Combe Florey, Pevsner and the Waughs

In a recent article in the Guardian, literary journalist Ian Jack pays homage to the late Nikolaus Pevsner on the occasion of completion of the work he began in the 1950s. This occurred with the publication of the final volume of the Buildings of Scotland, relating to the architecture of Lanarkshire and Renfrewshire. The work was launched with Prof Pevsner’s ambitious Buildings of England series originally sponsored and published by Penguin Books and often referred to as “Penguin Guides.” The first guide was devoted to Cornwall and was published in 1951. Much of the work on the early volumes was undertaken by Pevsner himself who was driven around the countryside by his wife to follow up on the initial research done by his assistants. The texts of these early volumes were written by Pevsner and can be painful reading due to to his meticulous attention to detail. A rivalry grew up between Pevsner and John Betjeman who favored a more relaxed and accessible form of architectural history in his Shell Guide series.

In his Guardian article, Jack mentions Combe Florey. This was Evelyn Waugh’s home from 1956 until his death in 1966, and his wife and later his son Auberon lived there afterwards.  Jack’s article discusses Pevsner’s entry for the house:

Not everywhere welcomed his curiosity; [Pevsner] sometimes got on poorly with the owners of country houses. “Nice staircase of c1753,” was his only comment on the interior of Combe Florey, Auberon Waugh’s house in Somerset. “One can’t very well take offence at that,” Waugh countered later, “but I feel my staircase has been violated whenever I reflect that his bleary socialist eyes have appraised it.”

Combe Florey is covered by the guide entitled South and West Somerset, no 14 in the Penguin series and written by Pevsner. The entry starts with a long and detailed paragraph about the church and then continues with the “manor house.” After a description of the Medieval gatehouse, which predates the manor house and still belongs to Alexander Waugh, Evelyn’s grandson, the entry continues:

The present house is up the hillside. It was built c. 1675 and received a new front in 1730. Five bays and two stories, with pedimented doorway and ground floor windows with Gibbs surrounds. (Nice staircase c. 1735.)

This volume was published in 1958, and Pevsner may have visited the house before the Waughs moved there in late 1956. Waugh leaves no record in his published diaries or letters of a visit by Pevsner. Since he would probably have been aware by that time of the rivalry (even enmity) between Betjeman and Pevsner, he would likely have noted such a visit. Nor does Auberon mention whoever it was who allowed Pevsner into the house when he wrote about it in a 1992 article in his “Way of the World” column for the Daily Telegraph (quoted above). Auberon should have been pleased to have Pevsner’s favorable assessment of his staricase since he more usually left only a dry factual description of a country house that lacked any particular architectural or historic notoriety.

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Grammarian Names Waugh Favorite Writer

British writer and grammarian Lynne Truss has named Evelyn Waugh her favorite writer. This is in an interview in today’s “One Minute With…” column in the i Newspaper, as reposted on PressReader. Truss is probably best known for her 2003 book Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. Here’s an excerpt from the interview:

Q. Who is your favorite author and why do you admire him/her?

A. Evelyn Waugh. Although I hate his snobbery, I love his economy of style, and his dialogue. There is a audiobook of his Decline and Fall read by Michael Maloney that I’ve listened to half-a-dozen times: it still makes my laugh and laugh.

 

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Waugh’s Books Ranked in Fashion Magazine Lists

Stylist magazine is a weekly print publication with free distribution within the UK. It has a books column which specializes in listing books in categories thought to be of interest to or likely to amuse its audience of young women. A recent issue listed Vile Bodies as containing one of the 50 funniest lines in literature: “All this fuss about sleeping together. For physical pleasure I’d sooner go to my dentist any day.” This book was also previously rated as having one of the 100 best closing lines in literature: “And presently, like a circling typhoon, the sounds of battle began to return.”

Previous issues have listed other Waugh novels:

Scoop is among the 100 best holiday reads.

Decline and Fall is among the 50 best books about the 1920s.

Brideshead Revisited has, no surprise here, been listed in several categories: Nanny Hawkins is among the 10 best loved fictional nannies; the 1981 TV adaptation is among the 25 best costume dramas and the 25 best DVD boxed sets; and the 2008 film adaptation is among 35 bad adaptations of good novels. 

 

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Judge Turns Novelist, Citing Waugh

The Nottingham Post reports the story of a retiring judge who has published a novel. This is entitled Blackmail, which is about a robbery by a group of professional criminals, and is written by former judge of the Nottingham Crown Court, Michael Stokes. After listening to stories for many years, he now has the opportunity to write one. He describes his decision, with a nod to advice given potential writers by Evelyn Waugh:

“You may influence a decision but juries make the decision, other than sentencing. I can actually decide exactly what happens to all the characters . British writer Evelyn Waugh said ‘never kill your characters’, so you can use them again and again. I’m going to kill off a few. I haven’t decided who dies. No one dies in this novel, only from natural causes. No one gets murdered. But they do in the next one!”

Waugh made that statement in a TV interview on the BBC’s Monitor program in 1964. He was referring to the success of his fellow novelist Anthony Powell who wrote one novel after another based on the same cast of characters as they moved through their lives in A Dance to the Music of Time. Waugh, on the other hand, found death a convenient way to end a story, but then had to work up a whole new cast of characters each time he started another novel. A critic once remarked that one of the most dangerous professions one could choose was to be the hero in an Evelyn Waugh novel. To be fair, some of Waugh’s characters survived through several novels; think of Margot Beste-Chetwynde and Basil Seal. And his last novels were written in a series later published together as Sword of Honour. 

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Waugh at Thanksgiving Table

The San Diego Reader, a weekly alternative print newspaper, has an article imagining a Thanksgiving dinner at which Evelyn Waugh is one of the guests. The others are:

writer and critic H.L. Mencken, Pogo Possum, Roman emperor Claudius, writer and humorist James Thurber, writer and agitator Hunter P. Thompson, author Robert Penn Warren, and founding father James Madison.

 The host and columnist Walter Mencken (addresses H L as his father, but then he’s the writer of the “Almost Factual News” column) asks the assembled guests:

on this most American of holidays, if everyone could find a way to give thanks for our new American president. Silver linings, it’s an ill wind, that sort of thing.

Waugh’s response is first:

Evelyn Waugh: “‘Change and decay in all around I see,’ sang Uncle Theodore, gazing out of the morning-room window. Thus, with startling loudness, he was accustomed to relieve his infrequent fits of depression.”

W.M.: Very funny, Brexit-boy. That’s from Scoop, isn’t it? Good reference in the wake of the campaign’s media follies. And it’s funnier when you know it’s a line from a hymn. But let’s pretend we’re not just old men who can’t bear to see civilization march on without us. Maybe Trump won’t burn it all down.

H L Mencken is next to reply: 

“Democracy is the theory that the common people know what they want and deserve to get it good and hard. On some great and glorious day, the plain folks of the land will reach their heart’s desire at last, and the White House will be adorned by a downright moron.”

And so on around the table. It might have been noted that this is the first opportunity for Waugh and H L Mencken to meet in person. A meeting was arranged on Waugh’s visit to Baltimore in 1948 but was cancelled due to a stroke suffered by Mencken, from which he never fully recovered, the evening before the event.

Happy Thanksgiving!

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Author William Trevor Dies at 88

Publishers Penguin Random House Ireland have announced the death of novelist and short story writer William Trevor (1928-2016). According to his obituary in the New York Times, he was best known for his “mournful, sometimes darkly funny short stories and novels about the small struggles of unremarkable people .” He began with a career in teaching, in the course of which he taught in what the Guardian describes as “an Evelyn Waugh-style academy in Ulster.” He drifted into advertising, where he started writing fiction in his spare time. The New York Times notes that Evelyn Waugh was among his early boosters in a description of Trevor’s 1964 novel The Old Boys: 

Evelyn Waugh called the novel “uncommonly well written, gruesome, funny and inspired,” and it won the Hawthornden Prize. As a writer, Mr. Trevor was on his way, and Notley’s lost one of the least promising copywriters it had ever hired.

According to the Guardian, Waugh’s support for the book was in the form of a pre-publication testimonial, rather than a review. Waugh had a habit of supporting the early work of writers in whom he spotted talent, including that of such contemporaries of Trevor as Muriel Spark and Angus Wilson. Waugh was also a winner of the Hawthornden Prize, which we was awarded for his life of Edmund Campion. 

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Telegraph Compares New Zadie Smith Novel to Brideshead

In a Daily Telegraph review of Zadie Smith’s new novel Swing Time, the reviewer James Walton compares it with Waugh’s Brideshead Revisited. The novel involves a narrator and a friend who who live in different social strata of the same North London public housing estate:

Both are mixed race, their “shade of brown
 exactly the same”. But with Smith’s Austen-like sensitivity to social gradations, it definitely matters that the unnamed narrator is the posher of the two. Her family’s flat is in a low-rise block, her father is hard-working and her black mother has “a terrific instinct for middle-class mores”. (“No plastic flowers for us
 and no crystal figurines.”) Tracey, by contrast, lives in “a high-rise estate of poor reputation”, with a father in and out of prison and a mother who is “obese, afflicted with acne
 her thin blonde hair pulled back very tightly in what I knew my mother would call a ‘Kilburn facelift’.”

Even so, after the two meet in a dance class when they’re seven, it’s the fiercer and more talented Tracey who seems destined for greater things. For a while, in fact, it looks as if Swing Time may be in the tradition of such novels as The Great Gatsby, Brideshead Revisited and Elena Ferrante’s Neapolitan Novels, where a resignedly overshadowed narrator tells us about a more charismatic friend. But, as it turns out, this is only one strand in a book that examines many of Smith’s familiar themes – race, fame, pop culture, female self-delusion and the whole tricky business of roots – from an impressive variety of perspectives.

This point of comparison seems fairly strained because the narrator in Brideshead is of a lower class than and is dazzled by Sebastian’s aristocratic manners and family. In the end, Charles Ryder is not “overshadowed” by Sebastian’s success–far from it. And the difference in their social standing is far more pronounced than that suggested in Smith’s novel. As the reviewer goes on to explain, there are several other storylines that undercut this superficial comparison. But the reviewer has yet another comparison between the two writers up his sleeve which he withholds until his conclusion:

… at times her new novel feels a bit like Brideshead Revisited in another way, with the reckless, irresistible comedy of the author’s early books [e.g., White Teeth] laid aside in favour of something deeper, more heartfelt, but less stirringly energetic. Of course, any writer can write whatever they like, especially when they’re as good as Zadie Smith. Even so, Waugh did go on to reconcile both modes in his Sword of Honour trilogy– and my own hope is that one day she, too, will find a way to combine the seriousness of her recent novels with the comic zest of her early ones.

One can certainly join in that hope. 

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Collection of Elizabeth Bowen Reviews Published

A substantial collection of the book reviews written by novelist Elizabeth Bowen has been published by Northwestern University Press. It is entitled The Weight of a World of Feeling and is edited by Allan Hepburn, who previously edited a volume of Bowen’s essays. Bowen was a friend of Evelyn Waugh, who visited her at her home in Ireland in the early 1930s. That visit is mentioned by Bowen in the earlier collection where she recalled that Waugh had rescued her from a bat in her library on that occasion (People, Places and Things: Essays of Elizabeth Bowen, p. 146). According to a review of the new book by Micah Mattix in the Washington Free Beacon, Bowen:

…filed a weekly column for the The Tatler and Bystander, a magazine for “the horse-and-hounds set,” as Allan Hepburn puts it, between 1941 and 1950, and again between 1954 and 1958. She also wrote regularly for The New Statesman, The Spectator, and The Observer. In reviews on Evelyn Waugh, Anthony Powell, T. S. Eliot, Jean-Paul Sartre, Graham Greene, Aldous Huxley, and many more, her judgments on individual writers and works have, for the most part, stood the test of time. Often they double as direct commentary on the art of the novel or the function of criticism, as the case may be.

According to an online index to the new collection, it contains Bowen’s reviews from the Tatler of at least four of Waugh’s novels: Put Out More Flags, Brideshead Revisited, Officers and Gentlemen and The Ordeal of Gilbert Pinfold. Other reviews of Waugh’s works may be included in multiple book articles. Moreover, Waugh reviewed at least one of Bowen’s books. As it turns out this was a previous collection of Bowen’s book reviews and other short essays entitled Collected Impressions and published in 1950. Waugh concluded there that her reviews:

represent an active and discerning mind healthily and happily at work. Their scope is as wide as the publishers’ lists. Miss Bowen is unassumingly at ease with the whole of European literature and with most of English and Irish social life. One general impression is that, unlike most of her colleagues, she likes books. (Essays, Articles and Reviews, p. 190)

UPDATE: Although, as originally noted, the contents of Bowen’s book are not available in the Amazon.com or publisher’s listings, a reader has kindly provided a link to a library reference that displays the contents. This is from the library catalogue of the University of California at Riverside. Tip of the hat once again to David Lull.

 

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Macaskie Twins Surface at London Book Launch

A posting on the Ronald Knox Society of North America website describes a book launch in London earlier this week. The book is edited by Francesca Knox and is entitled Ronald Knox: A Man for All Seasons. It is a collection of essays and other writings by Ronald Knox, some of which have not been previously published. The book launch was attended by, inter alia, two women of an advanced age who are referred to as the Macaskie twins.

These two ladies are prominently mentioned by Waugh in his biography of Ronald Knox. They met Knox during WWII when both attended the convent school at the Aldenham estate where Knox was acting as chaplain. The school and convent had been removed from London at the beginning of the war to the estate of Lord Acton where Knox was already in residence. Waugh’s description of their meeting with Knox is quoted at length in the Knox Society article, and their importance to Knox’s biography is summarized in this passage (Penguin, 2011, pp. 369-70):

The twins invited him to stay in the holidays, and soon their house in Kensington Square became his regular lodging in London. He said they should put up a plaque: ‘Ronald Knox practically lived here.’ Later they were among the very few of his friends to whom he wrote letters in his old, free, affectionate manner. In May 1947 he wrote to Nicola: ‘You and Claudia are the only people I want to write to except on business.’ In the drab and sour period of victory their friendship was a substantial solace. With his habitual reticence, he seldom spoke of them. At the dinner given to him in London on his sixtieth birthday the appearance of Claudia, dressed for a ball and prematurely called away by a young man in a white tie, created a stir of curiosity among his elderly friends.

Waugh cites Knox’s letters to them frequently in the final pages of the biography and mentions them both in his list of those who helped him in its preparation. Their appearance at the book launch is described in the Knox Society article:

They were as thoroughly English, and thoroughly charming, as one might expect. They reminded me of two Miss Marples, complete with twinkling eyes at almost 90 years of age! The Creed in Slow Motion and The Mass in Slow Motion were dedicated to them, and the sermons Knox preached at their respective weddings are included in Bridegroom and Bride.

The book launch was held at Heythrop College of the University of London which is housed in Kensington Square in the former quarters of the convent school which had been evacuated to Aldenham. 

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BBC Radio to Air Discussion of Scoop

The next installment of  BBC’s A Good Read on Monday 21 November will include a discussion of Waugh’s novel Scoop. Here’s the description from the BBC Radio 4 Extra schedule:

Rosie Boycott and her guests – novelist William Boyd and journalist Paul Foot – discuss favourite books by Evelyn Waugh, Vladimir Nabokov and Lewis Grassic Gibbon. From 2003.

The other books include King, Queen, Knave by Nabokov and Sunset Song by Grassic Gibbon. William Boyd wrote the script for the 1987  TV adaptation of Scoop made by London Weekend TV for ITV and PBS. 

This episode of A Good Read may be a rebroadcast of a 2003 episode. Here’s a link to the broadcast at 1830 next Monday. It will be available over the internet worldwide via the same link on BBC iPlayer a few minutes after 1900. 

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