New Year’s Roundup

A recent review in The Times of Tina Brown’s new book The Vanity Fair Diaries opens with this:

“Where you see zippy, zesty lesbian Jewesses bubbling with new ideas, I see plodding, ill-mannered, bottomlessly earnest boobies . . . I do not scowl or sneer. It is brilliant of you to have conquered New York.” So wrote Auberon Waugh in a letter in 1989 to Tina Brown, the conquering heroine and editor of Vanity Fair. She notes in her diary: “Jesus. Bron has become so archaic in social attitude, he’s turning into Evelyn. He is upset by the VF success that he feels has driven us apart.”

Brown went on to found the online news journal The Daily Beast, named after one of the newspapers in Waugh’s novel Scoop.

In the online Croatian newspaper Total Croatia News, an interview of its founder and owner, British born Paul Bradbury, who now lives in Croatia, offered this concluding thought about the advantages of living there: If you are a fan of Evelyn Waugh, there is perhaps no better country in all Europe. He doesn’t explain his conclusion but probably has in mind Waugh’s writings on the country in his novel Unconditional Surrender as well as his diaries and journalism.

Finally, in the usual UK year-end reports of New Year’s honours lists, there are also reports of those in the past who have turned down honours. The Daily Mail rarely fails to mention Evelyn Waugh in this category and, as usual, doesn’t disappoint this year either:

Others appear to have rejected honours because they were holding out for something more prestigious. Evelyn Waugh, whose novels included Brideshead Revisited, appeared to fall into this category. He is recorded as turning down a CBE in the Birthday Honours list of 1959. But Waugh, who confided in friends that he saw the CBE as an honour fit only for “second grade civil servants”, was motivated by loftier ambitions. When his friend and fellow novelist Anthony Powell was granted a CBE, Waugh wrote in a letter: “I hope it doesn’t block you from a knighthood. That’s what one really needs.” He was never offered a knighthood but Powell, author of A Dance to the Music of Time, was – and declined it. See earlier post.

The Guardian also joined the chorus this year with this comment regarding writers:

Honours are, of course, awarded in recognition of significant achievement or service and there can be no cosier embrace from the establishment. So when an author kneels down in front of the Queen and receives a royal pat on the shoulder, have they compromised their independence?…Tom Stoppard, David Hare and Salman Rushdie have not stopped speaking out since they accepted theirs, but many authors have turned down honours – some out of republican principle, others because they were holding out for a higher award. They include: Roald Dahl, CS Lewis, Graham Greene, JB Priestley, Robert Graves, Aldous Huxley, Rudyard Kipling, Michael Frayn, Alan Bennett, Leonard Woolf, SeĂĄn O’Casey and Evelyn Waugh.

 

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Helena and the Prayer for Epiphany

A Roman Catholic website called OnePeterFive has posted the conclusion of Chapter 11: Epiphany from Waugh’s novel Helena (Penguin, pp. 143-45). The post has appeared on other religious websites as well. This relates to Helena’s celebration of the Feast of the Ephipany (which occurs today in the western church calendar). The feast (sometimes referred to as Twelfth Night) marks the arrival of the three wise men in Bethlehem to present their gifts to the Christchild. The quoted passage concludes with this, referring to the three wise men:

“You are my especial patrons,” said Helena, “and patrons of all late-comers, of all who have had a tedious journey to make to the truth, of all who are confused with knowledge and speculation, of all who through politeness make themselves partners in guilt, of all who stand in danger by reason of their talents.

“Dear cousins, pray for me,” said Helena, “and for my poor overloaded son [the Emperor Constantine himself, who was still unbaptized]. May he, too, before the end find kneeling-space in the straw. Pray for the great, lest they perish utterly. And pray for Lactantius and Marcias and the young poets of Trùves and for the souls of my wild, blind ancestors; for their sly foe Odysseus and for the great Longinus.

“For His sake who did not reject your curious gifts, pray always for the learned, the oblique, the delicate. Let them not be quite forgotten at the Throne of God when the simple come into their kingdom.”

The Blogger also offers this explanation of the passage’s worldly significance:

Evelyn Waugh probably never wrote a more intimate passage for a public audience, as he himself later says in a personal letter to one of his close friends. Helena is also the only book of his that he ever read aloud to his own children–a touching fact in itself.

Waugh was also recently quoted in another religious weblog. This was on the site CatholicCulture.com in an essay by Fr Jerry Pokorski entitled “Expecting Perfection”:

…the expectation of perfection in this life can easily result in another deformity: a malicious refusal to see imperfection and evil. … Evelyn Waugh wrote nearly a century ago:

“It is better to be narrow-minded—than to have no mind, to hold limited and rigid principles than none at all. That is the danger which faces so many people today—to have no considered opinions on any subject, to put up with what is wasteful and harmful with the excuse that there is ‘good in everything’—which in most cases means inability to distinguish between good and bad.”

The quote comes from Waugh’s contribution on the subject of “Tolerance” to a 1932 article in John Bull magazine entitled “The Seven Deadly Sins of Today by Seven Famous Authors.” This is reprinted in EAR, p. 128.

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BBC Broadcast from Castle Howard Chapel

Last Sunday’s broadcast of the BBC Radio 4 program Sunday Worship came from the chapel of Castle Howard. The celebrant was the Right Reverend James Jones, retired Anglican Bishop of Liverpool, and his subject was “Responding to God’s Grace.”  He mentioned the connection between Evelyn Waugh’s novel Brideshead Revisited and Castle Howard which was the setting for both film adaptations of the novel. Given his subject, it is not too surprising that references to Brideshead (in which Waugh was also describing the working of divine grace) are scattered throughout the service:

Evelyn Waugh, the author of Brideshead said ‘that everyone in his (or her) life has a moment when they are open to Divine Grace.’ A time when we become aware, in spite of all the troubles in the world, that there is a God and that his love is within our reach…In the closing pages of Brideshead Revisited there are two profoundly spiritual scenes. The first is where the old Lord Marchmain returns with his mistress from self-imposed exile in Italy to the ancestral home to die…The second scene comes in the epilogue to the novel. Charles, Sebastian’s friend from their student days … returns to the ancestral House during the war when Brideshead has been commandeered by the army …  And goes to the Chapel. After years of resisting the faith he has his own moment of divine grace and writes, “I said a prayer, an ancient, newly-learned form of words
.”

In the service, this is where the Lord’s Prayer is recited.

Following the Gospel reading, Bishop Jones makes a final reference to Waugh’s novel:

Half-way through the novel of Brideshead Revisited Julia, Sebastian’s sister, laments, saying ‘Sometimes I feel the past and the future pressing so hard on either side that there’s no room for the present at all.’

The full service can he heard on BBC Radio 4 over the internet on BBC iPlayer which is available worldwide; a transcript of the service is also available on the BBC Radio 4 website, both at this link.

 

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UPDATE: Latest Issue of Evelyn Waugh Studies Available Online

The latest issue of the society’s journal Evelyn Waugh Studies (No. 48.2, Autumn 2017) is now posted at this link. For contents see earlier post.

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New Memoir by David Lodge

The Times has interviewed novelist David Lodge to mark the second volume of his memoirs. This is entitled Writer’s Luck and will be issued next week. In the interview (reported by Robbie Millen) Lodge discusses the fact that he has never had a novel awarded a Booker Prize:

Lodge describes the prize as being “good for ‘the novel’ but bad for novelists”. Does it annoy him that the prize has overlooked him? “No, it doesn’t bother me. What I have rather resented or regretted is I have not ever been longlisted or shortlisted since Nice Work. That does seem like a snub — though it is silly to see it like that. It is what prizes do to novelists.

Lodge, who is also Honorary President of the Evelyn Waugh Society, explained that he was encouraged to read Waugh’s novels in his youth:

Lodge was born in 1935. His father was a musician in a jazz band, his mother a housewife. “I owe my artistic genes to [my father]. He had a wonderful, natural gift for language, and considering he had such a limited education he was a cultivated man. He put me on to Evelyn Waugh and Dickens and other humorous writers. He encouraged that streak in my own work.

The latest volume of his memoirs carries the story up to 1991. It will be released in the UK on 11 January (USA, 27 February) and is already making news because of another Booker Prize story. When Lodge was chairman of a Booker jury in 1989, two of the members blacklisted Martin Amis’s novel London Fields, and Lodge describes the resulting controversy. He also explains why he feels that he was better off for not having taught at Oxford or Cambridge:

I would have been too obliged to make my mark in this very competitive Oxbridge atmosphere, whereas in Birmingham I was pretty free to do what I wanted.” So off he went to Birmingham — “a great place to feel the pulse of England. London novels are ten a penny. There aren’t many who write about Birmingham. It has been a good place for me in terms of giving me material.”

The first volume of his memoirs, Quite a Good Time to be Born, is available in paperback.

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Correspondence in Spectator re Waugh’s Oxford “Degree”

Alexander Waugh’s letter in the 25 November 2017 issue of The Spectator regarding the conclusion of his grandfather’s Oxford career has engendered a chain of responses comparable to those in which his grandfather used to engage. Alexander’s letter stated: “Evelyn Waugh did not ‘scrape a third at Hertford’, he never graduated from Oxford or anywhere else.” This in itself was in response to an earlier Spectator article in which a recent book written by Alexander was discussed. See earlier posts.

In the December 9th edition, a letter from Dr Geoffrey Thomas responded:

If Evelyn did not attend the graduation ceremony, then he did not graduate from Oxford. All reference to a third is not out of place, however, since the Oxford University Calendar, 1932, lists him in the third class ‘In Historia Moderna’ for 1924 (p. 232). By what margin he was assigned to this class, I have naturally no idea. ‘Scraped’ might be the right word.

In fact, both are correct. The Oxford University Calendar records the results of Evelyn Waugh’s examination in which he passed in the third class category. He never secured a degree, however, because he was required to remain in residence for another term. His low grade on the exam cost him his scholarship, and his father refused to pay the costs of the additional term, so he went down without a degree. Under current academic practice, once he had passed his exam, the residence requirement would almost certainly have been waived, and he would have graduated with a third class degree.

A further comment on this issue is offered in a subsequent Spectator issue. This comes in a letter by Timothy O’Sullivan. He  cites Evelyn’s autobiography A Little Learning, and explains why Evelyn had taken the exam in the middle of the year instead of at the end of his final term:

Eager to have his second son’s education completed, Arthur Waugh despatched him to Oxford after he had won a scholarship at Hertford. Evelyn consequently arrived in a by-term, Hilary 1922. He achieved a third in his finals eight terms later, or one term short of the nine required in residence to be eligible to graduate. ‘My father decided that a Third Class BA was not worth the time and expense of going up for a further term.’

Another Spectator commenter (Peter Loring) gives a further possible explanation for Evelyn’s poor academic performance:

I wonder if Brideshead Revisited offers a clue to the origins of this mystery. When Charles Ryder arrives at the university, he is firmly advised by his cousin Jasper: ‘You want either a first or a fourth. There is no value in anything between. Time spent on a good second is time thrown away.’ If Waugh did get a third, as Dr Thomas suggests, perhaps he didn’t want anyone to know.

There is evidence that Evelyn Waugh was not completely embarassed by his poor degree. Alexander is in possession of a certificate issued by the university in 1928 (four years after he took the final examination) attesting to his having passed. The date suggests to Alexander that Evelyn may have wanted to use the certificate to prove to potential employers that he had not left Oxford for failure to pass final exams. This was at the time he was courting Evelyn Gardner and was anxious to impress her family as to his respectability. See “Evelyn Waugh’s Oxford University Certificate, 17 May 1928” in EWS No 45.2, p. 14.

 

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Alastair Graham Wikipedia Entry Updated

The Wikipedia article for Evelyn Waugh’s close friend Alastair Graham has recently been updated. This update appears to incorporate information from both Philip Eade’s 2016 biography of Waugh, including photographs published there for the first time, and the 2013 critical study of Waugh by Michael G. Brennan, as well as other earlier biographical works. What is still missing is the information from Duncan Fallowell’s essay on Graham in his 2011 book How to Disappear: A Memoir for Misfits. This carries the story forward from when Graham moved to New Quay in Wales in 1933 and explains his friendship with another major 20th century writer, Dylan Thomas. Also worth a mention would be Graham’s brief friendship with historian Steven Runciman described in the recent biography of Runciman by Minoo Dinshaw entitled Outlandish Knight.

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Waugh’s New Year in Dutch Journal

An Amsterdam newspaper has posted an article on an Evelyn Waugh New Year’s celebration. This is entitled Brideshead is een diamant” (“Brideshead is a diamond”) by Willem Pekelder and is on the website of the newspaper Trouw. It was inspired by the current rebroadcast of the 1981 TV series on the Netherlands network ONS:

“I hear that they are talking of starting a new year.” That is what Evelyn Waugh notes on New Year’s Day 1926 in his diary. A magnificent sentence. So full of ironic world-abuse that you want to read it a hundred times. The phrase reflects the mood of Waugh at that moment. After a suicide attempt in the previous year, he hopes ‘that 1926 will go more smoothly’. Waugh, until then a schoolmaster in Wales, has to wait another four years for that success. In 1930 he breaks through as a literary writer with ‘Vile Bodies‘. Other novels follow, including his magnum opus ‘Brideshead Revisited’(1945). The TV version of that book is now being repeated on the nostalgia channel ONS. And just like previous times… I watch it breathlessly again. Why? Because ‘Brideshead Revisited’ is a diamond that always shows a different, brilliant facet…Once you’ve read ‘The Diaries’ you know that ‘Brideshead’ is highly autobiographical. The protagonist Lord Sebastian Flyte (on TV: Anthony Andrews) is depressed, drinking and cutting homosexually. Just like Waugh.

That’s a bit of a stretch. Waugh is usually taken as depicting elements of himself in the middle class artist Charles Ryder who succeeds in breaking into the upperclasses, rather than in Sebastian who is already there. The article continues:

In ‘The Diaries‘ the alcohol vapor will wash you from page one. And not just on New Year’s Eve 1925 in Paris (‘each a bottle of champagne each in a cafĂ© called Prado and Bill talked about Tony for several hours and was drunk’). The diary is a series of drink layers. 12 June 1930: ‘both of us too drunk to enjoy ourselves.’ Waugh represses his homosexuality and…, marries two times with noble ladies….

Translation is by Google with some edits.

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Autumn Issue of Society Journal

The Autumn 2017 issue of the society’s journal (Evelyn Waugh Studies, No. 48.2) has been issued. The contents are posted below. The complete issue will be posted on the internet later this week:

ARTICLES

Paul Pennyfeather and the Victorian Governess: The Rejection of Nineteenth-Century Idealism in Decline and Fall by Ellen O’Brien

Introduction: Much has been written on the disputed use of satire in Evelyn Waugh’s first novel. While critics have offered various readings of the satirical elements in Decline and Fall (1928), the novel also invites discussion of the role of parody, farce, black humour, burlesque, the bildungsroman, the picaresque and the anti-hero in creating an amusing but damning representation of society between the wars … Given the richness and variation of the textual commentary, it makes more sense, perhaps, to view Decline and Fall as a fluid, prismatic novel that draws on literary elements as and when they are required, rather than conforming to some inelastic ideal of genre … It is, perhaps, better to do without a “didactic framework,” and to allow that a text may incorporate elements of farce, satire and parody in order to comment on a wide variety of subjects, both general and specific.

Put Out More Flags and Literary Tradition by Robert Murray Davis

Introduction: Estimates of Evelyn Waugh’s Put Out More Flags have ranged from L. E. Sissman’s, that it is “a novel of breathtaking symmetry, grace, craft, and discipline,” to John Bayley’s, that even though Waugh’s books can give pleasure to the uninstructed, he is not really a novelist and lacks humor besides. While the disparity may amount to no more than the fact that Sissman is prepared to be pleased and Bayley is not, it may be useful to step back from theoretical principles that on the one hand seem at best implied and on the other over-determined and instead to employ E. M. Forster’s inclusive definition of a novel as “prose fiction of a certain length.” That will enable us to look at what Waugh’s novel seems to be doing, and how, and thereby to place it in a series of broader historical and literary contexts.

REVIEWS

Fictional Counterparts: Commando General: The Life of Major General Sir Robert Laycock KCMG CB DSO, by Richard Mead. Reviewed by Donat Gallagher

A Slow Build: Evelyn Waugh’s Satire: Texts and Contexts, by Naomi Milthorpe.

NEWS

A PERSONAL NOTE

I Owe It All to Brideshead by David Bittner

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Waugh and Hugh Johnson

In an interview for a recent issue of The Sunday Times, wine expert and author Hugh Johnson mentions commissioning articles by Evelyn Waugh on the subject of wine. This appears in the introduction to the interview by Andrew Lynch:

In 1963, Johnson succeeded AndrĂ© Simon, the French wine connoisseur and writer, as general secretary of Simon’s Wine & Food Society, persuading the cookery writer Elizabeth David and the author Evelyn Waugh to write for the society’s quarterly magazine.

According to the Bibliography of Evelyn Waugh (1986), the only fruit of this commission was Waugh’s 1964 article on champagne “Fizz, Bubbly, Pop” which first appeared in the Autumn 1964 issue (No. 123) of Wine and Food. This was later reprinted in Vogue (New York), September 1965 and in Essays, Articles and Reviews, p. 635. See earlier post.

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