Waugh in Reviews

The Prufrock column in this week’s Weekly Standard magazine contains this reference to the new book Ronald Knox: A Man for All Seasons, with a link to a review of the book:

The Catholic priest Ronald Knox made a deep impression on eventual convert Evelyn Waugh and translated the Latin Bible into English. He is almost entirely forgotten today.

The review by Greg Morrison appears in the University Bookman, an internet site sponsored by the Russell Kirk Center, a conservative think tank. Morrison’s review is more detailed and critical than that noted in our previous post. Here is its reference to Waugh:

In one of this book’s essays, Clare Asquith refers to Knox as “English Catholicism’s foremost convert.” … But Knox was in intimate contact with a more obvious candidate for “foremost convert”—the novelist Evelyn Waugh. Waugh arrived at Catholic belief after a long period of dissolution and profanity, at least half of it conducted in a spirit of ironic mockery. His earlier novels unflinchingly exaggerated the vices of the English aristocracy, and as he settled into his faith, he became increasingly unapologetic in his scorn for whatever he reviled about the modern world—the vernacular Mass, cars, children. It’s hard to imagine a more unlikely friend for the sober, temperate Knox. Yet Knox impressed him so much that Waugh wrote a biography of his friend, and Waugh was responsible for the literary remains of the famous author.

A UK reader Milena Borden has been studying reviews of the book about Steven Runciman which we mentioned in an earlier post: Outlandish Knight: The Byzantine Life of Steven Runciman by Minoo Dinshaw.  She has sent links to two of these reviews that implicate Evelyn Waugh. Although they were exact contemporaries, Runciman and Waugh do not seem to have known each other, at least not very well. But the reviewers do see parallels in their lives and careers. Both reviewers describe Runciman’s undergraduate love affairs at Cambridge in terms very similar to Waugh’s at Oxford. And although Runciman made his career writing popular history books, Rosemary Hill writing in the London Review of Books, notes this similarity between Runciman’s most popular book and the novels about WWII written by of Waugh and others of his generation:

The three-volume History of the Crusades, long in meditation, appeared in 1951-54. It was, in Averil Cameron’s judgment, ‘a great achievement of narrative history’… and Dinshaw makes a good point about its relationship to the prevalence of trilogies in postwar fiction: Waugh’s Sword of Honour, the three wartime volumes of Anthony Powell’s Dance to the Music of Time and Olivia Manning’s Balkan Trilogy all dealt with the war itself, but the neo-Romanticism of the 1950s also created the appetite for richly coloured quasi-history which made T.H. White’s tetralogy The Once and Future King a bestseller. Like Macaulay, Runciman did not disguise what he saw as the relevance of history to the present and the books are saturated, as Cameron puts it, with ‘regret at the deplorable failure of the crusading West to understand Byzantium and the East’.

Ben Judah writing in the Financial Times also sees parallels between Runciman’s works and career and those described by Waugh in his books:

Had Steven Runciman not actually lived, someone, perhaps Evelyn Waugh, would have invented him. … Dinshaw, rather than writing a crisp biography, has written a gigantic one, as rich, funny and teemingly peopled as Anthony Powell’s A Dance to the Music of Time. He is lucky that Runciman ran up against so many of the men who made the England of Waugh and Powell — and in situations worthy of PG Wodehouse, to boot. Runciman pierced a voodoo doll with the young George Orwell at Eton, was taught by Aldous Huxley, listened to Lord Grey recite him The Prelude on his estate, tutored a dissolute Guy Burgess at Cambridge, was a dining partner of John Maynard Keynes and Sergei Diaghilev and a beloved teatime companion of the Queen Mother.

Thanks to Milena for sending these links.

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Addis Ababa Today

The Guardian in a feature-length article by Jason Burke in its “Cities” series describes the growing unrest in Ethiopia. This has its roots in the country’s land ownership policies under which the government owns all the land and allows development only at its sufferance, retaining the right to seize the land at any time to be put to a different use by new occupants. This has resulted in a growing chaos as people protest the government’s summary actions to seize land needed, for example, to support its planned expansion and modernization of Addis Ababa. In response, government security forces crack down. The article cites two western writers for background information: Evelyn Waugh and Ryszard Kapuscinski:

That Addis Ababa is in dire need of planning is not in doubt. It was founded in 1886, by the emperor Menelik II, who is widely seen as the architect of modern Ethiopia and whose statue now towers over a busy roundabout in the capital’s scruffy, lively neighbourhood of Arada. In the 1930s, just before Italy’s short-lived occupation of Ethiopia, the British writer Evelyn Waugh described the city as being “in a rudimentary state of construction” with “half-finished buildings at every corner”. Just over 30 years later, the Polish journalist Ryszard Kapuscinski told his readers of “the wooden scaffoldings scattered” about a city that resembled “a large village of a few hundred thousand, situated on hills amid eucalyptus groves”. The hills are still there, as is the wooden scaffolding, which is more practical in the heat and sun than its steel counterpart. The trees are gone.

The Waugh quotation comes from Remote People (1931, p. 34). In his later book Waugh in Abyssinia (1936, p. 61) Waugh embellished and updated this description: the “ambitious buildings” were “still in the same rudimentary stage of construction; tufted now with vegetation like ruins in a drawing of Piranesi, they stood at every corner, reminders of an abortive modernism…”

 

 

 

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Brideshead Lecture Online

Fr Robert Lauder, priest in the Diocese of Brooklyn who teaches literature at St John’s University, has given a lecture on Brideshead Revisited that is now available online. Click here. The lecture is part of a series on the Catholic Novel and was broadcast over a religious network on 8 March 2017. It is not clear how long it may remain available online. It takes about 14 minutes and a central element is a reference to a 2013 article by Bishop Robert Barron entitled “Evangelizing Through Beauty”. According to Fr Lauder, this brief essay is key for his students to unlocking the novel’s religious theme. You might want to read that first.

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Waugh in the Papers

There are references to Waugh and his works in several major newspapers. In The Weekend Australian, an article in their opinion section urged Brits, Yanks and Aussies to stop blaming voters they view as irredeemably dim for results such as Brexit, Trump and, in Australia, Pauline Hanson. Better to let the democratic systems have the time to sort things out. The article goes back to George Orwell and Evelyn Waugh for support:

Politics is always changing, always new but always the same…. We grapple with the notions of post-truth and fake news as if they are revelations but our delusion is exposed by looking back 70 years to George Orwell’s Politics and the English Language. “Political language — and with variations this is true of all political parties, from Conservatives to Anarchists,” wrote Orwell, “is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.” Evelyn Waugh was on to all this in 1938 with his novel Scoop, which, save for the missing digital technology, is as searing an examination of media behaviour as you could write today. “I read the newspapers with lively interest,” says Waugh’s Mr Baldwin. “It is seldom that they are absolutely, point-blank wrong. That is the popular belief, but those who are in the know can usually discern an embryo of truth, a little grit of fact, like the core of a pearl, round which have been deposited the delicate layers of ornament.” 

Mr Baldwin was the enigmatic character Waugh met on his outward journey to Africa who turned out to know much more than any of the journalists about what was going on in Ishmaelia. Scoop, Penguin 2011, pp. 226 ff. 

Waugh is cited in two reviews of Roy Hattersley’s new book about the history of Catholicism in England, entitled The Catholics. In The Irish Times, Eamon Duffy, describes  Hattersley as an atheist who discovered after his father’s death that he had been an unfrocked Roman Catholic priest. Duffy finds the book riddled with errors and concludes that Hattersley labored without the help of a fact-checker. He also criticizes Waugh indirectly in this reference to Hattersley’s discussion of Edmund Campion:

One of the book’s few heroes is the Jesuit martyr, Edmund Campion, but Hattersley draws on Evelyn Waugh’s elegant but derivative study published in 1935 rather than the deeply researched recent biography by Gerard Kilroy. Similarly, Hattersley’s principal guide to one of his book’s villains, Thomas More, is the late Jasper Ridley’s ferociously partisan onslaught on More’s reputation, The Fanatic and the Statesman, where More features, predictably, as the fanatic.

The Financial Times, however, is kinder to Hattersley’s book. Their reviewer Ian Thomson describes it as “well-researched if occasionally platitudinous” and a “scholarly chronicle” of its subject but a book that “at times feels too long and meandering to be digested pleasurably.” Waugh features as one of the writers who, as distinguished from Graham Greene saw “in Catholicism an alternative to godless Communism. The persecution and slaughter of Spanish priests by the government that preceded Franco’s had been roundly condemned by Evelyn Waugh, Hilaire Belloc and other Catholic authors. Any Englishman who was publicly Catholic in the 1930s was assumed to be in favour of Franco. Yet Greene was a left-leaning Catholic. Whose side was he on?” Thomson seems to have answered that question earlier in his opening paragraph, perhaps suggesting that Hattersley failed to do so.

UPDATE (17 March 2017): Melanie McDonagh writing in The Spectator had this to say about Roy Hattersley’s book:

He has firm literary views: he finds Greene and Waugh obsessed with sex and despair.. Still, given that there hasn’t been a comprehensive survey of the Catholic Church in England since John Bossy’s serious history in 1975, this is a brave, if flawed, attempt to fill the gap.

 

 

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Waugh Conference Details Announced

Details have been announced of the Evelyn Waugh conference to be held at the Huntington Library in San Marino, California in the spring. Evelyn Waugh: Reader, Writer, Collector will take place on May 5 & 6 (Fri. & Sat.) to celebrate Loren and Frances Rothschild’s donation of their Waugh collection to the Huntington and will explore the biographical, practical, and disciplinary significance of the new holdings. The conference is jointly sponsored by the Rothschilds, the Evelyn Waugh Society, and Leicester University’s Complete Works of Evelyn Waugh project.

Conference speakers include many of the world’s foremost Waugh scholars and biographers including Waugh’s grandson Alexander Waugh, author of [easyazon_link identifier=”0767927486″ locale=”US” tag=”theevewausoc-20″]Fathers and Sons: The Autobiography of a Family[/easyazon_link], Robert Murray Davis, Donat Gallagher, Naomi Milthorpe, Douglas Lane Patey, Ann Pasternak Slater and Martin Stannard. Other noted Waugh scholars appearing include Barbara Cooke, Chip Long, Lewis McLeod, Richard Oram, Jonathan Pitcher, Patrick Query, Nigel Wood, and Henry Woodhuysen. Several of the speakers also serve as editors of volumes in the Complete Works series.

Additional information regarding registration, accommodation, etc. will be posted when available. If you have questions in the interim, please email (click to email) or phone (626) 405-3432.

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Waugh’s Psychogeographic Experience

In a posting to his weblog The Hollywood Walker, writer Geoff Nicholson compares the travel experiences in Malta of Evelyn Waugh and Thomas Pynchon. This seems to have been suggested to him by Paul Fussell’s 1980 book Abroad: British Literary Traveling Between the Wars. Nicholson, who has written a book about The Lost Art of Walking, describes Waugh’s Maltese psychogeographic experience in his posting (8 March 2017) :

I’m never sure how I feel about that old psychogeographic strategy of using a map of one place while walking in another. … But suddenly I find some psychogeography avant la letter in a rather surprising place – in Evelyn Waugh’s travel book Labels. It was his account of the 1929 Mediterranean cruise he took with his wife, who was of course also named Evelyn. One of the places they visited was Malta, and Waugh bought himself a guide book titled Walks in Malta by one F. Weston.

Waugh reports that he enjoyed the book, “not only for the variety of information it supplied, but for the amusing Boy-Scout game it made of sight-seeing. ‘Turning sharply to your left you will notice …’ Mr. Weston prefaces his comments, and there follows a minute record of detailed observation. On one occasion when carrying his book, I landed at the Senglea quay, taking it for Vittoriosa, and walked on for some time in the wrong town, hotly following false clues and identifying ‘windows with fine old mouldings,’ ‘partially defaced escutcheons,’ ‘interesting iron-work balustrades,’ etc., for nearly a quarter of a mile, until a clearly non-existent cathedral brought me up sharp to the realization of my mistake.”

Most of us, without calling ourselves psychogeographers, have done something similar on our travels, looked for the right thing in the wrong place, found we were looking at the wrong page of the map, found we weren’t where we thought we were, and so on. Sometimes it feels simply annoying, sometimes we see the funny side, like Waugh, and I suppose once in a while we do experience a Debordian derangement of the sense.

Bold face text is from Labels (1974 ed.) p. 128. The remainder of the article deals with Nicholson’s consideration of Pynchon’s descriptions of Malta in his novel V and the two schools of thought as to whether or not Pynchon had ever been to the island. Nicholson had also made a trip to Malta, but without either Waugh’s or Pynchon’s books to rely on, so he tries to reimagine psychogeographically his own walks several years later after reading about theirs.

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Visit to Oslo

A letter from Evelyn Waugh to a Mr Some on the stationery of the Grand Hotel in Oslo is to be sold by Forum Auctions later this month. The letter would have been written in August 1947 while Waugh was on a visit to the Scandinavian capitals researching articles commissioned by the Daily Telegraph.

In the undated letter, Waugh thanks Some for the gift of a five-volume collection of the works of the artist Edvard Munch. Waugh mentions Munch briefly in the first of the DT articles as one of the two recently deceased masters of art in Norway who have prospered “under generous patronage of the state … painting acres of wall” (“The Scandinavian Capitals,” EAR, p. 340). The other partner in this “new generation” of artists was the sculptor Gustav Vigeland whose work Waugh found much more interesting and devoted several lines to in a subsequent article. He had dinner with Mr Some but does not otherwise identify him in the letter. In his [easyazon_link identifier=”0297771264″ locale=”US” tag=”theevewausoc-20″]Diaries[/easyazon_link] and in a letter to his wife, Waugh mentions having dinner at least once with his publisher, but it is not clear that this would have been Some since Waugh stayed four nights in Oslo.

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Rex Mottram and Scott-King Reconsidered

In blogpost on the religious website Patheos, Tod Worner undertakes a review of the career of Rex Mottram and offers the results of his project in this conclusion:

As I revisited Brideshead Revisited and the story of Rex Mottram, I began to consider anew just what Evelyn Waugh was doing. At one point, I was convinced Rex Mottram was a buffoon, a fool, a caricature who offered levity amidst the deeper plot of the novel. But now, more than ever, I think Waugh intended Mottram to serve as a warning. This, he seems to say, is who we might become if we let this ghastly age mold and shape us. We too could risk being insincere converts. …. If we are not careful, we risk becoming absolutely modern.

At the conclusion of a lesser known, but nonetheless brilliant, story by Evelyn Waugh, Scott-King’s Modern Europe, a professor of classics, having seen the dangers of unbridled modernity, rebuffs the headmaster’s canard that “parents are not interested in producing the ‘complete man’ any more”. The headmaster goes on saying that one cannot blame parents for wanting to “qualify their boys for jobs in the modern world.” Can you? Emphatically, Professor Scott-King says, “Oh yes. I can and do…I think it would be very wicked indeed to do anything to fit a boy for the modern world.” Indeed.

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Death Comes for the Comic Novelist

The interactive website Ranker has set up a listing that describes 13 celebrities who died on the toilet. This seemingly tasteless and pointless compilation by Carly Silver is part of Ranker’s subject category entitled “Celebrity Deaths.” Most of the deaths listed are of historical figures, some of quite ancient vintage, but there are six of 20th century celebrities, including Evelyn Waugh (along with, inter alia, Elvis Presley, Judy Garland and Lenny Bruce). Here’s the relevant portion of the Waugh entry:

The circumstances of Waugh’s passing are a bit unclear, some speculate he not only died on the toilet, but had actually drowned in it. According to reports, Waugh returned from mass when he headed to the toilet. When he didn’t return, his family went looking for him and found him dead on the floor. One friend said he was found with water in his lungs, though that is disputed. Whether he died on it or in it, Waugh definitely collapsed on the commode in 1966 and passed soon after. It was common knowledge that Waugh was in poor health and his official cause of death was from heart failure.

The rumor of death by drowning in the toilet itself has been convincingly discredited in an article linked in the Ranker entry. This is by Waugh’s biographer Martin Stannard and appears in a 1998 collection entitled Writing the Lives of Writers (Gould and Staley, eds.). It is worth further consideration to put the Ranker entry into factual perspective. Stannard explains (pp. 13-15) that Graham Greene was the source of the rumor about Waugh’s drowning in the toilet and, after a fairly thorough investigation, involving interviews of contemporaries and witnesses (including Greene, Christopher Sykes and Fr. Philip Caraman) and research of medical records, Stannard concluded:

The literal truth here, then, appeared to suggest that Greene’s fictive imagination had elaborated Caraman’s story and added water to the lungs…

The Ranker entry has the unfortunate effect of keeping alive the untruthful rumor that Stannard’s researches had disproved. Still, fact checking is not something on which Ranker rates very highly. See previous post. 

Here’s another take on the story, also linked by Ranker, that manages to be both slightly more factual and light-hearted about an inherently gloomy subject. This comes from a Roman Catholic literary weblog (Dappled Things) and, although undated, was apparently posted in March 2015; it is entitled “Biffed: or, The Strange Death of Evelyn Waugh upon the Thunder-Box.” 

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Waugh Panel at Cologne Literary Festival

A discussion of Evelyn Waugh is scheduled as part of the International Literary Festival “lit.Cologne”. This will be convened on board the ship MS Rhein Energie at Frankenwerft, KD Anleger, 50667 Cologne on Saturday, 18 March 2017, at 21:00pm. Here’s an abbreviated translation of the description:

The fact that he is still known only to insiders in Germany borders on the scandalous. … Evelyn Waugh (1903-1966) was witty, conspicuous, snooty, archcatholic, politically incorrect, and rather unhappy. He also wrote like an angel. It’s time to get to know one of the great stylists of the last century. Moderators: Paul Ingendaay and Joachim Król .

Krol is an actor who has appeared in German films such as Run Lola Run and in the TV series of Donna Leon’s Inspector Brunetti and Tatort. Ingendaay is a literary critic, translator and novelist. He has written literary columns for the Frankfurter Allgemeine Zeitung and has (with his wife) translated Patricia Highsmith into German. Among his novels is the award-winning Why Did You Leave Me (Warum du mich verlassen hast) published in 2006. For ticket information click here.

UPDATE (20 March 2017): A report of this event appeared in the Sueddeutsche Zeitung for 19 March 2017:

Paul Ingendaay and Joachim Król presented the eccentric upper-class chronicler on a moving Rheindampfer [steamboat]. Ingendaay praised Pre-Brexit England and the new, German-minded tendency towards political shame among the British and Americans. Among the texts presented by Król in a comfortable, arrogant manner, “A Handful of Dust” was prominent. The novel, in which a provincial woman deceives her husband with an ugly Londoner, as had happened to Waugh [was Waugh geschehen war], and, except for the little son, as everyone knows, [the novel] is full of mind and wit, even if during that evening unfortunately no word of English was heard.

Translation is by Google Translate with some edits.

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