Maud Russell Diaries in Telegraph

Excerpts from the wartime diaries of Maud Russell have been published in the Daily Telegraph. In a previous post it was explained how she commissioned Rex Whistler to paint murals in her country house at Mottisfont in Hampshire where there is currently an exhibit of Whistler’s works. The excerpts relate mostly to her relationship with novelist Ian Fleming. According to the Telegraph’s introduction:

They met in 1931 when Russell was 40 and Fleming just 23. There was a strong mutual attraction, and Fleming quickly became a regular guest at Mottisfont, Russell’s 2,000-acre estate in Hampshire, and at the glamorous parties she threw in her Knightsbridge home, attended by Cecil Beaton, Lady Diana Cooper, Clementine Churchill, Margot Asquith and members of the Bloomsbury Group. To Fleming, Russell was a sophisticated and impeccably connected mentor who found him first a job in banking, introduced him to members of the Intelligence Corps and, later, paid for his Jamaican retreat, Goldeneye, where his 007 novels were written. To Russell, Fleming (named ‘I.’ in her diaries) was the dashing, charismatic young spy who became her close friend, her confidante – and her lover. These entries from Russell’s private diary take place towards the end of the Second World War, when Fleming worked in naval intelligence and Russell, then 52, was recently widowed; it was a time when, despite the food shortages and air raids, the tide of the war was gradually turning in the Allies’ favour – and, despite his other liaisons, the couple spoke of marriage.

Waugh is not mentioned in these excerpts but many of his friends are, including his correspondent Ann Fleming, who married Ian Fleming in 1952, ending his affair with Russell. At the end of the article, Waugh does get a brief mention. This is in a list of record prices for first editions. Top price was for The Great Gatsby (£246,636), with Ian Fleming’s first James Bond novel Casino Royale at #4 (£29,180) and Waugh’s Decline and Fall at #10 (£9,364; this is ranked as #9 on the Telegraph’s list but this is due to a typo). No source or date for these sales is cited. The Telegraph’s article concludes:

Russell and Fleming remained close until his marriage to Ann Charteris in 1952. In 1946 she gave him £5,000 to buy Goldeneye in Jamaica. She had a long-term affair with [Russian artist] Boris Anrep but never remarried. In 1957, she donated Mottisfont to the National Trust and died in London in 1982, aged 91. Her ashes were placed in the same urn as [her husband] Gilbert’s.

Maud Russell’s wartime diaries are published as A Constant Heart.

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New Norwegian Translation of Brideshead

The Norwegian newspaper Aftenposten has published a review of a new Norwegian translation of Brideshead Revisited (“Gjensyn sed Brideshead“). The translation is by Johanne Fronth-Nygren and is based on Waugh’s 1959 revision of the text. The book is published by Gyldendal. The only Norwegian version up to now was based on the original 1945 edition, and Waugh’s explanation for why he changed the original was not available. 

The review is entitled “Evelyn Waugh: the Writer who Excused his own Work” (“Forfatteren som unnskyldlte sitt eget verk“) and relies heavily on Waugh’s introduction to the 1959 revision. The reviewer (Anne Merthe K. Prinos) sees this publication as part of the renewed interest in country house novels, citing other recent examples by Allan Hollinghurst, Ian McEwen and Sarah Waters as well as the Downton Abbey TV series. She explains how the country house affects the “literary productivity” of the story–the larger the house and the more the inhabitants, the greater the possibilities for plot twists. The country house also plays a symbolic function by representing the upper class hegemony in England.  

The translation is described as elegant. The translator explains that conveying the love story between Charles and Julia was relatively easy but that it was harder to interpret the ending where they must part due to religion. As a Roman Catholic, Waugh considered this a happy ending, but this is too subtle for the non-believing reader. The translator concludes that the book can only be understood when one rereads (or revisits) it (“ved giensynet“).

The translation of the Aftenpost article was by Google and any suggestions from readers to improve the summary or the specific Norwegian quotes in the posting are welcome in the form of comments as provided below. 

UPDATE (23 March 2017): See comment below from the translator of the book Johanne Fronth-Nygren. The posting has been slightly revised. Many thanks for these comments.

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Penguin UK Issue TV Tie-in Edition of Decline and Fall

Penguin Books have announced the publication of a TV tie-in edition of Waugh’s first novel Decline and Fall. This will be issued later this week on 23 March 2017. Aside from a cover photo of Jack Whitehall looking rather clueless in a knitted vest, there is no indication of any special features that will be included in this edition. The list price is £8.99 but it will be on offer from Amazon.uk for £6.99 plus applicable shipping charges and can be ordered for shipment to the US.

It is not clear from available information whether this edition will be based on the original 1928 or revised 1962 texts. In the preface to the 1962 edition Waugh explains that when he offered the text to Duckworths, who had published his first book, Rossetti, they rejected it. So he took it down the street to Chapman and Hall, at a time when his father, the director of that firm, was out of town. The manuscript was examined by his father’s colleague who

made a few suggestions which I accepted…He also made some literary criticisms which were, perhaps, less valuable. The result was a text differing slightly from the original manuscript. In this [1962] edition I have restored these emendations. The changes are negligible but since the book was being reset, it seemed a good time to put the clock back a minute or two.

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WWII Yugoslavia Revisited

A new collection of articles about the Balkans by Irish writer Hubert Butler has been published in Ireland. This is entitled Balkan Essays, and at its center is a group of essays collected as the “Yugoslavia Suite”. The book is reviewed in the Irish Times by Roy Foster who comments on this section as follows: 

…The essays exploring the traumatic history of the region during the 1940s center on the terrible forced conversions and murder of Orthodox Christians by the Nazi-supported authorities of “Independent Croatia”. Butler’s dogged postwar campaign (backed by deep-level research in Zagreb) fell foul of those determined to represent Archbishop Stepinac as a pure and simple martyr to communism. Butler reiterates that Stepinac’s role was passive compared with some of his clerical colleagues’, but the archbishop also (as editor Chris Agee points out) bears a strong affinity to the modern Organisation Man most terrifyingly represented by Adolf Eichmann, the subject of another essay here. … A further advantage of the concentration of this material is the extended treatment given to comparisons between Ireland and Croatia (including a suave letter from Butler correcting Evelyn Waugh’s assumption that there were parallels between the Ustashe movement in the 1940s and Sinn Féin between 1916 and 1923).

Waugh’s “assumption” re the Ustase and Sinn Fein probably refers to his 1945 report to the British government, published nearly 50 years later as “Catholic Croatia Under Tito’s Heel,” Salisbury Review, September 1992. At p. 13 Waugh wrote:

The Ustase, who comprise the most fanatical and ferocious of the Croat nationalists, were in origin a secret society; they came into the open in April 1941, since when their activities have occurred in enemy-occupied territory; the only available evidence about them comes from violently antagonistic sources. It is thus impossible to give any documented or impartial account of them. In many ways they appear to have been similar to Sinn Fein. (Indeed, there are many similarities between the position of Croatia in 1939 and Ireland in 1914). 

While Sinn Fein were undoubtedly a nasty piece of work from the perspective of 1945, it may be the case that once Waugh became aware of the horrific details of the Ustase’s activities, he might not have offered that comparison. The essay collection edited by Chris Agee is currently for sale in Ireland from the link in the Irish Times but is not yet on offer from Amazon.com or its subsidiaries.  

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Daily Mail Features Decline and Fall Adaptation

This week’s Daily Mail carries a feature article (“Love and Waugh”) by Andrew Preston on the BBC adaptation of Waugh’s novel Decline and Fall. This appears in the Mail’s “Weekend Magazine” and involves interviews with several members of the production’s cast and crew. After a summary of the novel’s plot, the lead actor Jack Whitehall who plays Paul Pennyfeather provides some personal background to explain his particular interest in the novel:

‘We see the 1920s on screen a lot but not with the wit this piece has,’ says Jack. ‘It’s like an anarchic Downton Abbey. The comedy is so sharp it feels modern, and its targets are still relevant. I think it really works for an audience now.’ …Whitehall remembers enjoying the book as a teenager at his public school, Marlborough College, having been given it by his father Michael (the former theatrical agent for Judi Dench and Daniel Day-Lewis, and Jack’s deadpan partner on the BBC chat show Backchat). ‘It’s my dad’s favourite book because it’s so close to his own life – he left school and didn’t know what to do, so became a teacher at a minor public school in the middle of nowhere. He was made head of games with no games experience, and head of geography even though he hadn’t done a degree and knew nothing about geography.’

After a discussion of the involvement of American film star Eva Longoria who plays Margot Beste-Chetwynde, the interview shifts to James Wood who wrote the adaptation:

‘Evelyn Waugh clearly adores Margot – he’s on the side of anyone who’s entertaining even if they behave appallingly,’ says James Wood, who created the hit BBC comedy Rev with Tom Hollander, and who has adapted the book for the BBC. ‘It’s the most brilliant comic novel and all the things he’s mocking are still in our lives, from ridiculous architects to the whole high-society bunch of twits who turn up for Margot’s party. One’s a government minister who’s a sort of Boris Johnson figure who keeps putting his foot in it and has nothing but contempt for the general public. Then there’s the ineffectual prison governor, wonderfully played by Jason Watkins. When we got the rights to adapt the book, all that Waugh’s grandson Alexander said to me was to make sure it’s really funny.’

As noted in a previous post, the three-episode series will air on BBC1 starting 31 March. Here’s a BBC trailer from the internet.

In another celebrity tie-in, BBC News online mentions that George Osborne, former Chancellor of the Exchequer and soon to be editor of The Evening Standard will be working for Evgeny Lebedev, Russian owner of the Standard. According to the BBC’s Amol Rajan, who wrote the article, Lebedev:

is fond of Evelyn Waugh and 20th Century literature generally (full disclosure: I was for several years Lebedev’s adviser, and then his editor at the Independent). I imagine Lebedev will like the idea of reviving quaint, romantic 20th Century ideas about the relationship between politics and newspapers.

Lebedev is no doubt aware that Osborne was a member of the Bullingdon Club at Oxford which inspired Waugh’s Bollinger Club in Decline and Fall

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Details and Booking for Waugh Conference Now Online

The Huntington Library has posted online the detailed schedule for the Evelyn Waugh Conference to take place on 5-6 (Fr-Sa) May 2017 at the Huntington. See previous post. Here’s the link:

http://www.huntington.org/evelynwaugh/ 

There is a further link on the website to the registration and booking arrangements:

http://www.brownpapertickets.com/event/2904646 

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Waugh and the Sri Lankan Cubist

The Deccan Chronicle, an English-language paper based in Hyderabad, has published an article about a 20th century Sri Lankan artist little known in the West. This is George Keyt (1901-1993) who is described as a cubist, influenced by the works of Matisse and Picasso. A book about his life and works is about to be published in Delhi. This is Buddha to Krishna by Yashodhara Dalmia. The Chronicle’s story explains the Waugh connection:

 “Keyt chose to live quietly in a village, away from the bustle of the city,” says Dalmia. Despite his attempts at solitude, no trip to Sri Lanka was deemed complete without Keyt’s residence being paid a visit. “He was alone, but never isolated. Anyone who visited Sri Lanka went to see him, he was a true icon, in that sense.” The visitors included actress Vivien Leigh, who bought his paintings, Chilean poet Pablo Neruda, who later wrote, “Keyt I think is the living nucleus of a great painter,” and the British writer Evelyn Waugh, whose account (a letter to his wife) has been recorded in Dalmia’s book.

Waugh’s visit took place in 1954 during the visit to Sri Lanka (then Ceylon) on which he suffered the breakdown fictionalized in The Ordeal of Gilbert Pinfold. The letter referred to in Dalmia’s book is undoubtedly the one to Laura Waugh dated 16 February 1954 in which Waugh describes a visit he made with Monroe Wheeler (a director at the Museum of Modern Art in New York) to

a most eccentric local painter who lived in a very clean house with dozens of cheerful pictures by himself–half folk-art, half Picasso. He had nothing in the house & and had to send out for three cigarettes and a box of matches. (Letters, p. 420).

The identity of the eccentric artist is not revealed in Mark Amory’s edition of Waugh’s collected letters, and Dalmia’s research may be of use to future editors. Whether Waugh may have acquired any of Keyt’s works is not recorded in his published letter.

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Date Set for BBC Broadcast of Decline and Fall

Radio Times has announced the time and date for the broadcast of BBC’s adaptation of Waugh’s novel Decline and Fall. Episode 1 will be transmitted on Friday 31 March at 9pm UK time. This will be on BBC1 rather than BBC2 as originally announced. The two subsequent episodes will be broadcast in the same time slot in succeeding weeks. Details of North American transmission are not mentioned in the article. The program will be available on the internet shortly after broadcast via BBC iPlayer. A UK internet connection will be required to view it on the internet at points outside the UK. 

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Vile Bodies to be Featured on BBC Radio 4

Next week’s edition of A Good Read on BBC Radio 4 will host Drs Chris and Xand van Tulleken. They are identical twins and both medical doctors who have appeared in such UK TV series as Trust Me, I’m a Doctor on BBC and Medicine Men Go Wild on Channel 4. The program will be presented by Harriett Gilbert.  According to its description in the BBC listing:

The guests recommend The House of God, a bawdy tale set in a hospital, by Samuel Shem and Yellow Tulips, a poetry collection by James Fenton. Harriett introduces Vile Bodies by Evelyn Waugh to the discussion.

The program will be transmitted next Tuesday at 1630 UK time and will be available on the internet shortly thereafter.

Meanwhile, journalist William Telford in the Plymouth (UK) Herald discusses the books he read last year. There were a total of 50 of them and many would fall into the comic novel category. These include three by Charles Portis (Gringos, Norwood, and True Grit) and one by Barbara Pym (Excellent Women) as his top 4. At #14 he lists Evelyn Waugh’s Decline and Fall (“rib tickling public school classic”). 

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Rachel Cusk Interviewed in New York Magazine

New York Magazine has today posted an interview of novelist Rachel Cusk. The interview is by Heidi Julavits and opens with this brief summary of Cusk’s work:

Cusk is the author of three memoirs and nine novels, most recently Transit, which came out in January to rapturous reviews. It is the second in a planned trilogy that has, along with her memoirs, made her a cultish figure. She writes about motherhood and marriage and houses. In the hands of a different writer, these might be neutral topics. Neutral love in neutral boxes. Cusk is not neutral. She is divisive. Readers love her or readers really do not love her. She, Cusk, the human being, is often hated.

Most of the article is devoted to a discussion of some of her more “devisive” works, in particular the 2001 essay or memoir about motherhood entitled A Life’s Work. But at the beginning of that discussion this brief, throwaway paragraph appears:

Early in her career, Cusk was not especially controversial. She published three novels influenced by Evelyn Waugh. These books were deemed witty and clever. She won awards and gained notice.

These novels are indeed both “witty and clever”. They actually made one laugh, something that is much less likely to happen when reading the later, more controversial works. One would like to hear more about why Cusk’s work, especially her fiction, changed direction after the last of these early novels was published in 1997. This subject was hinted at in an earlier interview, but that line of questioning is not taken up in this one. See previous post. How much these early novels were inspired by any specific works of Evelyn Waugh is hard to say, but they were certainly written in the same satiric tradition and could equally well be said to have been “influenced” by  Anthony Powell, Kingsley Amis, Barbara Pym or Jane Austen. These novels remain in print (two in the US and all three in the UK) and are worth pursuing if one hasn’t already done so: Saving Agnes (1993), The Temporary (1995) and The Country Life (1997). 

 

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