Rex Mottram = Donald Trump?

Rex Mottram in Waugh’s Brideshead Revisited has enjoyed something of a renaissance lately, as witnessed in several of our recent postings. George Weigel, writing in the National Review, may have hit upon the reason for this. He reminds people of Donald Trump. According to Weigel:

Rex is very much the Modern Man: Having made his pile, he wants, and gets, the best cars, the best brandy, the best club memberships, the best available seat in Parliament, all of which he is prepared to buy…He has a strange sort of charm, as if completely unaware of his essential vulgarity and gaucheness…He is a fixer and life has taught him that there is very little that money and connections to the right people can’t fix.

Yet, he eventually overplays his hand when he comes up against Lady Marchmain and her church. In his attempt to convert, his instructor Father Mowbray finds that “there is no there there,” just as Gertrude Stein found of her hometown, Oakland, California. Perhaps Trump is more Queens than Manhattan? As Julia Flyte, who marries Rex, despite his inability to convince Father Mowbray, describes him in a passage quoted by Weigel:

“You know Father Mowbray hit on the truth about Rex at once, that it took me a year of marriage to see. He simply wasn’t all there. He wasn’t a complete human being at all. He was a tiny bit of one, unnaturally developed; something in a bottle, an organ kept alive in a laboratory. I thought he was a sort of primitive savage, but he was something absolutely modern and up-to-date that only this ghastly age could produce. A tiny bit of a man pretending he was whole” (p. 177).

Weigel doesn’t tell us whether he thinks Marco Rubio may have read that passage before referring to Trump’s diminutive hands. 

Weigel concludes his article :

In creating Rex, one of the great English novelists if our time unwittingly created a portrait of Donald Trump who displays every attribute of Rex Mottram except Rex’s suave manners. That portrait should be studied in the days and weeks ahead.

There is a bit of risk in this analysis, however. As Weigel notes, Rex is politically flexible, having started as a Tory, he then flirted with communism and fascism. Waugh does not reveal Rex’s post war fate, but one could easily imagine his fitting into a seat in the Atlee Government and continuing his inexorably upward movement into the Welfare State from there.

Share
Posted in Articles, Brideshead Revisited | Tagged , , , | Comments Off on Rex Mottram = Donald Trump?

Waugh at Chatsworth

The Yorkshire Post has a story about an exhibit at Chatsworth House of Cecil Beaton’s photographs. The photos themselves are mostly from Southebys but the subjects of these photos are visitors to Chatsworth. One of the photos is of Evelyn Waugh. Also on display is a letter he wrote to Deborah Devonshire thanking her for a visit he made to Chatsworth in 1957. The letter is addressed:

to “Dearest Debo”. It’s written on headed notepaper from Renishaw Hall, the Sitwells’ Derbyshire family home.

Waugh – pictured by Beaton as a cigar-smoking country squire – had just visited Chatsworth. He wrote that Renishaw, with its “household of aged bachelors”, was “a sombre contrast” to Chatsworth – “no television, no telephone in the public rooms, no bonfires, no gin before half past noon. The talk is mostly of medicines.”

Waugh was apparently a demanding house guest, asking for Malvern water on his bedside table at Chatsworth and claiming, probably jokingly, to have discovered a full chamber pot under his bed. He subsequently sent the Duchess a book as a gift.

“It had a note with it: ‘You won’t find a word in these pages that you won’t like’,” says Charlotte Johnson, the exhibition’s research assistant. “It was a completely blank book.”

The letter from Renishaw is reproduced in Letters, p. 493. The chamberpot incident was, as explained by Waugh to Nancy Mitford, Deborah’s sister,  sparked by Waugh’s upset that Deborah insisted upon watching television during meals. This may also explain the reference to absence of a television at Renishaw. The blank book had a binding showing the title of Waugh’s biography of Ronald Knox. It contained an inscription, but not quite the one as quoted by the Yorkshire Press. It was inscribed “in the certainty that not one word of this will offend your Protestant persuasion.” In Tearing Haste: Letters between Deborah Devonshire and Patrick Leigh Fermor, pp. 60-61. Meanwhile, in today’s New York Times there is an article in the Sunday Styles section about what might be termed a wave of Beatonmania sweeping the art, fashion and even furniture worlds. Among the examples is the exhibit at Chatsworth which opens on March 19.

NOTE (21 March 2016): The Daily Telegraph has run a feature story about this exhibit. Here’s a reference to Deborah Devonshire’s comments on Waugh:

According to the Duchess’s memoir, Evelyn Waugh could also be “tricky company” due to the “phenomenal amount of drink the writer downed… You had to catch him early in the evening. He wanted to be friends and was full of compliments, but they turned to insults before you knew were you were”. Waugh, though, knew on which side his bread was buttered, and lavished letters and gifts of his books on the Duchess in recompense.

Share
Posted in Letters, Photographs, Ronald Knox | Tagged , , , , | Comments Off on Waugh at Chatsworth

Presentation Copy of Vile Bodies on Sale

Peter Harrington Books has listed a copy of the Vile Bodies first edition. This is a copy which Waugh presented to London chef Marcel Boulestin:

First edition, presentation copy, eponymously inscribed on the front endpaper: “For Marcel Boulestin/ from / Evelyn Waugh / ‘For this body which you call Vile / our Lord Jesus Christ was not / ashamed to die’”. Xavier Marcel Boulestin (1878-1943) was a French chef famous in London for his cookery books and articles, and his Restaurant Boulestin, which opened in London in 1927. 

This on offer for £8,500. Also on offer is a copy of the 1942 first limited edition of Work Suspended presented to Randolph Churchill and signed by Waugh at Christmas of that year. That is offered at £3750. 

Share
Posted in First Editions, Items for Sale, Vile Bodies, Work Suspended | Tagged , , | Comments Off on Presentation Copy of Vile Bodies on Sale

Brideshead on Aussie Reading List

An Australian newsblog The New Daily has included Brideshead Revisited on a list of “20 books you should have read by now:”

Wartime British writer Evelyn Waugh wrote arguably his most-celebrated novel about Charles Ryder, an undergraduate at Oxford who befriends the younger son of the aristocratic Lord Marchmain and becomes obsessed with their family.

Other books on the list by writers of Waugh’s generation include 1984, Passage to India, The Great Gatsby and Catcher in the Rye. Thanks to David Lull for spotting this blog.

Share
Posted in Brideshead Revisited | Tagged | Comments Off on Brideshead on Aussie Reading List

Evelyn Waugh and Confirmation Bias

The journalism website of the  Nieman Foundation at Harvard University, Storyboard, carries an article by Michael Fitzgerald that cites a brief episode of Scoop as an example of a phenomenon that should be avoided by future journalists. This is known as “confirmation bias:” 

There’s a scene in Evelyn Waugh’s scathing journalism send-up “Scoop” where Wenlock Jakes, the world-beating American reporter (based on John Gunther of the old Chicago Daily News), is sent to the Balkans to write about a war. Jakes sleeps through his train stop, but when he walks off the train into a peaceful capital he nonetheless conjures stories of conflict so convincing that war soon breaks out in the nation he’s entered.

Jakes’ fake war gives us a perfect send-up of journalistic confirmation bias, the process by which people choose only to see evidence that affirms their current point of view, ignoring anything that might contradict it. Journalists are supposed to see the real story and tell it. But sometimes we want to believe our own stories badly enough that we make them true, regardless of the evidence in front of us.

Fitzgerald cites two recent cases where “confirmation bias” lead to embarrassing results. These are the 2014 Rolling Stone story of the alleged rape on the University of Virginia campus and the sports news website SBNation’s story of a former football player accused of being a serial rapist. Both stories had to be pulled after publication when defects began to appear which should have been obvious beforehand. 

Share
Posted in Newspapers, Scoop | Tagged , , , | Comments Off on Evelyn Waugh and Confirmation Bias

Country Life in the Plashy Fen

An article in this week’s Spectator recounts the successful career of Country Life magazine. This is on the occasion of the BBC2’s production of a 3-part documentary on how the magazine is put together. The article is written by Nigel Farndale who worked at the magazine in the 1990s and is reminded of its similarity to the Boot Magna scenes in Waugh’s novel Scoop:

Pitching up at Country Life was like stepping into an Evelyn Waugh novel. Everyone seemed to have an unpronounceable name (as in Cholmondeley, pronounced Chumley). I found myself cast as William Boot in Scoop, the inept young hack whose affected style was typified by the sentence ‘Feather–footed through the plashy fen passes the questing vole.’ Like Boot I would sometimes be out of my depth, such as the time I went to a black-tie dinner at a grand country house and, like a cad on the Titanic, left with ‘the ladies’ at the end of the meal, only to be summoned back to where ‘the gentlemen’ were gathered at one end of the table to talk politics over the port. Tradition dies hard in the shires.

The BBC2 series (entitled Land of Hope and Glory) continues next week, and episodes 1 and 2 are available now to be watched on BBC iPlayer (a proxy internet server is needed outside the UK).

NOTE (15 March 2016):  According to the BBC2 website, one of the subjects of the next episode will be  ” a romantic manor house in Somerset, steeped in First World War history.” In a preview, there is a scene showing Mells Manor and the Church of St. Andrew next door. Waugh was a frequent visitor at Mells, the home of Katharine Asquith and her family. The program will be broadcast at 2100 on Friday 18 March and will be available in BBC iPlayer thereafter. 

Share
Posted in Documentaries, Scoop, Television Programs | Tagged , , , | Comments Off on Country Life in the Plashy Fen

Details Emerge of Brideshead Stage Production

The Daily Mail in a story based on an interview with Damian Cruden has announced details of the upcoming stage production of Brideshead Revisited opening at York’s Theatre Royal next month. Cruden, the play’s director, 

said that all the characters are wrapped up in searching for their faith and themselves…Cruden added that he wanted to explore the story from the perspective of ‘Britain today’ and to observe the pace of social structures and to achieve that it was important to cast the piece with actors who reflect Britain now.

Sebastian, played by Anthony Andrews in the landmark Eighties television drama, will be taken by Asian actor Christopher Simpson, while actress Kiran Sonia Sawar has been picked as Sebastian’s sibling Cordelia. Cruden, artistic director of York Theatre Royal, said that the story looks at the upper-crust socialites of the time ‘and that was a very white world. The world that looks back on that today is not that.’ He continued: ‘It’s not about their being black actors to do the roles, it’s about their being a really good company of actors to tell this story and those actors should represent the world we live in now because they’re telling the story to the community now.’ The company of actors will play multiple role roles apart from Brian Ferguson and Rosie Hilal, who play Charles Ryder and Julia Flyte. The cast also includes Paul Shelley and Caroline Harker as Lord and Lady Marchmain, and Nick Blakeley and Shuna Snow.

A photo of the actors portraying Sebastian, Charles and Julia accompanies the story in the Mail. More details on the cast and crew, including biographies, can be seen on the site My Theatre Mates.

 

 

Share
Posted in Adaptations, Brideshead Revisited, Theater | Tagged , , | Comments Off on Details Emerge of Brideshead Stage Production

Waugh Cited in Architectural Satire Article

Evelyn Waugh’s Decline and Fall (1928) has been cited in an article on architectural satire. This appears in the online edition of the magazine Building Design. The classic British book in this style, according to the article, is H.B. Cresswell’s The Honeywood File published in 1929, the year after Waugh’s novel appeared, and still in print:

Evelyn Waugh’s 1928 Decline and Fall had already introduced his readers to the world of “ferro-concrete and aluminium”. The matchless Professor Otto Silenus was an “extraordinary young man… not yet very famous anywhere” who had caught the attention of his patron, Mrs Beste-Chetwynde, with a (rejected) design for a chewing-gum factory glimpsed in “a progressive Hungarian quarterly”. Now she wanted a country house in that idiom.

The result was to replace Mrs. Beste-Chetwynde’s Tudor country house King’s Thursday with a Bauhaus-style design by Otto.  Other novels containing examples of this rather esoteric genre are Winifred Holtby’s South Riding (1936) and, more recently, Will Wiles’ The Way Inn (2014). 

 

 

Share
Posted in Decline and Fall | Tagged , | 1 Comment

Conservative Think Tank Recommends Waugh Trilogy

The Hoover Institution of Stanford University has added Waugh’s Sword of Honour trilogy to its Classics of Military History. This is a recommended reading list posted on the Hoover’s internet site. The explanation for inclusion of Waugh’s war novels is written by military historian Max Boot. Here’s an excerpt:

It deserves to be known as the finest work of fiction to come out of World War II. Certainly it is far superior to juvenile novels such as Norman Mailer’s The Naked and the Dead or even Joseph Heller’s absurdist Catch-22…Ultimately the tone is elegiac, because the books are suffused with awareness that the war is leading to the demise of the British Empire and giving rise to a monstrous tyranny—the Soviet empire—in place of the fascist dictatorships which are being defeated.

Other books on the list include Herman Kahn’s On Thermonuclear War, U.S. Grant’s Memoirs and Churchill’s biography of Marlborough. Thanks to David Lull for forwarding this post.

NOTE (12 March 2016) David Lull has also kindly sent a copy of a story in yesterday’s Wall Street Journal in which novelist Simon Mawer lists his five favorite books about the experience of war. All deal with WWII.  Waugh’s Sword of Honour is on the list:

Much has been written about the horrors of World War II, but it takes true genius to write a successful comic novel about it. This is what Waugh achieved in “The Sword of Honour.” Published as three separate novels, it is a roman à clef based on his personal experience in the army. The story abounds with ludicrous and appalling characters—from the fire-eating Brig. Ritchie-Hook to the absurd Capt. Apthorpe and his bush thunderbox (a kind of portable latrine), to the lovely and licentious Virginia Troy—all viewed through the increasingly disillusioned eyes of Guy Crouchback, one of Virginia’s ex-husbands and a devout Catholic. At the start Guy fancies himself as some kind of noble crusader, but as the war progresses his sense of idealism is repeatedly undermined. This was more or less Waugh’s own progress through the conflict. His sardonic wit serves as an astringent shock to anyone who might imagine that the war effort was all about heroism and brilliance. More than that, it’ll also make you laugh out loud.

The only other fiction included on Mawer’s list was Dan Billany’s The Trap (1950), which is still in print.

Share
Posted in Academia, Sword of Honour | Tagged , , , , | 1 Comment

Waugh Quoted in New Westminster Hymnal

A quote from Evelyn Waugh’s 1959 biography of Ronald Knox is printed as a sort of epigram at the beginning of a new edition of the New Westminster Hymnal (originally published in 1939). The hymnal contains Roman Catholic versions of hymns used in worship services. Waugh’s quote explains Ronald Knox’s contribution to the hymnal:

At the Low Week meeting of the hierarchy in 1936, Ronald had been appointed to a committee to revise the WESTMINSTER HYMNAL. Some converts from Protestantism repine at their lost opportunities for congregational singing. Indeed, many adult English Catholics do not hear a hymn from one year’s end to another. Ronald attributed this silence to the low literary quality of many Catholic hymns. He took the work of revision very seriously, and his taste—more than that of any other individual—pervaded the committee, whose deliberations were protracted for two years… 

This is an excerpt from a passage that appears at p. 253 of Waugh’s biography of Knox. The hymnal is reproduced in PDF format on a Roman Catholic website known as Corpus Christi Watershed. It is Part 4 of a blog containing copies and discussions of other musical works written for religious purposes. 

Share
Posted in Catholicism, Ronald Knox | Tagged , | Comments Off on Waugh Quoted in New Westminster Hymnal