From the Scoop to the Sack to Baghdad

A blogger has posted a quote describing Waugh’s actions in the immediate aftermath of his sacking by the Daily Mail during his coverage of the Abyssinian War:

“The Daily Mail sacked Waugh [… and] in December 1935 he left Abyssinia with relief. On his way home he decided to call on an acquaintance he had met in London. She was the wife of the Counsellor at the British Legation in Tehran. Unfortunately he misremembered her posting – and sent a telegram to the British Ambassador in Baghdad, enquiring, “Would I be welcome if I came to you for weekend Evelyn Waugh”. The reply was [oddly] unenthusiastic: “Fairly. Ambassador”.

The quote is unattributed in the posting but comes from Ann Pasternak Slater’s introduction to the 2003 Everyman edition of Black Mischief, Scoop, etc., p. xvii. Pasternak Slater’s paragraph concludes:

“I did a thing at Bagdad [sic] that only happens in nightmares,” he told Lady Diana Cooper. It was the first of several cases of mistaken identity fuelling Scoop.

Waugh’s January 1936 letter to Diana Cooper tells the full story of the visit to Baghdad which, as it turns out, had a happy ending. Mr Wu and Mrs Stitch, p. 58.

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Ricky Gervais Reboots Scoop

The Independent carries a report about recent films with a journalism theme. Prominently featured is a new film written, directed by and starring Ricky Gervais who is still struggling to repeat his early satirical success with the BBC TV series The Office. This new film, called Special Correspondents, involves characters who are neither the “scoundrels nor worthy truth-hungry heroes” that typify journalists in films but 

is notable for taking the proverbial out of both stereotypes while following, rather less adroitly, in the satirical footsteps of Evelyn Waugh’s 1938 novel Scoop. Like William “the wrong” Boot, Waugh’s society journalist hero who is accidentally sent to report from the frontline of war in the fictional Ishmaelia, Bonneville [the journalist, played by Eric Bana] finds himself filing made up reports about a civil war in Ecuador, eventually staging his own kidnap along with his poor hapless radio technician Ian Finch (Gervais) — only for their fictitious broadcasts to be repeated around the globe, sparking a manhunt for a made up rebel leader and, eventually, for the utter rubbish they’ve come out with to somehow, bafflingly, become the truth.

Gervais’ film is compared to this year’s earlier critical failure, Tina Fey’s feature entitled Whiskey Tango Foxtrot which

has been mocked online as like Zero Dark 30 Rock for its jarringly contradictory failure to do either a complete MASH or a Hurt Locker.

The Independent’s reporter, Maltilda Battersby, criticises both films for failing to face the real crisis in journalism today–the fact that such correspondents as they depict would be unlikely to find an employer, like Waugh’s Lord Copper, willing or able to finance the sort of foreign journalistic mission they undertake.

Battersby’s description of Waugh’s character William Boot as a “society journalist” makes one wonder how carefully she read the novel. Perhaps, in yet another case of mistaken identity, she too has confused William (who writes of questing voles and plashy fens) with the more “fashionable” John Courteney Boot, beloved of the denizens of London society such as Margot Metroland and Julia Stitch and the “right Boot” to cover the war in Ishmaelia.

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Tourist in Africa as Prophecy

A blogger has posted on the internet his 27-page article on Waugh’s final (and much neglected) travel book Tourist in Africa. This is Dr. Robert Hickson who sees in Waugh’s descriptions of 1959 East Africa (particularly those of Tanganyika and Zanzibar) a prophecy of what may be about to happen in Europe as the result of ever-increasing immigration of non-Christian people. The essay, which is reposted from scrbd.com, is attached to his introduction on catholicism.org. The article also cites a 1961 book by James Burnham about this same region which is compared to Waugh’s descriptions. Overall, from a brief look, this appears to contain more quotation than analysis, allowing Waugh’s and Burnham’s words largely to speak for themselves. Here’s part of the introduction to give you some idea of what Dr. Hickson’s article is about:

By considering the refreshingly candid insights to be found in A Tourist in Africa (1960) — Evelyn Waugh’s last book of travel — we may also thereby shed valuable light on the current challenges and limits to be faced by discordantly multi-cultured and overloaded Europe, given the stark underlying realities of geography and of demography (births, deaths, and migrations).

The complete article from scrbd.com is posted just below the introduction.

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The Tablet Reprints Waugh Obituary

The Tablet in this week’s edition reprints from its archives the obituary of Evelyn Waugh which appeared 50 years ago on 16 April 1966:

When Evelyn Waugh died suddenly on Sunday morning, after attending Mass celebrated by his friend Fr Philip Caraman, it was a merciful dispensation at the end. He had been unwell for a long time, much troubled by insomnia, and a great depression of spirits. From early manhood he had suffered from ennui, an affliction which ought to be classed among the major ails to which suffering humanity is exposed. Gifted with great perceptive power and swift intelligence, he saw to the end of situations before they had time to unfold, realised how much or how little they contained, and found any excessive expectations so constantly cheated that he came to anticipate very little pleasure, and at most a mild and ephemeral mitigation of a heaviness of spirit. I remember once when he had ordered champagne in the afternoon at White’s, and when it came he gazed sadly at it and said: “One thinks it will be enjoyable, and then when it comes, it isn’t”; and that was only too often what happened to him.

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Waugh in the Entertainment Industry

Two Waugh promotions have recently appeared on the internet. The first is a trailer  produced by English Touring Theatre Company and York Theatre Royal for their stage production of Brideshead Revisited which opens next week in York. The trailer has been posted on YouTube. The other is a notice posted yesterday on Facebook and  Tumblr by Turner Classic Movies commemorating the birthdays of two actors who appeared together in the 1965 Hollywood film production of The Loved One. They are John Gielgud who played Francis Hinsley and Rod Steiger who played Mr Joyboy. The postings are illustrated with photo stills from the film.

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Waugh Presentation Copies for Sale

Jonkers Rare Books in Henley-on-Thames is offering seven of the presentation copies of Waugh’s books that were auctioned by Bonhams last year. See earlier post.  These are from the collection of Waugh’s friend and fellow novelist Anthony Powell. They are priced from £4000 to £12500. Among them, at the highest price, are two copies of Scott-King’s Modern Europe, one of which contains an original and amusing drawing by Waugh and the other, a note apologizing for having marked up the first copy. The importance of these copies is explained in the bookseller’s description of each book:

An exceptional association linking two of the great novelists of the twentieth century.”Although two years behind him at Oxford, Powell had seen just enough of Waugh to recognise that he was bound to make his mark in the world somehow. They met again in 1927… Powell warmed to Waugh, whose self confidence had not been dented by the many setbacks he had experienced since leaving Oxford.” (Michael Barber – Anthony Powell A Life)
It was through his friendship with Powell, that Waugh found his first publisher in Duckworth where Powell worked at the time. Duckworth famously declined to publish Waugh’s first novel, Decline & Fall, but remained Waugh’s publishers choice for his travel writings. The break up of Waugh’s marriage involving Powell’s raffish friend John Heygate caused relations between Waugh and Powell to temporarily cool, but both kept up a regular correspondence and common interests saw to it that their lives intertwined for the remainder of Waugh’s life. In particular, a mutual support, born of respect for each other’s work, remained constant between the two. Upon Waugh’s death in 1966, Powell wrote, “his going means that a chunk of my own life has gone too.

Also on offer is an unrelated first edition of Decline and Fall in a near perfect dustwrapper. That is not a presentation copy, but the price is £25000. Tip of the hat to Jonathan Kooperstein who called us about these after seeing them on display at a New York City book fair.

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Brideshead Reimagined

Bloggers on two religious weblogs try to reimagine how the family issues Waugh described in Brideshead Revisited would be affected by the new Roman Catholic teachings on marriage known as Amoris Laetitia. One site is sponsored by a Protestant group (Old Life) and the other by a Roman Catholic organization (Rorate Caeli). 

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La Stampa Joins in Waugh Commemoration

The Italian newspaper La Stampa, based in Turin, last week published an article commemorating the 50th anniversary of Evelyn Waugh’s death. This is by Paolo Bertinetti and is entitled “Evelyn Waugh, conservatore senza nulla da conservare” (“Conservative with nothing to preserve”). The article opens with the assessment that Waugh 

was one of the finest British writers of the twentieth century, a master of accuracy and writing fluency almost unparalleled. “In England” – he said to Graham Greene – “there are only three able to write well in English: you, me and Powell” 

Your correspondent doesn’t recall that letter to Greene, but it does sound like something Waugh might have said. Bertinetti also writes that Waugh was baptized “Arthur St John” but decided to call himself “Evelyn.” He got a bit of the wrong end of the stick on that one, since Waugh wrote that Evelyn was part of his “christened name” (A Little Learning (London, 1973, p. 32). The article continues:
 

Waugh had an all-encompassing attitude longing for the “old England” and contempt for contemporary England, guilty of forgetting the respect due to superiors, putting money above all other values, and casually tolerating licentiousness…His anger against the banality of the present and the triumph of money influenced the writing of A Handful of Dust (1934), a delightful novel that recounts the story of a gentleman unable to move in the modern reality: the plot is ironic and grotesque – and the descriptions of  the main character’s wife are fierce.

Bertinetti goes on with a survey of Waugh’s life and works, with the main emphasis on his marriages and army career. The article concludes with a brief assessment of Sword of Honour

which has many autobiographical touches, covers the years of war and reveals an extraordinary ability to grasp the comic aspects even within the tragedy. It is a scathing satire, highly enjoyable, of the English bourgeoisie viewed through ultra-conservative eyes. But perhaps because of this, it succeeds in its intent. From the right, to use an old formula, Waugh says things about the left with an ability of which the left would never be capable.

The translation is from Google Translate with a bit of editing. Anyone seeing any errors is invited to comment. The source of the letter to Graham Greene is of particular interest.

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Recording of UT Waugh Panel Available Online

The University of Texas Faculty Seminar on British Studies has posted a sound recording of last Friday’s panel discussion in Austin on the subject of Waugh’s travels in America. It is available online. At the bottom of the lecture description click on “Listen to audio only” and a sound file comes up.

The panelists included Dr. Barbara Cooke who described the current work on the Complete Works of Waugh project in which the first of at least 43 projected volumes is expected next year. Prof. Martin Stannard, author of the standard two-volume biography of Waugh, described trip to California in 1947 which resulted in The Loved One. He also spoke about Waugh’s tours of the Eastern U.S. in 1948 to research an article for Life magazine and in 1949 to lecture at Roman Catholic colleges and universities on the subject of “Three British Convert Writers: G.K. Chesterton, Graham Greene, and Ronald Knox.” Jeff Manley then spoke about new research relating to the 1949 lecture tour which led to the compilation of a complete and accurate itinerary and added to the anecdotes contained in Prof. Stannard’s biography. Waugh’s article entitled “The American Epoch in the Catholic Church” is included in Essays, Articles and ReviewsIt first appeared in Life magazine, 19 September 1949, and in the Month, November 1949, and is available in the online archives of both journals.

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50th Anniversary and Rex Mottram Feature on Weblogs

Mike T in his weblog Boats Against the Current added another article to the  growing list of internet encomia on the occasion of the 50th anniversary of Waugh’s death. He makes an interesting comparison with other writers of a curmudgeonly type:

An extraordinary thing has happened with Waugh: Despite being regarded as snobbish, racist, and misanthropic…, he has maintained his reputation as one of the great writers of English prose in the 20th century. There is at least one reason why that reputation didn’t decline, I believe: the cantankerous, contrarian Waugh, unlike, say, T.S. Eliot or Philip Larkin, expressed virtually all his objectionable views openly, so he could not be convicted of hypocrisy. In short, there were few if any posthumous revelations of secret, politically incorrect thinking.

There are also quotes from Waugh’s little read books Helena and The Holy Places.

A Roman Catholic weblog  joins the list of those recently expressing a fascination with Rex Mottram, a character in Brideshead Revisited. In this case it is his inability to grasp the essence of Roman Catholicism, rather than his politics and personality that is deemed remarkable:

Rex, boorish and unchurched, wishes to marry Julia, a Catholic from a devout family. “I’ll become a Catholic,” he agrees. “What does one have to do?” Rex dutifully meets with a priest, Fr. Mowbray, but their conversations always end in frustration. “He’s the most difficult convert I have ever met,” says Fr. Mowbray at one point. “He doesn’t seem to have the least intellectual curiosity or natural piety.” Rex, for his part, couldn’t see what all the fuss was about. Here’s how he puts it to Julia’s mother: “If your Church is good enough for Julia, it’s good enough for me…. Look, Lady Marchmain, I haven’t the time. Instruction will be wasted on me. Just you give me the form and I’ll sign on the dotted line.” Despite his protests, his fiancée and her family recognized the crux of the matter: Rex just wasn’t getting “it” – the “Thing,” as Chesterton put it. 

The description of Julia’s family as “devout” is debatable. Her mother, sister and elder brother certainly were, but (at that point in the novel, at least) she, her younger brother and her father were not. Rex fit right in, and he gave Waugh and the pious members of the family some one to feel smug about.

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