Leftist Comic Again Names Waugh Favorite

Leftist comedian Alexei Sayle has again identfied Evelyn Waugh as his favorite writer. See earlier post from Glasgow Herald. This latest comment is in a webchat on the Guardian. Here’s the relevant Q&A:

Q. Having read your short stories and novels, I am wondering who your favourite writers are. Which short story writers do you admire? …

A. Well, the only writer I go back to over and over is Evelyn Waugh. One of the things I’ve always tried to do is listen to other voices. My parents tended to only read stuff that confirmed their point of view, and I was more interested in stuff that came from the opposite point of view. It’s important to challenge your own viewpoint. Waugh disliked the working classes, there are no working class characters in his novels, but for all that he was a wonderful satirist. If I went on Celebrity Mastermind, my specialist subject would be the Sword of Honour series. I would get 9 points out of a possible 13.

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Waugh Characters Inspire Fabric Design

Interior designer Scot Meacham Wood has come up with a fabric design named for Sebastian Flyte from Brideshead Revisited. This is “Sebastian Tattersall.” Wood describes his inspiration on his website Tartanscot:

I wanted a name that implied all the glories of an English summer . . . the dusty blue of an early morning – the lush greens of fresh grass and ancient trees and the soft, heathered hues of a riotous English garden in the full blossom of high summer . . .

Several example of “Sebastian Tattersall” on a sky blue background are displayed on the website. Wood is working on a fabric design to be named for Charles Ryder. Can we hope for one on a white background to be named “Anthony Blanche”? Or why limit ourselves to Brideshead? A McTavish plaid rebranded as “Trimmer tartan” should shift a few yards of fabric.

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Brideshead Recommended as Cure for Alcoholics

Daily Mail books columnist Daisy Goodwin has written an article recommending books to help cure or prevent alcoholism. Waugh’s Brideshead Revisited is recommended for its warning about the evil effects of the disease on those other than the drinker: 

…for a sobering account of the misery an alcoholic can wreak on those around them, it’s worth reading Brideshead Revisited by Evelyn Waugh. The book charts the Oxford friendship between Charles Ryder and aristocratic Sebastian Flyte. Sebastian appears to have everything — looks, charm, position — but he cannot stop drinking. Slowly he loses everything he loves and ends up broken in mind and spirit. I have read this book many times and on each occasion I long to pick up Sebastian and shake him into sobriety, but as the book makes clear so elegantly, alcoholism is not so easily dealt with.

Other books recommended are Kingsley Amis’s Lucky Jim (for curative description of a hangover) and Helen Fielding’s Bridget Jones’ Diary (for how drink can ruin one’s social life). 

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Rex Mottram = Donald Trump?

Rex Mottram in Waugh’s Brideshead Revisited has enjoyed something of a renaissance lately, as witnessed in several of our recent postings. George Weigel, writing in the National Review, may have hit upon the reason for this. He reminds people of Donald Trump. According to Weigel:

Rex is very much the Modern Man: Having made his pile, he wants, and gets, the best cars, the best brandy, the best club memberships, the best available seat in Parliament, all of which he is prepared to buy…He has a strange sort of charm, as if completely unaware of his essential vulgarity and gaucheness…He is a fixer and life has taught him that there is very little that money and connections to the right people can’t fix.

Yet, he eventually overplays his hand when he comes up against Lady Marchmain and her church. In his attempt to convert, his instructor Father Mowbray finds that “there is no there there,” just as Gertrude Stein found of her hometown, Oakland, California. Perhaps Trump is more Queens than Manhattan? As Julia Flyte, who marries Rex, despite his inability to convince Father Mowbray, describes him in a passage quoted by Weigel:

“You know Father Mowbray hit on the truth about Rex at once, that it took me a year of marriage to see. He simply wasn’t all there. He wasn’t a complete human being at all. He was a tiny bit of one, unnaturally developed; something in a bottle, an organ kept alive in a laboratory. I thought he was a sort of primitive savage, but he was something absolutely modern and up-to-date that only this ghastly age could produce. A tiny bit of a man pretending he was whole” (p. 177).

Weigel doesn’t tell us whether he thinks Marco Rubio may have read that passage before referring to Trump’s diminutive hands. 

Weigel concludes his article :

In creating Rex, one of the great English novelists if our time unwittingly created a portrait of Donald Trump who displays every attribute of Rex Mottram except Rex’s suave manners. That portrait should be studied in the days and weeks ahead.

There is a bit of risk in this analysis, however. As Weigel notes, Rex is politically flexible, having started as a Tory, he then flirted with communism and fascism. Waugh does not reveal Rex’s post war fate, but one could easily imagine his fitting into a seat in the Atlee Government and continuing his inexorably upward movement into the Welfare State from there.

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Waugh at Chatsworth

The Yorkshire Post has a story about an exhibit at Chatsworth House of Cecil Beaton’s photographs. The photos themselves are mostly from Southebys but the subjects of these photos are visitors to Chatsworth. One of the photos is of Evelyn Waugh. Also on display is a letter he wrote to Deborah Devonshire thanking her for a visit he made to Chatsworth in 1957. The letter is addressed:

to “Dearest Debo”. It’s written on headed notepaper from Renishaw Hall, the Sitwells’ Derbyshire family home.

Waugh – pictured by Beaton as a cigar-smoking country squire – had just visited Chatsworth. He wrote that Renishaw, with its “household of aged bachelors”, was “a sombre contrast” to Chatsworth – “no television, no telephone in the public rooms, no bonfires, no gin before half past noon. The talk is mostly of medicines.”

Waugh was apparently a demanding house guest, asking for Malvern water on his bedside table at Chatsworth and claiming, probably jokingly, to have discovered a full chamber pot under his bed. He subsequently sent the Duchess a book as a gift.

“It had a note with it: ‘You won’t find a word in these pages that you won’t like’,” says Charlotte Johnson, the exhibition’s research assistant. “It was a completely blank book.”

The letter from Renishaw is reproduced in Letters, p. 493. The chamberpot incident was, as explained by Waugh to Nancy Mitford, Deborah’s sister,  sparked by Waugh’s upset that Deborah insisted upon watching television during meals. This may also explain the reference to absence of a television at Renishaw. The blank book had a binding showing the title of Waugh’s biography of Ronald Knox. It contained an inscription, but not quite the one as quoted by the Yorkshire Press. It was inscribed “in the certainty that not one word of this will offend your Protestant persuasion.” In Tearing Haste: Letters between Deborah Devonshire and Patrick Leigh Fermor, pp. 60-61. Meanwhile, in today’s New York Times there is an article in the Sunday Styles section about what might be termed a wave of Beatonmania sweeping the art, fashion and even furniture worlds. Among the examples is the exhibit at Chatsworth which opens on March 19.

NOTE (21 March 2016): The Daily Telegraph has run a feature story about this exhibit. Here’s a reference to Deborah Devonshire’s comments on Waugh:

According to the Duchess’s memoir, Evelyn Waugh could also be “tricky company” due to the “phenomenal amount of drink the writer downed
 You had to catch him early in the evening. He wanted to be friends and was full of compliments, but they turned to insults before you knew were you were”. Waugh, though, knew on which side his bread was buttered, and lavished letters and gifts of his books on the Duchess in recompense.

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Presentation Copy of Vile Bodies on Sale

Peter Harrington Books has listed a copy of the Vile Bodies first edition. This is a copy which Waugh presented to London chef Marcel Boulestin:

First edition, presentation copy, eponymously inscribed on the front endpaper: “For Marcel Boulestin/ from / Evelyn Waugh / ‘For this body which you call Vile / our Lord Jesus Christ was not / ashamed to die’”. Xavier Marcel Boulestin (1878-1943) was a French chef famous in London for his cookery books and articles, and his Restaurant Boulestin, which opened in London in 1927. 

This on offer for £8,500. Also on offer is a copy of the 1942 first limited edition of Work Suspended presented to Randolph Churchill and signed by Waugh at Christmas of that year. That is offered at £3750. 

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Brideshead on Aussie Reading List

An Australian newsblog The New Daily has included Brideshead Revisited on a list of “20 books you should have read by now:”

Wartime British writer Evelyn Waugh wrote arguably his most-celebrated novel about Charles Ryder, an undergraduate at Oxford who befriends the younger son of the aristocratic Lord Marchmain and becomes obsessed with their family.

Other books on the list by writers of Waugh’s generation include 1984, Passage to India, The Great Gatsby and Catcher in the Rye. Thanks to David Lull for spotting this blog.

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Evelyn Waugh and Confirmation Bias

The journalism website of the  Nieman Foundation at Harvard University, Storyboard, carries an article by Michael Fitzgerald that cites a brief episode of Scoop as an example of a phenomenon that should be avoided by future journalists. This is known as “confirmation bias:” 

There’s a scene in Evelyn Waugh’s scathing journalism send-up “Scoop” where Wenlock Jakes, the world-beating American reporter (based on John Gunther of the old Chicago Daily News), is sent to the Balkans to write about a war. Jakes sleeps through his train stop, but when he walks off the train into a peaceful capital he nonetheless conjures stories of conflict so convincing that war soon breaks out in the nation he’s entered.

Jakes’ fake war gives us a perfect send-up of journalistic confirmation bias, the process by which people choose only to see evidence that affirms their current point of view, ignoring anything that might contradict it. Journalists are supposed to see the real story and tell it. But sometimes we want to believe our own stories badly enough that we make them true, regardless of the evidence in front of us.

Fitzgerald cites two recent cases where “confirmation bias” lead to embarrassing results. These are the 2014 Rolling Stone story of the alleged rape on the University of Virginia campus and the sports news website SBNation’s story of a former football player accused of being a serial rapist. Both stories had to be pulled after publication when defects began to appear which should have been obvious beforehand. 

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Country Life in the Plashy Fen

An article in this week’s Spectator recounts the successful career of Country Life magazine. This is on the occasion of the BBC2’s production of a 3-part documentary on how the magazine is put together. The article is written by Nigel Farndale who worked at the magazine in the 1990s and is reminded of its similarity to the Boot Magna scenes in Waugh’s novel Scoop:

Pitching up at Country Life was like stepping into an Evelyn Waugh novel. Everyone seemed to have an unpronounceable name (as in Cholmondeley, pronounced Chumley). I found myself cast as William Boot in Scoop, the inept young hack whose affected style was typified by the sentence ‘Feather–footed through the plashy fen passes the questing vole.’ Like Boot I would sometimes be out of my depth, such as the time I went to a black-tie dinner at a grand country house and, like a cad on the Titanic, left with ‘the ladies’ at the end of the meal, only to be summoned back to where ‘the gentlemen’ were gathered at one end of the table to talk politics over the port. Tradition dies hard in the shires.

The BBC2 series (entitled Land of Hope and Glory) continues next week, and episodes 1 and 2 are available now to be watched on BBC iPlayer (a proxy internet server is needed outside the UK).

NOTE (15 March 2016):  According to the BBC2 website, one of the subjects of the next episode will be  ” a romantic manor house in Somerset, steeped in First World War history.” In a preview, there is a scene showing Mells Manor and the Church of St. Andrew next door. Waugh was a frequent visitor at Mells, the home of Katharine Asquith and her family. The program will be broadcast at 2100 on Friday 18 March and will be available in BBC iPlayer thereafter. 

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Details Emerge of Brideshead Stage Production

The Daily Mail in a story based on an interview with Damian Cruden has announced details of the upcoming stage production of Brideshead Revisited opening at York’s Theatre Royal next month. Cruden, the play’s director, 

said that all the characters are wrapped up in searching for their faith and themselves…Cruden added that he wanted to explore the story from the perspective of ‘Britain today’ and to observe the pace of social structures and to achieve that it was important to cast the piece with actors who reflect Britain now.

Sebastian, played by Anthony Andrews in the landmark Eighties television drama, will be taken by Asian actor Christopher Simpson, while actress Kiran Sonia Sawar has been picked as Sebastian’s sibling Cordelia. Cruden, artistic director of York Theatre Royal, said that the story looks at the upper-crust socialites of the time ‘and that was a very white world. The world that looks back on that today is not that.’ He continued: ‘It’s not about their being black actors to do the roles, it’s about their being a really good company of actors to tell this story and those actors should represent the world we live in now because they’re telling the story to the community now.’ The company of actors will play multiple role roles apart from Brian Ferguson and Rosie Hilal, who play Charles Ryder and Julia Flyte. The cast also includes Paul Shelley and Caroline Harker as Lord and Lady Marchmain, and Nick Blakeley and Shuna Snow.

A photo of the actors portraying Sebastian, Charles and Julia accompanies the story in the Mail. More details on the cast and crew, including biographies, can be seen on the site My Theatre Mates.

 

 

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