Tony Last on Fifth Avenue

In a recent post on his weblog, political commentator, enemy of political correctness and general iconoclast Taki Theodoracopulos (sometime contributor to the Spectator) has conjured up the image of Tony Last from Waugh’s novel A Handful of Dust among the anti-Trump protestors in front of the Trump Tower office building on Fifth Avenue. He gets there by asserting that the protestors are being paid for their activity by George Soros:

How is it possible for … George Soros, to mask himself in virtue by paying self-aggrandizing, mostly young well-off people to protest while the cameras are whirling? … [T]he protesters remind me of Tony Last, held prisoner by a madman reciting Dickens in perpetuity. They will be yelling the same slogans eight years from now, or for as long as the ill-gotten Soros billions hold out.

At first glance, Mr Todd, who holds Tony captive in Waugh’s novel, seems to have little in common with Soros. However, upon further reflection, and accepting for the sake of argument that Soros is paying the protestors, the analogy makes some sense. The  protestors are free to move on whenever they please, but only assuming they no longer need the alleged support of Soros. You could say the same about Tony Last, except if he moved very far he would have been eaten by a crocodile. And although Mr Todd didn’t need to pay Tony, he did provide fairly basic food and shelter, as well as reading material. Thanks to a reader for sending us this link.  

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Goodbye to More of All That

In the Guardian’s ongoing series of the “100 Best Nonfiction Books,” its latest selection is Goodbye to All That, Robert Graves’ memoir of his WWI experiences and early life. The Guardian describes the book’s depiction of the war as an:

irreverent, comic, and often bawdy first-hand account of frontline action in France…His account of trench life is the thing that still grips the reader 100 years on. In keeping with the account of modern warfare reported by his friend Siegfried Sassoon, Graves describes a campaign that’s a succession of “bloody balls-ups”, in which farcical incompetence and stupidity are responsible for a casual and gruesome slaughter. He, in turn, adds his wild protest by ruthlessly celebrating the horrors of trench life – rotting corpses, scattered brain-matter, and visceral, almost animal, suffering…

The Guardian quotes Paul Fussell’s description of Graves as first and foremost: “a tongue-in-cheek neurasthenic farceur whose material is ‘facts’.” The article concludes with this comparison:

Goodbye to All That remains [Graves’] masterpiece, a classic of English autobiography, and a subversive tour de force that would inspire, among others, Evelyn Waugh’s Sword of Honour trilogy.

A bit more of an explanation for this might have been useful, but the article is about Graves, not Waugh. Oddly, when the same columnist, Robert McCrum,  wrote a Guardian series on “The Best 100 Novels,” the one Waugh novel he included was Scoop, not Sword of Honour. See earlier post.

 

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Wodehouse Redeemed

Today’s Observer has a story by Robert McCrum attributing to an acquisition of the British Library the final act by the British Government in its redemption of the reputation of P G Wodehouse:

…The Observer can now reveal that [Wodehouse’s] lifetime of literary work has reached a remarkable climax. On Thursday, the British Library will announce that the Wodehouse archive is about to join its 20th-century holdings, a collection that includes the papers of Arthur Conan Doyle, Evelyn Waugh, Mervyn Peake, Virginia Woolf, Harold Pinter, Ted Hughes, Beryl Bainbridge, JG Ballard and Angela Carter.

This rare and brilliant archive not only casts fascinating new light on Wodehouse’s comic genius, and painstaking daily revisions of his famously carefree prose, it also holds the key to the controversy that has tormented the writer’s posthumous reputation, the “Berlin broadcasts”. Yet, unlike many authors, he made no attempt to protect this collection, which is all the more authentic for being free of authorial intervention and contrivance.

After his death on Valentine’s Day 1975, many of Wodehouse’s papers found their way to Dulwich College, his former school. Several other manuscripts were already in private hands. Everything else was steadily accumulated and catalogued by the PGW estate, under the direction of Wodehouse scholar Kristin Thompson, and stored in the attic of a farmhouse on the edge of the Sussex Downs.

The article does not reveal, however, the details of what remains of the Wodehouse archive that is in private hands or where it resides (aside, perhaps, from Dulwich College) or how it compares to what the BL is acquiring. In Waugh’s case the BL’s holdings, to which the new acquisition is compared, consist primarily of Waugh’s correspondence files. These are mostly letters from his friends and business associates, such as his agents. The small but important portion of Waugh’s own writings that make up this file is primarily his letters to his wife and other family members. Most of his archive of manuscripts, diaries, drafts, books, etc. is housed in the Harry Ransom Center at the University of Texas and a smaller portion, at the Huntington Library near Pasadena, California. A few of Waugh’s manuscripts are held elsewhere (such as the Brotherton Library at Leeds University and the Loyola-Notre Dame Library in Baltimore) but the holdings of the BL are by no means the chief repository of the Waugh archives. That may also be the case with the Wodehouse archive; the Observer describes in detail only one part–the diary Wodehouse kept while detained by the German Government during WWII. It would be interesting to know the whereabouts and extent of the remainder.

UPDATE (28 November 2016): Articles similar to the above have appeared in the Times and the Daily Mail. Posted below, please see the comment of Kristin Thompson, former archivist of the Wodehouse Archive in which she explains that it is, indeed, a major and extensive archive, including manuscripts of novels, correspondence, and other items of importance in addition to the wartime diaries cited in the Observer article. It includes copies of Evelyn Waugh’s letters to Wodehouse. With its acquisition of these letters, the BL will hold both sides of this correspondence, since its Evelyn Waugh Papers already include 19 pages of correspondence from Wodehouse to Waugh written between 1941-69.

 

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Combe Florey, Pevsner and the Waughs

In a recent article in the Guardian, literary journalist Ian Jack pays homage to the late Nikolaus Pevsner on the occasion of completion of the work he began in the 1950s. This occurred with the publication of the final volume of the Buildings of Scotland, relating to the architecture of Lanarkshire and Renfrewshire. The work was launched with Prof Pevsner’s ambitious Buildings of England series originally sponsored and published by Penguin Books and often referred to as “Penguin Guides.” The first guide was devoted to Cornwall and was published in 1951. Much of the work on the early volumes was undertaken by Pevsner himself who was driven around the countryside by his wife to follow up on the initial research done by his assistants. The texts of these early volumes were written by Pevsner and can be painful reading due to to his meticulous attention to detail. A rivalry grew up between Pevsner and John Betjeman who favored a more relaxed and accessible form of architectural history in his Shell Guide series.

In his Guardian article, Jack mentions Combe Florey. This was Evelyn Waugh’s home from 1956 until his death in 1966, and his wife and later his son Auberon lived there afterwards.  Jack’s article discusses Pevsner’s entry for the house:

Not everywhere welcomed his curiosity; [Pevsner] sometimes got on poorly with the owners of country houses. “Nice staircase of c1753,” was his only comment on the interior of Combe Florey, Auberon Waugh’s house in Somerset. “One can’t very well take offence at that,” Waugh countered later, “but I feel my staircase has been violated whenever I reflect that his bleary socialist eyes have appraised it.”

Combe Florey is covered by the guide entitled South and West Somerset, no 14 in the Penguin series and written by Pevsner. The entry starts with a long and detailed paragraph about the church and then continues with the “manor house.” After a description of the Medieval gatehouse, which predates the manor house and still belongs to Alexander Waugh, Evelyn’s grandson, the entry continues:

The present house is up the hillside. It was built c. 1675 and received a new front in 1730. Five bays and two stories, with pedimented doorway and ground floor windows with Gibbs surrounds. (Nice staircase c. 1735.)

This volume was published in 1958, and Pevsner may have visited the house before the Waughs moved there in late 1956. Waugh leaves no record in his published diaries or letters of a visit by Pevsner. Since he would probably have been aware by that time of the rivalry (even enmity) between Betjeman and Pevsner, he would likely have noted such a visit. Nor does Auberon mention whoever it was who allowed Pevsner into the house when he wrote about it in a 1992 article in his “Way of the World” column for the Daily Telegraph (quoted above). Auberon should have been pleased to have Pevsner’s favorable assessment of his staricase since he more usually left only a dry factual description of a country house that lacked any particular architectural or historic notoriety.

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Grammarian Names Waugh Favorite Writer

British writer and grammarian Lynne Truss has named Evelyn Waugh her favorite writer. This is in an interview in today’s “One Minute With…” column in the i Newspaper, as reposted on PressReader. Truss is probably best known for her 2003 book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. Here’s an excerpt from the interview:

Q. Who is your favorite author and why do you admire him/her?

A. Evelyn Waugh. Although I hate his snobbery, I love his economy of style, and his dialogue. There is a audiobook of his Decline and Fall read by Michael Maloney that I’ve listened to half-a-dozen times: it still makes my laugh and laugh.

 

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Waugh’s Books Ranked in Fashion Magazine Lists

Stylist magazine is a weekly print publication with free distribution within the UK. It has a books column which specializes in listing books in categories thought to be of interest to or likely to amuse its audience of young women. A recent issue listed Vile Bodies as containing one of the 50 funniest lines in literature: “All this fuss about sleeping together. For physical pleasure I’d sooner go to my dentist any day.” This book was also previously rated as having one of the 100 best closing lines in literature: “And presently, like a circling typhoon, the sounds of battle began to return.”

Previous issues have listed other Waugh novels:

Scoop is among the 100 best holiday reads.

Decline and Fall is among the 50 best books about the 1920s.

Brideshead Revisited has, no surprise here, been listed in several categories: Nanny Hawkins is among the 10 best loved fictional nannies; the 1981 TV adaptation is among the 25 best costume dramas and the 25 best DVD boxed sets; and the 2008 film adaptation is among 35 bad adaptations of good novels. 

 

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Judge Turns Novelist, Citing Waugh

The Nottingham Post reports the story of a retiring judge who has published a novel. This is entitled Blackmail, which is about a robbery by a group of professional criminals, and is written by former judge of the Nottingham Crown Court, Michael Stokes. After listening to stories for many years, he now has the opportunity to write one. He describes his decision, with a nod to advice given potential writers by Evelyn Waugh:

“You may influence a decision but juries make the decision, other than sentencing. I can actually decide exactly what happens to all the characters . British writer Evelyn Waugh said ‘never kill your characters’, so you can use them again and again. I’m going to kill off a few. I haven’t decided who dies. No one dies in this novel, only from natural causes. No one gets murdered. But they do in the next one!”

Waugh made that statement in a TV interview on the BBC’s Monitor program in 1964. He was referring to the success of his fellow novelist Anthony Powell who wrote one novel after another based on the same cast of characters as they moved through their lives in A Dance to the Music of Time. Waugh, on the other hand, found death a convenient way to end a story, but then had to work up a whole new cast of characters each time he started another novel. A critic once remarked that one of the most dangerous professions one could choose was to be the hero in an Evelyn Waugh novel. To be fair, some of Waugh’s characters survived through several novels; think of Margot Beste-Chetwynde and Basil Seal. And his last novels were written in a series later published together as Sword of Honour

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Waugh at Thanksgiving Table

The San Diego Reader, a weekly alternative print newspaper, has an article imagining a Thanksgiving dinner at which Evelyn Waugh is one of the guests. The others are:

writer and critic H.L. Mencken, Pogo Possum, Roman emperor Claudius, writer and humorist James Thurber, writer and agitator Hunter P. Thompson, author Robert Penn Warren, and founding father James Madison.

 The host and columnist Walter Mencken (addresses H L as his father, but then he’s the writer of the “Almost Factual News” column) asks the assembled guests:

on this most American of holidays, if everyone could find a way to give thanks for our new American president. Silver linings, it’s an ill wind, that sort of thing.

Waugh’s response is first:

Evelyn Waugh: “‘Change and decay in all around I see,’ sang Uncle Theodore, gazing out of the morning-room window. Thus, with startling loudness, he was accustomed to relieve his infrequent fits of depression.”

W.M.: Very funny, Brexit-boy. That’s from Scoop, isn’t it? Good reference in the wake of the campaign’s media follies. And it’s funnier when you know it’s a line from a hymn. But let’s pretend we’re not just old men who can’t bear to see civilization march on without us. Maybe Trump won’t burn it all down.

H L Mencken is next to reply: 

“Democracy is the theory that the common people know what they want and deserve to get it good and hard. On some great and glorious day, the plain folks of the land will reach their heart’s desire at last, and the White House will be adorned by a downright moron.”

And so on around the table. It might have been noted that this is the first opportunity for Waugh and H L Mencken to meet in person. A meeting was arranged on Waugh’s visit to Baltimore in 1948 but was cancelled due to a stroke suffered by Mencken, from which he never fully recovered, the evening before the event.

Happy Thanksgiving!

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Author William Trevor Dies at 88

Publishers Penguin Random House Ireland have announced the death of novelist and short story writer William Trevor (1928-2016). According to his obituary in the New York Times, he was best known for his “mournful, sometimes darkly funny short stories and novels about the small struggles of unremarkable people .” He began with a career in teaching, in the course of which he taught in what the Guardian describes as “an Evelyn Waugh-style academy in Ulster.” He drifted into advertising, where he started writing fiction in his spare time. The New York Times notes that Evelyn Waugh was among his early boosters in a description of Trevor’s 1964 novel The Old Boys

Evelyn Waugh called the novel “uncommonly well written, gruesome, funny and inspired,” and it won the Hawthornden Prize. As a writer, Mr. Trevor was on his way, and Notley’s lost one of the least promising copywriters it had ever hired.

According to the Guardian, Waugh’s support for the book was in the form of a pre-publication testimonial, rather than a review. Waugh had a habit of supporting the early work of writers in whom he spotted talent, including that of such contemporaries of Trevor as Muriel Spark and Angus Wilson. Waugh was also a winner of the Hawthornden Prize, which we was awarded for his life of Edmund Campion

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Telegraph Compares New Zadie Smith Novel to Brideshead

In a Daily Telegraph review of Zadie Smith’s new novel Swing Time, the reviewer James Walton compares it with Waugh’s Brideshead Revisited. The novel involves a narrator and a friend who who live in different social strata of the same North London public housing estate:

Both are mixed race, their “shade of brown… exactly the same”. But with Smith’s Austen-like sensitivity to social gradations, it definitely matters that the unnamed narrator is the posher of the two. Her family’s flat is in a low-rise block, her father is hard-working and her black mother has “a terrific instinct for middle-class mores”. (“No plastic flowers for us… and no crystal figurines.”) Tracey, by contrast, lives in “a high-rise estate of poor reputation”, with a father in and out of prison and a mother who is “obese, afflicted with acne… her thin blonde hair pulled back very tightly in what I knew my mother would call a ‘Kilburn facelift’.”

Even so, after the two meet in a dance class when they’re seven, it’s the fiercer and more talented Tracey who seems destined for greater things. For a while, in fact, it looks as if Swing Time may be in the tradition of such novels as The Great Gatsby, Brideshead Revisited and Elena Ferrante’s Neapolitan Novels, where a resignedly overshadowed narrator tells us about a more charismatic friend. But, as it turns out, this is only one strand in a book that examines many of Smith’s familiar themes – race, fame, pop culture, female self-delusion and the whole tricky business of roots – from an impressive variety of perspectives.

This point of comparison seems fairly strained because the narrator in Brideshead is of a lower class than and is dazzled by Sebastian’s aristocratic manners and family. In the end, Charles Ryder is not “overshadowed” by Sebastian’s success–far from it. And the difference in their social standing is far more pronounced than that suggested in Smith’s novel. As the reviewer goes on to explain, there are several other storylines that undercut this superficial comparison. But the reviewer has yet another comparison between the two writers up his sleeve which he withholds until his conclusion:

… at times her new novel feels a bit like Brideshead Revisited in another way, with the reckless, irresistible comedy of the author’s early books [e.g., White Teeth] laid aside in favour of something deeper, more heartfelt, but less stirringly energetic. Of course, any writer can write whatever they like, especially when they’re as good as Zadie Smith. Even so, Waugh did go on to reconcile both modes in his Sword of Honour trilogy– and my own hope is that one day she, too, will find a way to combine the seriousness of her recent novels with the comic zest of her early ones.

One can certainly join in that hope. 

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