of Saul Bellow is published this week, and he has written the biography and edited the letters of Kingsley Amis. Leader was asked to discuss five other literary “lives” and includes Evelyn Waugh’s Letters as one of his selections:

Evelyn Waugh’s letters are better than his diaries because they were written in the morning, before he began drinking. The diaries were written in the afternoon. Waugh was neither a pleasant drunk nor a pleasant man. A self-confessed bigot, bully, reactionary, and philistine, he was also very funny, very clever, and a brilliant writer. To his wife, during the war: “I know you lead a dull life now
 But that is no reason to make your letters as dull as your life. I simply am not interested in Bridget’s children.” Of William F. Buckley, Jr.: “Has he been supernaturally ‘guided’ to bore me? It would explain him.” Beneath the rudeness and the pomposity (“almost always an absolutely private joke against the world”) lies despair.

Leader also gets a word in about one of his own biographical subjects when he is asked about letters relating to Waugh’s novels:

“My favourite Waugh letter about Brideshead was written on 19 May 1945 to his wife, Laura, and though it doesn’t mention the novel, clearly derives from its enormous success. It begins: “I think I have just bought a castle. I hope you will approve.” As a bonus, here’s Kingsley Amis to Philip Larkin on Brideshead. Amis writes from Oxford in 1946, where he and Larkin were undergraduates at the same college. Larkin has just written to disparage the novel. Amis, too, dislikes it, singling out “this sort of thing”:

“Over the Knobworthy mantelpiece was a supurb Schleimikunt of the Klapstruk period, flanked by Pederasti engravings. I took a Zebbraterd cigarette from the walnut Piscipant box on the Kokopessari table, on which also stood a red sandstone head of Borl Sung Lo, dating from the mid-D’ung dynasty, and went across the rich Pewbicke hair carpet to admire the hand-printed edition of the works of Uterus Menstruensis. On the bookcase lay an autographed score of Cloaca’s “Il Fluido della Testiculo” given to the composer by my friend at the first performance at the Twathaus in Randenburg.”

Amis’s letter to Larkin was dated 15 October 1946 (Brideshead was published in book form on 28 May of that year). Larkin’s letter relating to Waugh’s novel is not included in his 1992 Selected Letters nor does Leader describe its contents in his 2000 collection of Amis’s letters. There also exists a recording, first released in 2002 by BBC Radio and called “Dear Philip, Dear Kingsley”, in which Alan Bennett and Robert Hardy read the novelists’ letters to each other. But whether both these letters relating to Brideshead are among the ones recorded I couldn’t say.  Any one reading this who has that recording is invited to comment below.

Other “literary lives” discussed by Leader are Bob Dylan’s Chronicles, Dorothy Wordsworth’s Journals and Saul Bellow’s Ravelstein (a memoir in the form of a novel) as well as the standard two-volume biography of Samuel Taylor Coleridge by Richard Holmes.

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More Letters

Bonhams the auction house has announced another batch of letters that will be of interest to Waugh enthusiasts. See yesterday’s post. These are letters written to Waugh by Ronald Knox in the period 1944-57.  They are not in the BL’s collection of Waugh’s correspondence because they were apparently in the possession of the estate of Christopher Sykes (who died in 1986) when the BL collection was acquired from the Waugh Estate, as is explained on Bonham’s website:

Series of nearly sixty autograph and typed letters signed (“Ronnie”), to Evelyn Waugh, some to Waugh’s wife Laura, comprising some 48 autograph and 10 typed letters; plus a self-addressed postcard by Waugh soliciting comments (“Elegant/ Good/ Bad/ Outrageous”) on which Knox has written comments (“…There is a Mr Samgrass standing for Parliament…”); several letters to Waugh by Henry Hope and others, concerning efforts to secure for Knox a cardinal’s hat (“…Laymen must walk very delicately where matters of ecclesiastical promotion are concerned…”); and forwarded copies of letters by Knox to the press, protesting at the Tablet’s review of Helena and Cyril Connolly’s of Men at Arms; the collection contained in a wooden cigar box (Montecristo: Dunhill Selection Supreme No. 1), with a label pasted on the lid inscribed by Waugh: “Letters from R.A.K to E. Waugh/ 1940-1957”; with the year of each letter added in Waugh’s hand, some 120 pages, one letter seemingly incomplete, 4to and 8vo, Mells and elsewhere, 1944-1957.

NOTES

‘BRIDESHEAD… WAS BETTER THAN EVER. GOSH IT’S GOOD’ – RONALD KNOX TO HIS BIOGRAPHER EVELYN WAUGH. Knox appointed Waugh his literary executor in 1950, telling him that his solicitor was “rather keen that I should have a real literary executor” and that he had informed him that “the only person whose literary judgement I trusted, outside my own immediate generation, was you” (in another letter Knox is even more unstinting in his praise, telling Waugh that “I am so much an ultra-Realist, that I hold it the true business of the author to wonder ‘Does God find my prose good?’ In the absence of any assurance from that Quarter, I can think of no arbiter whose opinion I would rather go by, than yours”). This resulted in Waugh’s posthumous biography of his friend, published in 1959; and it was clearly with this in mind that the dying Knox wrote his last note, dated by Waugh 17 June 1957, in which he is at pains to set the record straight over his failure to enlist after his conversion to Rome in 1917 and an accusation levelled against him by Cardinal Bourne.

During Knox’s lifetime Waugh edited A Selection from the Occasional Sermons of the Right Reverend Monsignor Ronald Arbuthnott Knox (1948), and received the dedication of Knox’s Enthusiasm (1950). In response to Waugh’s letter of thanks (published by Amory, 18 November 1950), Knox demurred: “No, I’m afraid the dedication was really (like all one’s actions) self-regarding in part. I wanted people to notice that the book was (if it is) well written, that it was dished up for the most delicate prose-palate. And I don’t know Max Beerbohm, so there was nothing for it. But I did, also, hope that you’d like having it dedicated to you”.

As Waugh himself wrote in the preface to his biography, he knew Knox ‘primarily as a man of letters rather than as a priest’ (p.x). Knox’s admiration of Waugh’s work, especially Brideshead and Helena, was unstinting, telling him in 1949 that “I finished last night rereading Brideshead as a bed-book, and it was better than ever. Gosh it’s good” and in 1950 that “I think if I were ballooning, and were forced to lighten ship by making so regrettable a choice, Helena would just go before Brideshead. But then (i) I am almost unbalanced about Brideshead and (ii) I admit that as a performance – because so difficult to do – Helena has it”.

Of his own status as priest and author Knox writes: “I am desperately afraid that I’ve left a false impression… The impression, I mean, that I am (or think I am) a creative artist spoiled by having to run in harness instead of roaming the prairie… I suspect that I’m really too unadventurous by nature to have collected or digested much experience. Indeed (since we are mixing the metaphors) I think it’s quite likely the priesthood has made me all the author I am; it’s a dashed good wicket to play on”; much of his efforts, as recorded in these letters, being expended on his translation of the Bible (“….The only false perspective I find in your article is one which non-Catholics would have read into it anyway; I mean the suggestion that I took to Bible translation out of loyal obedience to intransigent superiors. Really it was my own baby all through…”).

Their contemporaries also put in the occasional appearance, including Osbert Lancaster and Cecil Beaton (in a letter misquoted by Waugh in the biography, pp.424-5), and Graham Greene, whose The Power and the Glory had been censured by the Vatican in 1954, sparking the protest from Knox: “It’s shattering about Graham Greene; if I knew him better I’d write to him. As you say, why that book? It makes me despair of the Italian mind”.

The British Library acquired Evelyn Waugh’s incoming correspondence from the Waugh family in 1990. The present group, previously with Waugh’s biographer, Christopher Sykes, has only recently resurfaced.

The auction is scheduled for 27 November 2018 at Bonhams premises in Knightsbridge. The estimated price is $10-16,000. The sale also includes several presentation copies of Waugh’s books to Patrick Balfour, his friend since Oxford days.  Here is a link to the catalogue.

 

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